wallacepolsom
tannertan36
Lint Roller? I Barely Know Her
Three Goblin Art
PR's Tumblrdome
Keni
One Nice Bug Per Day
todays bird
Mike Driver
No title available
d e v o n
Monterey Bay Aquarium
almost home
Janaina Medeiros
Today's Document
Cosimo Galluzzi
Claire Keane
roma★
ellievsbear
if i look back, i am lost
seen from Argentina
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@meydowlark
Gerard P Donelan
I love the notes saying this femme knows exactly what she's doing and it's all part of her flirting technique. You get it.
More of his stuff and about him
My absolute favorite of his work
Lest we forget "The Quilt" (not as funny, but worth a mention)
Yes yes i know love is love. But they are still killing CHILDREN. over this.
oh my god
@isabeauwolf
Egyptian God or Pharaoh Sylus fanfics when?! 🤩😏
today i died at sea
"my life isn't a crime, I'm not one of those people -"
"you sure? new parameters for Those People just dropped. check again."
This is what's so fucked up about "nothing that requires the labor of others is a human right".
The labor is already being done under capitalism. The laborers are already being underpaid under capitalism.
When you propose removing the greedy profiteers and paying the workers a reasonable wage, people call that "slavery" while they have no problem with the current system.
They're not even trying to make sense.
Always bear in mind that there is absolutely no legitimate evidence that Luigi was actually the one who killed the insurance company guy.
Of course he wasn't. He was at a party with me that day.
No but like literally, actually. All bits aside.
He didn't do it.
The cops very clearly planted evidence on him because they had to make an arrest because all eyes were on them and whoever actually did the deed was making them look stupid.
Why would the real killer hero have kept the weapon on his person and traveled two states over while carrying it and a manifesto in his bag, conveniently turning the crime into a federal matter? The same guy whose bag they found in a park, filled with monopoly money? Why did the police turn off their bodycams, take Luigi's stuff, drive a block away, turn their bodycams back on, go back into the restaurant, and then arrest him?
From the moment of his arrest, even left-of-center media has been presuming his guilt without examining anything (e.g. calling him "the killer" instead of "alleged" or "accused") and then when I say he didn't do it, the nearest person chimes in with some quip that tells me they think he did do it but should go free anyway. Don't get me wrong, I would have the same attitude if he had done it. But he didn't. It makes me feel like the only sane person in the world, even among my staunchly leftist friends.
She played bass on 10,000 songs, including the most-played track of the twentieth century. She was paid $55 per session. Her name never appeared on the albums.
Gold Star Studios, Los Angeles, 1964. A woman in a cardigan walks past the receptionist, a Fender Precision bass in her hand like a briefcase. She doesn’t sign autographs. She signs a timesheet.
Her name is Carol Kaye. In three hours, she will record what will become the most-played track of the twentieth century. She’ll pocket fifty-five dollars and head to another studio, on the other side of town, for the next session.
The record label will never put her name on the album.
Between 1957 and 1973, Carol Kaye took part in roughly 10,000 recording sessions. Not as the featured artist, not as a guest, but as a hired hand. She was part of an anonymous collective nicknamed The Wrecking Crew—elite studio musicians who actually played the instruments on your favorite records while the famous bands posed for promotional photos.
The work was relentless. Three albums before the day was over. Stale coffee in paper cups. No rehearsal. The charts arrived minutes before the tape rolled. If you couldn’t read a chart and nail the take in two tries, you didn’t get called for the next session.
Carol could do it on the first try.
She started playing guitar in grimy bars at fourteen because her family couldn’t pay the electric bill. Music wasn’t a romantic dream for her. It was survival. It was a job—factory work with better acoustics and lower pay.
But she was faster and sharper than almost everyone else. She corrected charts in pencil while the producer was still explaining what he wanted. In one session in 1968, she told a famous producer his arrangement sounded like a dying dog. She chose her own line. They kept her version.
That descending bass line that drives the Beach Boys’ “Wouldn’t It Be Nice”? Carol Kaye. The propulsive groove of “These Boots Are Made for Walkin’”? Carol Kaye. The acoustic-guitar intro to “La Bamba”? Carol Kaye. The iconic theme from Mission: Impossible? Carol Kaye.
She invented techniques on the spot, out of sheer necessity. When the bass sound was too muddy for AM radio, she stuck felt under the strings and used a hard pick instead of her fingers. The tone cut through the static like a blade. It became the sonic signature that defined 1960s pop.
Bassists spent years—decades—trying to crack the secret of the Beach Boys’ gear to get that sound. They were studying the wrong people. They should have been studying Carol.
She received no royalties. No residuals. No gold-record ceremony. No credit on the album sleeves. When “You’ve Lost That Lovin’ Feelin’” hit number one, Carol was already back in a studio cutting a soap jingle.
The biggest bands mimed her bass lines on TV variety shows. New York marketing departments decided a mom in classic clothes didn’t fit the rebellious-youth image they were selling. So they simply left her name off the album credits.
For thirty years, almost no one cared. The truth only began to surface in the late 1990s, when music researchers found the same union contract numbers on thousands of hit records. The very documents meant to preserve studio musicians’ anonymity betrayed them.
Think about it. Every time you heard “Good Vibrations,” “River Deep – Mountain High,” the Righteous Brothers, Nancy Sinatra, or Sonny and Cher, you were hearing Carol Kaye. She composed the soundtrack of an entire generation’s youth.
And yet the records still say nothing. She’s now over eighty. She wrote instructional books. She trained countless bassists. She is finally starting to be recognized by music historians who uncovered the truth about The Wrecking Crew.
But she never got what she deserved: her name on those albums. Credit for the music that defined an era. Recognition that those bass lines everyone associates with the “Beach Boys” were, in fact, Carol Kaye’s.
Fifty-five dollars a session. Ten thousand sessions. The most-played track of the twentieth century.
And the world didn’t know her name.
She was admitted to the Rock & Roll Hall of Fame in 2025 but refused, fuck yeah, Carol. Her official website is incredible.
@demilypyro
I think one of the funniest abortion stances I've heard was from my parents neighbor. He's a like, hard-core libertarian viking larper guy who is very tall and very fat and very bald.
He believes a fetus is human with a soul, but also its "basically attacking the woman's body" so if she wants to get rid of it, that's "basically self-defense". He compared it to shooting a home invader. So he supports abortion not as healthcare, but as killing a baby in self-defense
Y'know I'm so glad someone reminded me of this. Because this was also discussed.
My stepmother did NOT like the way her Libertarian Viking Neighbor framed pregnancy as the fetus "attacking the woman". She incredulously told him this was extremely disrespectful to expectant mothers to portray pregnancy as so violent and negative.
Libertarian Viking Neighbor's response was that people consensually hurt each other all the time, and "there's like a whole community about that, with the acronym the one that starts with a B" And his reasoning was that if the mother was consenting to bring attacked by the baby, it in fact wasn't violent and negative because there was consent.
He brought up people consensually hurting each other, didn't go for one of the obvious answers like boxing or body mods or something, no he went STRAIGHT TO BDSM and he DIDN'T EVEN REMEMBER THE ACRONYM
The new (out september) Castlevania bluray set. They are so canon! I love them so much. And the baby holding Alucard's hair!!
Reminds me of something...
NEVER KILL YOURSELF YOU JUST MIGHT GET TO SEE YOUR FAVORITE SHIP GET CANONIZED ON A RANDOM TUESDAY!!!!!
bell hooks mentioned going through a time in her life where she was severely depressed and suicidal and how the only way she got through it was through changing her environment: She surrounded her home with buddhas of all colors, Audre Lorde’s A Litany for Survival facing her as she wakes up, and filling the space she saw everyday with reinforcing objects and meaningful books. She asks herself each day, “What are you going to do today to resist domination?” I also really liked it when she said that in order to move from pain to power, it is crucial to engage in “an active rewriting of our lives.”
I have come to think of the suicidal impulse as the brain waving a flag to say three things:
something needs to change here
this is urgent
I don’t know how to do it
death is the ultimate metaphor for drastic change. it’s a general specific. whatever your problems are, it is very likely that dead people don’t have to deal with them. a real solution to your problems may demand a very narrow range of action that’s likely to be out of reach at this moment, but death is sold on every street corner, so it feels like a more realistic fantasy than happiness.
you don’t really want to die per se but it’s also not completely random chemicals swamping your brain for no reason. you want the pain to stop, you want to be somewhere else, you want to be someone else. it’s urgent. you don’t know how to do it. the end is not the end but a means that feels within your reach right now.
this is the wisdom of bell hooks: daily rituals of meaning and resistance and solidarity are part of slowly building a future where you can make the change you really need. and only alive people can do that. every step you take towards change and power is another step away from death.
New dog lol
The ruling will have enormous impacts for transgender residents in the state.
HOLY SHIT
"The Montana court separately declared that transgender people constitute a suspect class under the state's equal protection clause. In legal terms, a suspect class is a group that has historically faced such severe discrimination that any law targeting them must meet the highest level of judicial scrutiny to survive—the same standard applied to laws that discriminate on the basis of race. [...] The practical effect is sweeping: any Montana law that singles out transgender people will now face strict scrutiny, meaning the state must prove the law serves a compelling interest and is narrowly tailored to achieve it—a standard that laws almost never survive.
"Because the decision rests entirely on the Montana Constitution, it is insulated from the U.S. Supreme Court. Under the principle of adequate and independent state grounds, the federal Supreme Court cannot review a state court's interpretation of its own constitution, so long as that constitution provides more protection than the federal one. [...] What this means in practice is that Montana's transgender residents now have a constitutional shield completely independent of the Supreme Court of the United State’s decisions."
(emphases mine)
I do not want to be in writing training
I am thinking about making a passionate defense of the passive voice just to cause trouble on purpose
Look once you learn how to use the passive voice it will become clear to you why I spend half my time deliberately writing in it
Fuck it, let's talk about it
Warning: Passive voice can be used for evil! Do not do it! Do not write sentences like "The man was shot by police." No! Do not hide state violence in sentence structure!
You should use active voice when:
1. You introduce new information
2. You take or assign responsibility
Active voice is key for clarity when the sentence doesn't have anything to refer back to. If you have to put "by (person, organization)" at the end of the sentence, it should have been active voice. Ex:
Our company fucked up the project and we're sorry
NOT
Regrettably, the project was fucked up by us/on our watch/by one of our teams
But here's why passive voice is great: because it collapses who did a thing and centers the fact that it happened. When you are referring back to something the parties already agree upon, it puts the result up front.
All project review will be completed by 18 Never 2029.
NOT
Kyle | Mark | us Arch | itects, Jim's Construction, the Statesonia Department of Endangered Hummingbirds, the Federal Bureau of Staying the Fuck Out of It and like twelve other people will complete their reviews by 18 Never 2029.
No! Bad! The completion of the action matters, not the parties involved. And no, "The parties will complete their reviews" is absolutely not clearer, because it requires the same knowledge.
In fiction, passive vs active refocuses a sentence towards what you want the reader to pay attention to. Active:
A fog covered the city
Passive:
The city was covered by fog
Nothing wrong with either of them. It's just what you want the reader to think about. Bonus round: the sentence feels more natural if you put the bulk of the description in the second half, so you can add more without making it impossible to follow. Active:
A fog covered the quiet, unsuspecting city as it slept
Passive:
The city was covered by a terrible, choking fog that crept through the silent streets
These are different sentences, but nothing's wrong with either of them.
Passive voice gets a bad rap largely because even the dumbest professional development expert can ID it fairly regularly. It's bad when it makes a sentence less clear; it's good when it makes a sentence clearer. That's it.
AND it can have immense humoristic potential, for the exact same reason you outlined, because passive voice reads as an attempt to dodge responsibility and misplace blame.
"The man was shot (by police)" and "The project was fucked up by us" are bad in serious contexts and actual writing.
But you can have a lot of fun with things like:
"My boss has been described in impolite terms."
"Alice's boss has been described in impolite terms by someone who wishes to remain anonymous."
"I have been vilified, demonised, slandered, calumnied, scapegoated, lied about, written horrid pamphlets about, unlistened to, and reputationally walked all over."
"The priceless crown jewels known as The Fanciest Rock Ever, insured for 100,000,000 billions and entrusted in our care by HRM the Queen of Fancyland, were found to have been misplaced this morning and have not been located at this time."
"He was separated from his head."
"He found himself divorced from."
Useful friends in such cases: euphemisms, unexpected verbs, grammatically questionable sentence constructions, and obfuscation of the responsible party when it is glaringly obvious to the audience that there should be one or even who it is, etc., etc.
reblog if you’ve had an online friendship that’s lasted more than 2 years
