rubs my dirty little hands togetherΒ β΅ @megaeransΒ
he wasn't even looking at me and he found me
almost home
TMBGareOK. The Official They Might Be Giants tumblr
Fai_Ryy
Misplaced Lens Cap

bliss lane
Lint Roller? I Barely Know Her
occasionally subtle

shark vs the universe
KIROKAZE
The Stonewall Inn
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day

izzy's playlists!
Monterey Bay Aquarium
I'd rather be in outer space πΈ
Cosmic Funnies
No title available
2025 on Tumblr: Trends That Defined the Year
taylor price

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@megaerans-blog
rubs my dirty little hands togetherΒ β΅ @megaeransΒ
hngh thinking of a remake....
hadesboundΒ·:
@megaerans gets a thingy
Heβs nervous. Parchment feels rough against unusually clammy palm, as if splinters will pierce his skin at any moment if heβs not careful. He doesnβt think sheβll be upset with what he has for her. Itβs just the circumstances under which he actually gives it to her which is the issue (discretion is key here). Flame-licked feet carry him into the lounge and he hopes that his features can cool their expressivity for a moment as to not give him away. It only takes a moment for the note to be pressed into her hand and heβs walking away, around the perimeter of the room for quick chats with the chef and the merchant before heβs out of there.Β
MY CHAMBER, 5 MINUTES.
He follows his own scrawled directions, retreating back to his one place of solace in this whole HOUSEΒ to wait for her arrival, the lump in his throat only too happy to stay and witness the impending action.
megaera Β had Β been Β nearly Β walking Β on Β air Β for Β the Β past Β few Β work Β cycles, Β still Β practically Β floating Β from Β the Β implications Β of Β what Β zagreus Β had Β done Β for Β her Β . Β they Β would Β be Β MARRIED Β . Β and Β not Β only Β that Β , Β but Β it Β would Β - Β perhaps Β - Β take Β some Β of Β the Β heat Β off Β of Β her Β with Β regards Β to Β zagreus' Β little Β escape Β plan Β . Β that Β maybe Β he'd Β be Β able Β to Β go Β up Β against Β her Β sisters Β more Β often Β , Β or Β - Β the Β best Β solution, Β really Β - Β he'd Β realize Β he Β didn't Β have Β to Β spend Β every Β waking Β moment Β trying Β to Β escape.
he Β could Β breathe Β a Β little Β between Β his Β attempts Β , Β could Β savor Β some Β of Β their Β little Β life Β down Β here Β , Β until Β he Β made Β an Β entire Β domain Β for Β them Β , Β away Β from Β the Β power Β games Β of Β olympus Β and Β the Β contracts Β of Β the Β underworld Β .
the Β man Β of Β her Β thoughts Β comes Β up Β to Β her Β but Β he Β doesn't Β linger Β - Β she's Β almost Β disappointed Β to Β find Β out Β that's Β the Β case Β , Β but Β then Β he Β presses Β something Β into Β her Β hand Β , Β and Β it's Β all Β she Β can Β do Β to Β wait Β until Β he's Β moved Β on Β to Β actually Β read Β it Β . Β he's Β never Β been Β one Β for Β subtlety Β , Β that's Β for Β sure Β , Β but Β he's Β making Β an Β effort Β and Β that's Β all Β she Β can Β really Β ask Β for Β .
he Β leaves Β the Β lounge Β , Β and Β she Β waits Β a Β suitable Β amount Β of Β time Β before Β taking Β her Β own Β leave Β . Β she Β glowers Β at Β a Β few Β shades Β as Β she Β passes Β by Β , Β entering Β the Β prince's Β chambers Β with Β her Β game Β face Β on Β , Β closing Β the Β door Β behind Β her Β .
β Β what Β is Β it Β , Β zagreus Β ? Β β Β she Β asks, Β keeping Β her Β tone Β neutral, Β in Β case Β it Β turns Β out Β that Β they Β aren't Β alone Β . Β she Β doesn't Β sense Β anyone Β else Β in Β the Β room Β save Β for Β zagreus Β , Β but Β there Β are Β plenty Β of Β gods Β who Β can Β slip Β beneath Β her Β notice Β . Β she's Β trained Β for Β mortals Β , Β after Β all Β . Β it's Β only Β zagreus' Β mortal Β blood Β that Β makes Β her Β take Β such Β exception Β to Β his Β location Β at Β all Β times Β - Β that Β , Β and Β her Β undeniable Β attraction Β to Β him Β , Β coupled Β with Β her Β duties Β to Β the Β house Β .
@singofus β¬ dusa π
meg Β acknowledges Β how Β hard Β her Β friend Β works Β to Β keep Β the Β house Β in Β working Β order Β . Β there's Β much Β that Β goes Β into Β that Β : Β the Β care Β and Β keeping Β of Β cerberus Β , Β the Β ichor Β soaked Β river Β , Β the Β wandering Β shades Β , Β the Β prince Β , Β the Β master's Β temper Β - Β it Β all Β requires Β a Β careful Β balancing Β act Β . Β there's Β something Β about Β her Β can-do Β attitude Β that Β makes Β her Β seem Β as Β if Β she Β could Β take Β on Β the Β entire Β world Β and Β win Β . Β meg Β is Β curious Β about Β that Β aspect Β of Β her Β -- Β how Β it Β could Β exist Β so Β neatly Β within Β her Β work, Β yet Β leaves Β the Β other Β aspects Β of Β the Β young Β house Β keeper's Β life Β barren.
she Β usually Β keeps Β her Β observations Β to Β herself, Β not Β wanting Β to Β draw Β too Β much Β attention Β to Β dusa's Β own Β ways Β , Β lest Β she Β overwhelm Β her Β friend Β with Β praise Β . Β but Β today Β , Β as Β she Β watches Β dusa Β mentally Β check Β her Β mental Β to-do Β list Β , Β she Β looks Β at Β her Β friend Β and Β softly Β says Β , Β β Β you Β know Β , Β you Β can't Β get Β blood Β from Β a Β stone Β . Β but Β i Β think Β if Β anyone Β could Β , Β it Β would Β be Β you Β . Β β
starterΒ Β callΒ Β !!Β Β likeΒ Β thisΒ Β Β postΒ Β forΒ Β aΒ Β starterΒ Β fromΒ Β thisΒ Β promptΒ Β listΒ Β ;Β Β sendΒ Β inΒ Β aΒ Β numberΒ Β ifΒ Β youΒ Β haveΒ Β aΒ Β preferredΒ Β lineΒ Β ofΒ Β dialogueΒ Β youβdΒ Β like
starterΒ Β callΒ Β !!Β Β likeΒ Β thisΒ Β Β postΒ Β forΒ Β aΒ Β starterΒ Β fromΒ Β thisΒ Β promptΒ Β listΒ Β ;Β Β sendΒ Β inΒ Β aΒ Β numberΒ Β ifΒ Β youΒ Β haveΒ Β aΒ Β preferredΒ Β lineΒ Β ofΒ Β dialogueΒ Β youβdΒ Β like
get to know me meme: places [2/5]
Athens, Greece
βAthens, the eye of Greece, the mother of arts and eloquence.β
Sady Doyle
Edith Hamilton
Carl Rahl
Jess Zimmerman
William-Adolphe Bouguereau
girlboss, gaslight and gatekeep
singofusΒ·:
@megaerans continued from earlier (DUSA)!
Dusa had reluctantly let Meg leave, even with Ms Nyx there instead. Ms Nyx didnβt seem the type to be a protector like that. Admittedly she didnβt know much about the lady, but still she felt safer with her friend and trained protector here. Yet she of course couldnβt stop Meg from doing her job and Meg seemed concerned enough about an alert to need to go. The custodian was just very aware of why Nyx might be here. Already her hands were shaky.
Predictably, after checking in with how she was, Ms Nyx had stated that they did urgently need more information about what happened. Anything she remembered about her attacker and what they did. Dusa understood why, and so used all of her remaining courage to answer her questions.
By the end of it, her hands were shaking so hard that it took so long to write down the answers, but her throat ached from sobbing too much to speak at all. With some assurances about protection and guards that Dusa could barely hear, Ms Nyx then squeezed her hand and left. After that, it didnβt take more than a few minutes for Dusa to completely shut down. Despite the protection outside, she felt so unsafe. Her body went through cycles of sheer panic and then being unable to breathe and then a break where she became aware of her surroundings again. The cycle happening over and over.
When Meg arrived, the medical machines were going crazy with Dusa no longer hooked up to them. Instead, Dusa was pressed into a far corner of the room trembling and gasping for air, eyes glazed over in another reliving of the memory. Her bruised throat let out aching screams of terror.
megaera Β approaches Β the Β little Β studio Β , Β still Β mulling Β over Β hermes' Β offer Β . Β she Β shouldn't Β have Β accepted Β it Β so Β readily Β , Β but Β she Β didn't Β have Β much Β of Β a Β choice Β . Β her Β normal Β post Β wouldn't Β grant Β her Β such Β information Β , Β unless Β it Β was Β a Β target Β to Β be Β chased Β down Β and Β tormented Β , Β and Β she Β truly Β does Β believe Β that Β an Β exception Β can Β and Β should Β be Β made Β for Β her Β .Β Β Β
the Β uptick Β in Β guards Β at Β the Β studio Β gives Β her Β pause Β , Β but Β not Β more Β than Β the Β slight Β beeping Β that Β she Β can Β hear Β through Β the Β door Β . Β she Β gives Β a Β look Β to Β one Β of Β the Β guards Β , Β who Β cowers Β the Β slightest Β bit Β under Β her Β gaze Β .Β Β Β β Β cover Β me Β .Β Β Β β
she Β slowly Β pulls Β the Β door Β open Β , Β hand Β on Β her Β gun Β as Β she Β enters Β the Β space Β . Β nothing Β looks Β overturned Β or Β out Β of Β place Β , Β but Β the Β beeping Β from Β the Β machines Β fills Β the Β air Β . Β a Β ragged Β breath Β , Β then Β another Β scream Β , Β and Β meg Β loses Β all Β composure Β , Β running Β around Β the Β corner Β to Β the Β living Β room Β where Β dusa Β had Β been Β set Β up Β .Β Β Β
the Β bed Β is Β empty Β , Β but Β she Β can Β see Β the Β frightened Β girl Β curled Β up Β in Β the Β corner Β . Β she Β puts Β her Β weapon Β away Β , Β nodding Β to Β the Β two Β guards Β to Β complete Β a Β sweep Β of Β the Β studio Β , Β while Β she Β slowly Β approaches Β dusa Β , Β squatting Β down Β before Β her Β .Β Β Β
β Β dusa Β ? Β dusa Β , Β it's Β meg Β . Β can Β you Β look Β at Β me Β ?Β Β Β β
the furies
Safia Elhillo, from Home Is Not a Country; βHaithamβ
βΒ angelic; statuesquely beautiful, naΓ―ve, imperturbable, ever-forgiving.
βΒ angelic; woundrous and wraithlike, ferally self-centered, shrouding in your inherent eeriness and unearthly aura solely for your own comfort. defensively clinging to the solace of this otherwordliness with teeth and claws.Β Β² harrowingly beautiful in a lurid way, in remaining always undaunted and unmercilessly blunt. Β³Β intuitive and silently perceptive, more than if your flesh were covered in a thousand eyes, like an ophanim. β΄ bound to an unexplainable belief in ulterior meanings, an underlying, inescapable prophetic sense; the world is riddled with symbols. you understand most of them. β΅ unapollogetic messenger of what you believe in; caring but uncompromisingly genuine and outspoken; βdo not be afraidβ; meaning sometimes my truths are going to hurt, they have a ring of epiphany. but real revelation is always painful. and i will always speak my mind.
[transcript: 1. you are coming down with me, hand in unlovable hand.
2. hold my hand in yours, and we will not fear what hands like ours can do.
3. weβll lay here for years or for hours, your hand in my hand, so still and discreet.
4. ME: What if we traded hands?
[pause]
ME: What if I gave you my hands & you gave me your hands?
YOU: What would that accomplish?
ME: We would have each otherβs hands.
5. my hands wanted to touch your hands because we had hands.
6. a digital painting of two hands intertwined against a dark background. the hands are red and grow brighter until their fingers glow gold where theyβre laced together, palms down on the ground. there are gold stars around their interlocked fingers
7. here is my hand, he said. here is my hand that will not harm you. /end transcript]
no childrenβ the mountain goats/the epic of gilgameshβ trans. danny p jackson/in a weekβ hozier/one act play in which not all problems can be solved, & not all problems are problems, but even so, some areβ dalton day/in the western nightβ frank bidart/contactβ @campanella/descending figures; epithalamiumβlouise glΓΌck
cinderstepsΒ·:
Zagreus smiles at her words, heβs known Megaera for long enough to know the meaning behind blunt words. Of course Persephone would come back and even if she didnβt, Zagreus would search for her again and again β Even fight his own physiology to travel the world above to find her, river styx be damned.
βI know she will. Yet thereβs still a strange emptiness when she leaves, I feel the need to just lie down for a bit.β Zagreus looks up at the fury,Β βDonβt worry, weβll get right back to slaughtering each other soon enough.β
a Β strange Β emptiness Β --Β Β Β meg Β supposes Β she Β could Β understand Β that Β a Β little Β . Β though Β she Β has Β no Β parents Β of Β her Β own Β , Β much Β less Β a Β mother Β she Β needed Β to Β discover Β well Β into Β her Β adulthood Β , Β she Β could Β understand Β zagreus' Β attachment Β to Β the Β queen Β . Β with Β her Β here Β , Β everything Β felt Β softer Β -- Β less Β INTENSE. Β and Β they Β were Β happy Β , Β of Β course Β .Β Β Β
not Β that Β meg Β was Β privy Β to Β the Β inner Β workings Β of Β the Β royal Β family Β , Β and Β not Β that Β hades Β was Β an Β obvious Β man Β to Β read Β , Β but Β it Β still Β helped Β to Β have Β someone Β there Β to Β soften Β his Β impulses Β . Β he Β didn't Β care Β for Β nyx Β the Β same Β way Β he Β cared Β for Β the Β queen Β , Β that Β much Β was Β obvious Β . Β and Β megaera Β supposes Β that Β the Β same Β could Β be Β said Β of Β the Β whole Β realm Β , Β though Β nyx Β was Β their Β mother Β in Β many Β ways Β and Β forms Β .Β Β Β
β Β iΒ Β Β get Β that Β ,Β Β Β Β Β Β β Β she Β says Β with Β a Β little Β shrug Β .Β Β Β βΒ Β Β Β and Β it's Β hardly Β a Β SLAUGHTERΒ Β Β ifΒ Β Β both Β parties Β involved Β are Β armed Β . Β it's Β more Β elegant Β than Β that Β .Β Β Β β Β
at Β least Β , Β that's Β what Β she Β likes Β to Β think Β . Β it's Β not Β a Β slaughter Β , Β it's Β her Β doing Β her Β JOBΒ Β Β . Β it's Β not Β a Β slaughter Β , Β it's Β a Β small Β FAILUREΒ Β Β if Β he Β gets Β by Β her Β .Β Β Β
singofusΒ·:
Hermes meets her gaze and gives a nervous smile when the gun is put away and one of his favourite canines sprints over to him. A light chuckle leaves him at their good nose and eagerness for treats. He really would have thought these three terrors would keep any intruder away. He supposed it really did depend where the dogs were at the time.
βOkay, okay big guy, here you go. Donβt tell your brothers.β Hermes feeds the dog a few treats and gives his head a pet. Looking over to the Fury, he nodded and smiled at the half-joke. Noticing her breath, Hermes straightens up and sends Cerberus back inside.
βLook, if you want. As soon as I know anything, I can call you. Fill you in.β It made sense that Megaera would want to know. She was one of the ones capable of getting revenge on this. βMaybe before I even tell your boss.β
she Β swallows Β a Β little Β at Β the Β proffered Β conditions Β . Β he Β would Β break Β the Β chain Β of Β command Β for Β her Β , Β and Β that Β sure Β would Β mean Β something Β coming Β from Β him Β . Β it Β would Β mean Β even Β more Β if Β she Β took Β him Β up Β on Β it Β . Β he Β looks Β at Β her Β with Β that Β same Β cocky Β grin Β , Β and Β as Β much Β as Β she Β wants Β to Β slap Β it Β off Β his Β face Β on Β principle Β , Β she Β knows Β she's Β in Β his Β DEBT.Β Β Β
( Β he Β must Β know Β it Β too Β . Β )Β Β Β
β Β yeah Β , Β that Β -- Β that Β would Β be Β great Β .Β Β Β β Β she Β doesn't Β want Β to Β give Β him Β more Β credit Β than Β she Β already Β has Β , Β so Β she Β turns Β to Β make Β her Β way Β back Β down Β the Β footpath Β , Β around Β the Β HOUSEΒ Β Β and Β to Β the Β little Β studio Β .Β Β Β Β with Β one Β final Β thought Β she Β turns Β around Β , Β golden Β eyes Β ascertaining Β the Β MESSENGERΒ Β Β between Β the Β houses Β .Β Β Β β Β just Β , Β don't Β aggrivate Β people Β further Β , Β okay Β ? Β i'd Β hate Β for Β my Β informant Β to Β be Β unable Β to Β speak Β .Β Β Β Β Β Β βΒ Β Β
it Β is Β with Β that Β thought Β that Β she Β leaves Β him Β , Β heading Β back Β to Β her Β BEST Β FRIEND Β .Β Β Β
romantic devotion
take me to church, hozier / sappho / iris, the goo goo dolls / creation, michelangelo / church, fall out boy / love letter to fanny brawne, john keats / the pietΓ , michelangelo / a litany in which certain things are crossed out, richard siken