RMH
Aqua Utopia|海の底で記憶を紡ぐ
★
Show & Tell

shark vs the universe
Noah Kahan
PUT YOUR BEARD IN MY MOUTH
untitled

@theartofmadeline

❣ Chile in a Photography ❣

No title available
sheepfilms

roma★
No title available
occasionally subtle
Keni
𓃗

Andulka
h
Mike Driver
seen from Argentina

seen from Malaysia
seen from United States

seen from Canada

seen from Maldives
seen from United States
seen from Ecuador

seen from United States

seen from Bangladesh
seen from Russia

seen from Indonesia

seen from United States
seen from Chile
seen from Denmark

seen from Malaysia
seen from Russia

seen from Brazil
seen from United States
seen from Ukraine

seen from Vietnam
@mesangralanariz
The real winner of All Stars 4, Wilson Lai
why the fuck was he the last one picked?
simple. racism
No offense, but I heavily doubt there’s racism on RPDR
hey there
Rene Magritte
“The Art of Conversation”
Thandie Newton attends the 2017 Vanity Fair Oscar Party hosted by Graydon Carter at Wallis Annenberg Center for the Performing Arts on February 26, 2017 in Beverly Hills, California.
Laverne Cox photographed by Janell Shirtcliff for Ladygunn
Jacob Frankie Swimmers // 35mm // Los Angeles Trojans
introducing: ionnalee http://towhomitmayconcern.cc/creators/ionnalee
This episode for me really highlighted and then in its dramatic finale brought to an extreme the use of perspective that Rebecca Sugar has often talked about during panels. In her rare appearances, we are almost always looking up at Rose Quartz, or she is leaning down and over our POV - be it Pearl kneeling before her hologram in Rose’s Scabbard
or Greg on a number of occasions during the early days of their relationship (We Need To Talk is a really interesting watch with regards to camera angles and how they change - Greg literally climbs a stack of crates during his attempt at communication and, well, seeing eye to eye)
or Garnet after her fateful fall in The Answer
or, hey, Buddy Buddwick collapsed in the desert in Buddy’s Book
She even has magical floating powers. It all fits, of course, with the entire running theme of the (unattainable/unmaintainable) pedestal. And even when she is not directly present, and even when it’s not the focus of the shot, her portrait can be seen overlooking the familiar setting of the beach house.