follow up to this post i am wearing holes into the carpet.
this current arc on the TL FASCINATES ME because it just taps so much into what The Process is for Kim Soleum and what he loves about horror. Because yknow in that previous post I talked at length about how he loves to Figure Out And Understand The Monster.
so like. yeah. yeah of course he loves Braun's Late-Night Talk Show.
He gets to choose which guest appears, i.e. he gets to pick his favorite stories. And, as part of the crew, he gets to pick them apart and just hear them talk from a safe distance. Just the goddamn horror monster on a talk show talking about itself to the delight of the audience, and also to the delight of himself. This is The Perfect Fanservice for him.
It's like, yknow, a creator confirming all your theories about their work on a podcast. It's getting a good grade in media analysis.
And i'm also thinking about how he actually befriended Braun by appealing to Braun as a creator.
Because where Kim Soleum loves to read and understand stories, Braun loves to create stories. But Braun was trapped in that cycle of attention. He loved his Quiz Show format, but it was getting stale. The views were dropping, and that was depressing him. So he brings on a big flashy guest he doesn't even really like to keep the audience engaged.
And there's like, meta to that as well. Because the new format was just Horror and Gore up the wazoo, people getting killed left and right. There weren't rules on how to survive, you were just dead from the start. It was cheaper horror.
Cuz the knowledge that everyone dies in the end kneecaps tension just as much as knowing that everyone's gonna survive. Hell, knowing everyone dies has less tension than everyone living, because survival at least means excitement about what they might lose along the way.
So, Braun, as a down in the dumps creator, went with cheap thrills for audience engagement at the cost of his integrity. But Kim Soleum reminded him of why he loves to create shows in the first place. Braun wants thrill and laughter and showmanship. And, Braun wants his shows to be his.
The talk show format is a fascinating evolution of that, because talk shows are also about guests. But unlike the choir before it, a talk show lives and dies by its host. Instead of being superceded by his guest, Braun is collaborating with them.
In that sense, it's incredibly sweet that Braun wants to share this with Kim Soleum. Bringing back my old (2 days old) point about how our dear Roe also likes to write, writing as a form of understanding, as a form of analysis and respect, it's self-evident how Braun might consider him a kindred spirit! Wanting to share the joy of creating something fulfilling, from the heart!
where am I going with this. Right. There's still a lot of absurdity to Braun's existence, of course. What TV channel is this even running on? Who are the higher ups, where are the ratings coming from? But it's abundantly clear that all a lot of the horror monsters are sentient.
They have their own values and their own logic. And this logic is alien to humans, but it can be understood. And Soleum does a great job of that. Like bartering in an otherworldy botique to avoid paying with human lives.
And. paces in a circle. Braun did the inverse? Because, when Braun convinces Kim Soleum to go on the talk show, it is made explicitly clear that it is not coercion, or hypnosis, or brainwashing, or any sort of mental contamination. It's all arguments tailored to Kim Soleum. It's all information Braun only knows from spending so much time with and trying to understand his friend.
(...Jury is still entirely out on how much that Silver Ring is actually good for and there was at least some mind-reading involved. Doesn't change that the argumentation was sound and grounded, though.)
It's pretty wild to me, that this all started with the Smiley Stickers and the Good Friend, but when all that's gone, Braun still adores Soleum. Still calls himself friend.
Like all that just gave him a nudge in trying to Get It. By tagging along all this time, Braun's been getting the front row seat to the intricacies of human office drama, to trouble with roommates, to beefing with your superiors. Mundane drama that is either utterly alien to him or all too relatable.
I love the miscommunication of, Kim Soleum thought that the Good Friend was like, just a sliver of the original. But it was Braun, entirely, choosing to answer that call and stick around. Because he must've also been curious, about that strange human that changed him so.
I just. Love how much this flips the tables. From Kim Soleum as the one trying to understand to the one terrified to be understood so thoroughly, mortified that he's actually shared so much of himself with another person. That someone just fully gets his fears and his desires. And how it's not truly about going home, it's about getting out of here.
This relationship isn't going to end well. But it is deeply compelling.
“In my youth,” reminisced the old man, scratching his beard thoughtfully, “I was quite the quirked up white boy. No one in the village could best me at busting it down sexual style.”
“And were you goated, sir?” the young boy queried.
“My dear boy, I most certainly was!” The old man chuckled, a merry twinkle in his eye. “With the sauce, I daresay.”
Coal miner's child using a hole in the door to enter a bedroom with a smoking pipe in one hand and a gun in the other in Bertha Hill, West Virginia. Photo by Marion Post Wolcott. 1938
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