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Mina | she/they
urls: cwossiants -> sss-shshshauahakanxnx->rambunctious-bellpepper ->onive-> tampon-tomatoes-> minawithlettuce
I love how "Sinners" didn't villify the sinners in the movie. Sammie's father told him that playing music for "drunkards and philanderers who abandon their family responbilities to sweat all over each other" was a sin. And he was right about the kind of people going to the juke joint: Delta Slim is an alcoholic, and Pearline a cheater. It would have been easy to villify them, but the movie tells us that despite their flaws, they are humans worthy of love, respect and freedom.
Delta Slim drinks because he's traumatized by the horrors Black people of his time face. And he's kind and compassionate, encouraging and reassuring Sammie, and sacrificing himself to save everyone else.
Pearline literally saved Sammie's life and sacrificed herself to protect him, a boy she had only known for a day. It shows her kindness because she could have easily stayed back when Remmick tried to bite Sammy and not endangered her life more than necessary.
The movie shows us that preachers blindly condemning those sinners are wrong: Sammie is only alive because drunkards, philanderers and gangsters (Smoke) gave their lives to protect him. They are people, with flaws and qualities.
I love how nuanced the movie is: Sammie's father is not wrong about the kind of people Sammie wants to associate with and their potential bad influence, but he's wrong about them being evil and not deserving of respect.
it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.
he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.
SINNERS 2025, dir. Ryan Coogler
I can't get over how Sinners is such a rich text on assimilation and whiteness and the dangers of "civility" and music as a way to look both forward and back
And it's also a phenomenal vampire movie where a lot of hot people get covered in blood and there's a B plot about eating out girls
AUTUMN DURALD ARKAPAW becomes the first woman ever to win the Best Cinematography Oscar at the 98th Academy Awards for her work on "Sinners" — March 15, 2026
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
SINNERS SWEEP
mind you before sinners we didn’t have definitive proof that it was possible to successfully make a movie in 2025
That was the last sunrise I ever saw. Perhaps the kindest thing the dark gift has given me. // It was the last time I saw my brother. It was the last time I saw the sun. It was the only time I ever felt free.
Interview with the Vampire (2022 - ) // Sinners (2025)
annie appreciation post✨
Annie: There are legends of people born with the gift of making music so true, it can pierce the veil between life and death; conjuring spirits from the past...and the future. In ancient Ireland, they were called Filí. In Choctaw land, they called them Fire Keepers. And in West Africa, they were called Griots. This gift can bring healing to their communities. But it also...attracts evil....
Sinners (2025)
SINNERS 2025 | dir. Ryan Coogler
Sinners (2025) dir. Ryan Coogler
GET OUT (2017) dir. Jordan Peele SINNERS (2025) dir. Ryan Coogler
we had vampearline for 5 seconds but i would die and also kill for her