Why is it that books by men about men are considered universal, but books by women about women aren't? "Man" isn't the automatic gender, and if men can't relate to women in fiction (or in real life, for that matter), that's a them problem.
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@missmusiclove
Why is it that books by men about men are considered universal, but books by women about women aren't? "Man" isn't the automatic gender, and if men can't relate to women in fiction (or in real life, for that matter), that's a them problem.
listen to me, this is so so important: you've gotta get used to really giving it your 60% as a default. like don't half-ass it necessarily but try not to go over 70% or so of an ass. you'll feel better and live a happier more fulfilled life, and on the rare occasions where you do need to lock the fuck in you'll be able to pull off bullshit that the sad miserable wretches giving it their 100% can never dream off, because they're busy draining themselves dry and you have energy reserves to spare.
protect bisexual boys
why is this on a blog literally called girlsuggestion
we are suggesting this to girls
who is we? who are you
italian shadow government
what i fucking love about this scene is that we know it's not really ryan, naim knows it’s not really ryan. there's no part about this that is naim being lulled, being seduced, being tricked, being gotcha!'d. it's not him but it wears his face; it talks like him, it caresses like him, it comes close and smiles and laughs like he would. naim is leaning in despite the danger, moth to flame, knowing full well what's in front of him and craving it anyway.
this is queerness as fantasy—what we could be if not for circumstance. it's queer desire in a world determined to treat us as aliens. more than any other moment in the film, this scene exemplifies leviticus thematically in one brutal, efficient stroke. they want us separate and alone and scared, but we don't have to be. loving hurts, and we love anyway.
Leviticus really said yes life will be harder because I choose to be with you but I choose to be with you despite it all
ANY TOUCH OF A LOVED ONE COULD BE THE TOUCH OF GOD // NAIM AND RYAN
unknown // Leviticus (2026) dir. Adrian Chiarella // Benjamin Alire Sáenz Aristotle and Dante Discover the Secrets of the Universe // Mitski Geyser // Leviticus (2026) dir. Adrian Chiarella // Keaton St. James BLACKLUNG // Emily Skaja It's impossible to keep white moths (via @annori) // Leviticus (2026) dir. Adrian Chiarella // @nixscriptum // unknown // @/foldyrhands // Leviticus (2026) dir. Adrian Chiarella
Thinking about Naim Reid. Thinking about Naim going to the pastor and his wife. Thinking about Naim going to a police station and coming out to a cop.
Thinking about how the beginning of the movie introduces the idea that he is so fearful — afraid of the snake, afraid of heights, and the threat of the spider. Afraid of his and Ryan’s reflection as they’re making out. He’s so scared, and he’s just a kid, and we see over and over again this childlike trust he has in the people who are supposed to help him.
Why does he go to Hunter’s parents? Obviously there was some aspect of jealously, but Hunter and Ryan were also actively hurting each other. He doesn’t just watch them make out. He watches them pelt each other with fucking rocks and I think it was scary enough for him to regress into the idea that they genuinely needed help.
So, he does what he was raised to do. He asks for help. He watches Hunter get dragged in to the dark and he goes to the cops and he asks for help. He has that nightmare and he asks his mom for help. He’s attacked by an evil entity and he runs into the gas station asking for help and NO ONE IS HELPING HIM. Not the church, not the cops, or Izzy, or his mom.
In the end at the mill, entity Ryan tells him again that they want him to be afraid. Then in the daylight IN THAT SAME PLACE his mom confirms it. She tells him he needs fear. HE ALREADY HAS IT. He was already afraid at the beginning of the movie!!!! He’s been afraid the whole fucking time !!!!
And as my good personal friend Henry Chang once said “If you cannot be unafraid, be afraid and happy.”
So, he stops asking for help. He runs, and Ryan is there, and they cannot be unafraid but they will be happy — and I guess I’ll just be thinking about it for the rest of my life
Posters for Leviticus (2026)
post-nut giggles
what i fucking love about this scene is that we know it's not really ryan, naim knows it’s not really ryan. there's no part about this that is naim being lulled, being seduced, being tricked, being gotcha!'d. it's not him but it wears his face; it talks like him, it caresses like him, it comes close and smiles and laughs like he would. naim is leaning in despite the danger, moth to flame, knowing full well what's in front of him and craving it anyway.
this is queerness as fantasy—what we could be if not for circumstance. it's queer desire in a world determined to treat us as aliens. more than any other moment in the film, this scene exemplifies leviticus thematically in one brutal, efficient stroke. they want us separate and alone and scared, but we don't have to be. loving hurts, and we love anyway.
Leviticus really said yes life will be harder because I choose to be with you but I choose to be with you despite it all
LEVITICUS (2026) dir. Adrian Chiarella
leviticus (2026)
JOE BIRD and STACY CLAUSEN as NAIM and RYAN LEVITICUS (2026) written and directed by Adrian Chiarella
Put your hand on my neck, I shall lead you.
stop letting miserable people on the internet convince you that you must have a concrete, well-constructed opinion on everything that has ever existed.
everybody say thank you Marcus Aurelius