Miasmas Of Wonderment/Urine

The Quintessential Embodiment

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Inspired moments in Armed Forces Recruiting advertisements, for 200.

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An uncompromising stance if ever there was.

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Upper-echelon differently-heighted goings-on, in Flatfoot in Egypt.

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Mesmerism Moments of note.

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The EYES have it. Pianists and Chicken-weilders Who Are Madmen, for 200. Lord Vinheteiro.

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The great O. Welles and J. Cotten.

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Immortal scene from Jan Ŝvankmajer's Alice.

Various goings-on of certain unpleasantries, and whatnot.

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Diego Velázquez, the man behind Flammulatus Cummerbund and The Dog Melvin.

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Interesting things afoot in the mind of artist Jacques Martin, who composed these summonings of art for his wondrous Alix series, which appeared in Tintin magazine. With Hergé as a mentor, Martin became a master of the Ligne Claire style. The rest is history.

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Marioooooooooo!!!!! The wonderful Timmy Williams (played by Eric Idle)! Alas, poor Terry Jones. A Monty Python skit, of amusement.

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The apotheosis of Defiant Stoicism, and right up there in the highest of echelons Stoic Defiance-wise, as well. Your Flammulated Owl.

Extra added bonus included with your free gift: an bear, possibly tranquilized, possibly in a fugue state, of sorts.

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Then, you’d be Arthur “No Sheds” Jackson.......

One of the great Monty Python skits, Arthur “Two Sheds” Jackson. Featuring Terry Jones, Eric Idle, and eventually John Cleese.

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Autotune Cats. It really comes down to exactly that.

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Some people don’t know the difference between Bordeaux & a claret, asserts Basil Fawlty (John Cleese), to his eternal chagrin. Manuel (Andrew Sachs) continues to be from Barcelona.

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And for the Slightly Silly Party.......naught.

The Election Night Special from Monty Python, episode 19, broadcast November 3, 1970, originally. Featuring the truly great Kevin Phillips-Bong (Slightly Silly), portrayed by Terry Jones.

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A bit of a tear-jerker, this commercial. An NFL Network production, featuring the music of Fountains of Wayne (All Kinds of Time), it manages youthful optimism *and* the wistfulness of what might have been. *And* the glory that was. In short, it’s good.

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The Rolling Tombstones (from The Groovie Goolies {sic}) deliver the immortal Chic(k)-a-Boom. Richard Monda at his finest.