How to Draw Hands by zephy.fr
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Game of Thrones Daily
noise dept.
Cosmic Funnies
occasionally subtle
Color Me Curious

Origami Around

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KIROKAZE

PR's Tumblrdome
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hello vonnie
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Claire Keane
untitled
The Bowery Presents
EXPECTATIONS
Sade Olutola
ojovivo
macklin celebrini has autism

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@meeperdoodle
How to Draw Hands by zephy.fr
Support the artist and follow them on instagram!
Baby Kiwi cute but deadly phone wallpapers. Enjoy!
Imma just same there for laterr..... ❤
Inktober day 3 prompt is Dream :D what can I say, I love fish and I love dreaming of fish :3
My fiends at my Discord server came up with our own list of daily prompts and we welcome you to join us at Discord.gg/j2vP6rQ to share your art!
Fishies!!
The Legend of Pokemon by David Pilatowsky
The crossover I never knew I needed
Papercraft Eeveelutions made by Ukjo Chang
I want
“Scars” by Valentina-Remenar: http://bit.ly/2IEXpLm
There’s a magical and emotional quality to Valentina’s works that make her art so fascinating it borders on inescapable.
Whoa
Someone out there on the internet found the original booklet that came with the original Nintendo system version of ‘Tetris’ and, hold on to your hats people, the blocks have names. THE BLOCKS HAVE NAMES!
SMASHBOY
Ocarina of Time Embroideries made by bagladygreats
Patterns here
WhoAAAAAAAAA
Click me for the brushes used in the tutorial A few peeps were wondering how I drew attacks in my nuzlocke comic, so I made a quick/kinda sloppy tutorial about it! Tbh it’s just me spamming luminosity and overlay layers haha ;yyy Hope this somewhat helps!
Fun colors always makes things 10x funner!
A tip for blending when painting digitally: use a transition color! I quickly made this when my brother asked for art advice while I was working on a painting for my best friend. (I was watching a lot of makeup videos to pick out her gifts).
Some Photoshop Tips
I’ve been getting quite a few asks about the process for the patterns in my stylized artworks, so I decided to put together a couple of tips regarding them.
Firstly, what you need are
— CUSTOM BRUSHES —
Most of the patterns I use are custom brushes I made, such as those:
For the longest time I was convinced making brushes must be super extra complicated. I was super extra wrong. All you need to start is a transparent canvas (2500px x 2500px max):
This will be your brush tip. When you’re satisfied how it looks, click Ctrl+A to select the whole canvas and go to ‘define brush preset’ under the edit menu
You will be asked to name your new glorious creation. Choose something that describes it well, so you can easily find it between all the ‘asfsfgdgd’ brushes you’ve created to be only used once
This is it. Look at it, you have just created a photoshop brush. First time i did I felt like I was cheated my whole life. IT’S SO EASY WHY HASN’T ANYONE TOLD ME
Time to edit the Good Boi to be more random, so it can be used as a Cool Fancy Pattern. Go into brush settings and change whatever you’d like. Here’s a list of what I do for patterns:
- under Shape Dynamics, I increase Size Jitter and Angle jitter by 5%-15%
- under Brush Tip Shape, I increase spacing by a shitload. Sometimes it’s like 150%, the point is to get the initial brush tip we painted to be visible.
- If I want it to look random and noisy, I enable the Dual Brush option, which acts like another brush was put on top of the one we’ve created. You can adjust all of the Dual Brush options (Size, Spacing, Scatter, Count) as you wish to get a very nice random brush to smear on your backgrounds
The result is as above. You can follow the same steps to create whatever brush you need: evenly spaced dots that look like you painted them by hand, geometric pattern to fill the background, a line of perfectly drawn XDs and so on.
BUT WAIT, THERE’S MORE
— PATHS —
But what if you want to get lots of circles made of tiny dots? Or you need rows of triangles for your cool background? Photoshop can do all of that for you, thanks to the magic of paths.
Typically, paths window can be found right next to Layers:
Draw whatever path you want, the Shape Tool has quite a bit of options. Remember, paths are completely different from brush strokes and they won’t show up in the navigator. To move a path around, click A to enable path selection tool. You can use Ctrl+T to transform it, and if you move a path while pressing Alt it will be duplicated.
Now, pick a brush you wish really was in place of that path you’ve drawn and go to layers, then choose the layer you want it to be drawn on. Then, click this tiny circle under the Paths window:
Then witness the magic of photoshop doing the drawing for you while you wonder how tf have you managed to forget about this option for the past 2 years
You can combine special brushes and paths for all sorts of cool effects. I mostly use them in backgrounds for my cards, but you can do whatever you want with them.
I hope that answers the questions for all of the people who were sending me inquires about the patterns. If you have any questions regarding this or any other Photoshop matter feel free to message me, I’m always up for complaining about how great and terrible Photoshop is C’:
Hey art res, I'm drawing an indoor scene. I have a stage, a table and bar. The table seems way too small next to the stage, even though the table is an okay size next to the bar. The stage is (mostly) okay for normal portioned people. )I hope). My main problem is that when drawing spaces not from real life and not directly copying a photo, I can't size anything. (the table would be a foot high, the person would be eight feet, etc etc). How do I fix this without math or calculations? thank you.
Hi @dank-space-memes!
Your answer is in understanding perspective!
There are three main types!
Once you understand how these grids work, you won’t have to measure out things or copy from a photo; you can design scenes in your mind! You can also move stuff and it won’t look weird because you will see how things appear to be different sized depending how they move away from vanishing point/focal points.
Keep in mind that things farther away generally look smaller and things that are closer generally look larger to you.
One Point Perspective
Here’s a rough thumbnail of 1 point perspective:
& then an overlay with what I imagine your scene to look like.
Note, your focal point can move but you’re going to want to adjust all the radial lines!
Two Point Perspective
& now with a weird angle of the props from before:
Three Point Perspective
Basically, you have 2 point perspective but with a bird’s eye/worm’s eye view.
& now with your props:
Hope this helps! :D
If you want to help me pay for this blog, I made a premium version of this as a PSD file with all the layers so you can toggle them on and off as you please: bmc.xyz/l/perspective.
This requires a bit of initial study, but I also definitely recommend following along with some tutorials.
Here are a few favorites:
New perspective on perspective by HOON
Perspective Tutorial by Kinie
https://drawabox.com/lesson/1 -Boxes! Not exactly related to perspective, but will get you comfortable orienting shapes in space, which is needed for drawing things in perspective.
@rawranansi/ @thundercluck-blog‘s amazing tutorial: https://thundercluck-blog.tumblr.com/post/158689805952/hey-friends-its-meg-for-this-weeks-tutor.
For aligning people with a horizon, consider this handy advice from the legendary Andrew Loomis. His books are in the public domain, like Figure Drawing For All It’s Worth
Thanks for reading! If this post helped, please consider reblogging it or sharing it with your friends! ❤️
More useful articles and resources / support Art-Res | my art tumblr | Idea Generator | Check out the Art-Res Anatomy Ebook!
From @lotus_the_mainecoon: “When you are tired but thirsty” #catsofinstagram [source: http://bit.ly/2RiqmzR ]
Cuuute
My kind of outdoor activity. 😅
This comic is from my new book, BOOK LOVE, which will be released on New Year’s Day! It’s available for pre-order on Amazon, bookstores and everywhere books are sold!
http://debbietung.com/books
Pose to Pose and Straight Ahead explanation, along with combo. Material coming soon for my upcoming 2D animation tutorial package.
Made this for a friend who needed some help with fire animation, figured it might be useful to someone else
this is how I approach any fire animation I do timing-wise and design wise. if I am doing something more cartoony I will use shapes that are suited to more flowing smooth transitions and a nice graphic look, if I am animating more realistically I will use more chaotic timing and a design that works better with the slight motion blur I always apply to realistic fire. real fire doent flow nice and smooth like water or smoke when viewed at real-time
I almost always animate fire on 1′s, though the cartoony fire can work on 2′s, you just have to be more careful of pops.
you can also animate more realistic fire with a slower timing, you wouldn’t want the above fire in the background of a calm scene. this is just an example using an extreme case.
Hope this helps someone who is struggling to rough animate fire that fits their specific style and scene timing.
🔥🔥🔥🔥🔥🔥
When you max out a Pokemon contest condition
Lmao you know it 😘