Simplicity.
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Simplicity.
We all make mistakes.
Most days.
All My Friends (And Friendships) Are Weird
Grappling With Good & Evil
To be good is not something most people consider anymore; they’ve all surrendered to their odious fate. And those who are good don’t need to consider it--it’s simply innate. But what about those of us plagued with the desire for deviance and benevolence? Or, not even the desire for deviance, simply a need for distraction. And, as we all know, any distraction worth its weight in distractive properties requires a certain level of iniquity. Whether this means drinking, drugging or promiscuity, the constant grappling between good and evil is always there. Particularly if you live in Los Angeles or New York, the U.S. hubs of human pleasure and misery.
There are periods of dormancy in the evil one feels prone to. Going months without even the slightest predilection toward debauchery, however, usually means you’re due for an unexpected bender to make up for all the lost time in evil. One night, after being a good little ducky and working/not spending money in earnest, you will feel the call of life--the bar, the club, the meaningless sex prospect--all of it.
And after you’ve engaged in your binge of vileness, you’ll be left feeling empty--like none of it was worth the disgust you feel for yourself in the wake of it. Like you should promptly go out and join one of the handful of convents still left in the world in order to cleanse yourself of your weak-willed, pitiful nature.
Instead, you will go on as before, vacillating intermittently between the extremes of good and evil that you despise--after all, the middle ground on the spectrum of morality is too dull to bear. The pattern of fluctuation will tear at your psyche and your soul until you finally give in fully to one side of your persona. And can you guess which side is more tantalizing? I think so.
© Genna Rivieccio 2015
Cracked
The crack on his phone screen was minimal at first, hardly even noticeable. You could just barely see it if you tilted it at a certain angle. It rarely bothered him, until, one day, the crack splintered into another, more visible offshoot. Even this wasn't enough to make him feel any great sense of irritation, but it was enough to make him bristle occasionally when he looked down and saw it.
Gian worked from home most days, his phone his only life line to the outside world. He rarely checked emails, opting instead to use his computer solely for Photoshop purposes. His girlfriend, Justine, a 23-year-old (three years younger than him) he had met at a bar in the Mission, was always vexed by Gian's inability to communicate by any other means than an actual telephone call. Averse to texts or other forms of written contact, Gian was unreachable unless called. It was for this reason, perhaps, that it took him so long to be bothered by the crack, for he never really had to press his fingertips against it.
One day, Gian was working on Photoshopping a picture of Amy Winehouse into a picture with Marilyn Monroe for a freelance project he was working on that needed photos to accompany a "think piece" on tragic celebrities when his phone rang. At first, he couldn't find it right away. Growing more frantic to find it in case it was his boss of the moment needing him to prove that he hadn't been languishing all day, Gian unwittingly stumbled upon it by scratching his fingers against the crack, which had, by this time, pronged off into five or six other cracks. The pain of rubbing the sensitive pads of his fingertips on the crack was compounded by the fact that he missed the call.
When he tried to call back, there was no answer. Standing over the sink with his bloody fingertips placed unwaveringly beneath the hot running water, Gian considered the unavoidable fact that it might just be time to invest in a new screen, even though one of the few principles he ever stuck to was never giving the Apple corporation more money than it already had/was entitled to.
With the proper bandages now on his index and middle fingers, Gian dialed Justine's number and went about the undignified business of asking his younger girlfriend to borrow money before he got paid two weeks from now in order to remedy his communication situation. Justine was happy to oblige because she saw it as the first sign of Gian's as of yet unrevealed capability of being vulnerable. Plus, it was nice, for once, to be the one in control--the one with the upper hand.
Justine agreed to come over that night to lend him the $110 dollars (as quoted by an Apple store Genius Bar crew member) so that Gian could take it in the following day for immediate repair. The problem was, when Justine arrived, she had a strange air about her. It was something just bordering on haughtiness, but still subdued enough to not quite be deemed as such. Gian did not care for it.
As they sat down to the dinner Gian had prepared for her, arugula salad with pears and walnuts drizzled with a raspberry compote, he wondered if perhaps borrowing money was an imprudent idea. Was the crack(s) on his phone really so unbearable? This question was answered when he looked down at his war-torn hand as he picked up his fork to eat.
Still, Justine's attitude was extremely troublesome to his state of mind and, more importantly, his ego. To test the waters, he asked, "How's the salad?" Under ordinary circumstances, Justine might have gushed about how fantastic it was. Instead, she shrugged, "It's pretty good." It was then that Gian knew the tables had officially turned. He could not, with this knowledge, take her loan in good faith.
Before she left, Justine tried to casually remove the money from her purse to give to Gian as though it hadn't been at the forefront of her mind the entire evening. Gian, with just as much of an aloof demeanor, politely declined the funds, lying to her by saying he was getting paid for a freelance gig he forgot about tomorrow. Justine tried to do her best to act as though she wasn't completely flummoxed, but her expression and speechlessness gave her away.
After that, Gian distanced himself from Justine as much as possible, ceasing to call her and answering her texts infrequently until, finally, she gave up on trying to sustain the relationship. Gian felt faintly remorseful for occupying the cold shoulder technique, but he couldn't risk seeing her again with the same cracked phone. She would then always wonder why he hadn't accepted her money. And he couldn't just come right out and say it was his own masculine pride combined with the unalterable desire to be the dominant party in any relationship that prevented him from taking her up on her willing financial assistance.
About a year later, he would still think of Justine whenever he had to touch his phone screen. In this way, she managed to remain the sovereign over the ashes of their long-dead romance.
© Genna Rivieccio 2015
Women's Month.
True romance.
Holiday haze.
SEX IZ AWKWARD (INSTALLMENT 23): WHEN PEOPLE TALK TO YOU ABOUT GETTING EATEN OUT AND/OR BONING IN GENERAL
There's only one thing worse than not getting sex: not getting sex and having to listen to someone else tell you about how great their bedroom alter ego is faring. It's uncomfortable in general to have to listen to someone--whether a close friend or random acquaintance--broach the subject of boning, but having to listen to another man or woman describe in detail how fantastic the head they got the other night is, hands down, the worst.
So how do you deal with it when another person tells you about how clean their pussy/dick was licked/sucked in the past few days? You take the Charlotte York in acupuncture approach: tune the fucker (literally) out until he or she realizes you've left the planet and finally decides to stop talking.
© Genna Rivieccio 2014
The Pasta-Addicted Slore
She’d eat any kind of pasta she could get her hands on—elbow, bow-tie, fettuccine, angel hair. You name it, she’d eat it, and was addicted to it. And the sauce scene, well that was a whole separate addiction. From Bolognese to pesto, Marianna had never tasted a sauce she didn’t love. But her favorite was marinara. That’s why she had changed her last name to, wait for it, Marinara. It was also the ideal complement to her exotic dancing persona, Basilica Marinara.
Among the many ironies about Marianna was that she possessed a job that required her body to be at least marginally attractive, and yet, she was obsessed with a food that completely negated this possibility. Hence, her coke addiction. It wasn’t a stripper cliche she wanted to embody, but she genuinely needed it in order to offset her daily pasta intake.
One minute you would find Marianna in her butter pat-sized East Village kitchen whipping up carbohydrate-laden dreams you could never even imagine unless you tasted them, and the next you'd see her in the bathroom blowing rails like her life depended on it. Yes, Marianna had two terrible yin and yang addictions, each one supporting the other. Sometimes, she would be so enmeshed in her routine that she would accidentally snort up an errant piece of spaghetti laying on the kitchen table.
It got to a point where she couldn't do anything without incorporating pasta. Whether it was part of her onstage routine or her sex life, this food group needed to be a part of it. Her pasties were shaped like meatballs, her bras featured plates of spaghetti on each cup, her underwear had days of the week pasta images on the crotch. She was fast becoming known as "the stripper with a fetishist audience." Marianna also tried to join a religious sect known as the Pastafarians, but even they couldn't match her uncontrollable zeal.
Soon, her passion was beginning to affect her relationships. Every time one of the other strippers suggested going out to dinner, she would instantly shout, "Russo's Mozzarella and Pasta!," her favorite place in the East Village. They would all shoot her a look like she was Junior fucking Soprano to their stripper mafia--an old relic of a non-anorexia era that needed to be done away with. You see, when these girls said dinner, they meant dancing, they meant drinking, they meant anything except actually eating.
Marianna was ultimately ostracized for her food choices, left to feel insecure and inhuman for her pasta lust. This eventually led her to quit the strip club, hole up in her apartment and eat without supplementing her cuisine with coke. She became so zaftig that she couldn't get another job, least of all as a sex worker. But it didn't matter, the pasta still beckoned.
The fact was, she would take it any way she could get it. Even if it meant being fat, even if it meant getting it from the Olive Garden. Nothing else mattered. When once she was just an ordinary slore, now she was a pasta slore--hopeless and addicted, waiting to die from diabetes or a heart attack or the sheer and utter loneliness of no one ever being able to understand her need. So be it, she thought. She would be buried in a mound of her favorite cuisine, wrapped in it like a mummy. And this act would be the most affordable funeral rite ever given.
© Genna Rivieccio 2014
Mary Jane's A Bitch
I hate weed. Absolutely fucking abhor it. Many find this not only a source of incredulity because I'm a Californian, but also because of how much they truly believe in its beneficial effects. How goddamn beautiful it is to be high. Maybe it is for some (or most), but it's never felt that way to me. No, it's always given me the sensation of what it would be like to have a lobotomy or to have bashed my head against a wall repeatedly in order to experience what I Heart Huckabees refers to as "pure being."
It isn't just the mental sensation weed causes that makes me loathe every leaf of it. It's the odor (like damp laundry left out for days) and the culture. If that's what one chooses to call it. Yes, the "community" of pot smokers and the understanding they have for one another. It's as though they all feed off one another's enthusiasm for this shitty drug, thereby allowing them to justify their addiction. And it is an addiction. What makes it different from other addictive substances--chiefly alcohol--are the many accoutrements involved in the art of actually smoking it. The aboundment of paraphernalia required to enjoy this drug to its utmost.
Even when one is smoking a simple spliff, there's too much process involved. So much work just so one can relax and do nothing, when one could just as easily do so without paying upwards of fifty dollars to obtain the materials "needed" to unwind. This is the other source of vexation that arises when judging the weed smoking set: their seemingly total inability to cope with reality. If sober existence is such a hardship, perhaps one ought to consider suicide instead. It's far more financially viable in the long run. Besides, sometimes it's nobler to experience the simple agonies of everyday life without the crutch that is weed. Whatever happened to good old-fashioned masochism (unless you've got cancer or glaucoma, then I understand completely)?
Everyone tends to be shocked and hurt by my lack of affinity for weed. They assume that my slow reflexes and monotone voice make me an obvious candidate for pot smoking fiend. But it's not my bag (so please keep yours to yourself). And I wish others would stop trying to make it so. I often feel like I need to make a documentary in the vein of Bill Maher's Religulous, except instead of convincing everyone that religion is a delusion, I'm convincing them that pot is a delusion. A placebo for being calm, when all you really need to do is just deal with your fucking shit without being a bitch about it. That's it. That's all you have to do. You don't need Bob Marley's ashes to do it (I maintain all ganja is simply Bob Marley's remains).
Then, of course, there's the "weed makes me creative" angle people like to play. But creativity is somehow rendered more meaningless when the drug comes up with the idea (usually one that only sounds brilliant whilst high) and not you. Reliance on "an altered mind state" for genius means you're probably not a genius.
The other argument people like to present is that you have to find the weed strain that's right for you. Kind of like the epic quest for the perfect therapist after seeing about twenty of them. For me, if I'm not lying down in an alley wanting the high to pass or seeing sepia tones, I'm rocking back and forth in a state of paranoia or experiencing none of the effects people seem to love about this drug so much. Thus, I don't think there is a strain that's right for me.
The next time I bother with inhaling a tobacco-laden joint and burning the shit out of my lung (which is probably going to be sooner than I would care to acknowledge), I'm going to turn to the person who rolled it and demand that an edible be presented. As that's the only way for non-weed smokers to deal with potheads. Their addiction breeds another addiction for those who must endure them. Who knows? Maybe it all goes back to the idea that a person can only be friends with "their own kind" (no, that's not a race reference).
© Genna Rivieccio 2014
Labias and Mussels: An Obvious Correlation
One Sunday night, I decide to indulge in some white wine sauce with mussels (how else is one supposed to cope with being a plebe who has to be somewhere on Monday?). After I eat a bevy of these mussels, I go into the bathroom to relieve myself (saying "piss" or "pee" sounds too colloquial for my taste). The way in which I squat allows me to look squarely at my labia, which is so disgustingly similar to mussels that I almost want to retch. There they are: the same folds, the same alien-like aesthetic, the same membraneous look. I can't stop staring at it and flashing back to all the, for all intents and purposes, labias I just ate. And yes, I know labia is the plural of labium, but labias just sounds better to me, alright?
I have to ask myself how I manage to continue eating such foul sea fare when all I think about every time I bite into one is the incredible resemblance it bears to my vagina. Why do I keep coming back for more if this is the only association I make with it? Am I an undercover lesbian? Do I secretly want to eat pussy? I have no idea. All I know is, I shouldn't want to keep eating mussels, because they look utterly repugnant. Everything about them is so overtly sexual. The way you cook them and the shell just opens, like a goddamn pair of legs.
Yes, to be sure, eating mussels is an obscene act. One that should be done alone and in embarrassment. It's like you're some sort of fetishist who gets your jollies from consuming only those culinary delights that specifically resemble genitalia. I carry my secret shame with me. I feel like everyone else knows that mussels look like labias, but no one wants to call it out because it would ruin their appetite for this particular seafood for life. And that's another thing. Mussels are from the ocean, adding to their vaginal comparisons in terms of odor. Yet, in spite of all these obvious connections, everyone seems to be perfectly at ease with taking a voracious bite from a sauce-laden bowl of mollusks. Well, I won't be silent anymore: labias and mussels are the same thing. And I'll be damned if I try to deny it any longer. But, of course, I won't stop eating them. Like the pussy, they're just too good.
© Genna Rivieccio 2014
Yes, please do.
Modern art.
Procrastination.