Laura Jenn

parsnips haha

[natgeofound]

People climb on Bloody Bridge—which was built by penal colony prisoners—on Norfolk Island in Australia, 1960. Photograph by J. Baylor Roberts, National Geographic Creative

[khyan]

Can’t wait to look back on these fond memories I’m making.

[s-u-f-j-a-n-s-t-e-v-e-n-s]

Deepak Chopra

[nevver]

The Story of Easter, Don Hertzfeldt

[nevver]

Horsehead Nebula, Matthieu Litt

[arpeggia]

Anila Quayyum Agha - Shimmering Mirage, 2016, lacquered steel and halogen bulb, 36" x 36" x 36"

Walking With My Mother’s Shadow-Artist Statement

See more Anila Quayyum Agha posts here.

[nevver]

The future tense, Josh Keyes

[lilithsplace]

Dancing in the street - Hagay Emmanuel (b. 1964)

[thunderstruck9]

Karl Axel Pehrson (Swedish, 1921‑2005), Catharina Nymphaeoidea. Acrylic on canvas, 100 x 70 cm.

[thunderstruck9]

Benvenuto Benvenuti (Italian, 1881-1959), Heading Home, c.1920. Oil on canvasboard, 15 x 17 in

[nevver]

Call me

[thunderstruck9]

John Atkinson Grimshaw (British, 1836-1893), Street after Rain in Moonlight, 1881. Oil on cardboard, 44.50 x 33.5 cm.

[explore-blog]

Leonard Cohen on creativity, his influences, and why he loves hearing people cover his songs. 

[nevver]

Alphaville, Rémy Soubanère

[amourfou-blog]

Visit Original Link

Laura Marling & Johnny Flynn - Travel Light ( Diane Cluck and Jeffery Lewis Cover) 

Fur’s and silver chairs and shiny things are just a fuss  We’ll eat all peanuts that we steal from the circus  We’ll count the all stars and go to sleep under the bus  We’ll travel light and that’s the life for us 

[arpeggia]

Christoph Franke - Tree Crowns

Artist’s statement:

“Trees take center stage in my life. I feel a deep reverence for their unique nature as I create my images. For me, trees represent the connection between energy (air, light) and the material world (soil, earth).

I opted to position the treetops upside down in the final work to invite the viewer to an encounter with the tree as a natural being. I guess it is a chance to meet the tree instead of just seeing and judging it with the intellect. Interestingly this is how they are projected onto our retina before our brain turns it round.

I am fascinated by the trees appearance in wintertime with their web of branches connecting from the inside to the outside. Each time I am working on the tree crowns, I take numerous single frames to be assembled later. Through this intimate “face-to-face” with the trees, I want to capture the primordial energy of these ancient living beings.

My series is based on a visualization of the alchemical formula “Above is one with below, inside is one with outside, spirit is one with body”.”

[nevver]

The Graveyard, Toros Köse