[disease]

"THE DOVE: VIII, GROUP: IX – UW: XXXII" HILMA AF KLINT // 1915 [oil on canvas | U/D]

[random-brushstrokes]

Ernest-Ange Duez - Splendeur (1874)

[wildparsnip]

dream worms graphite and pen on paper Sophie Margolin, 2017

[detournementsmineurs]

Anulka Dziubinska dans “Vampyres” de José Ramón Larraz (1975), octobre 2017.

[dolm]

China. Shanghai. 1979. Make-up room at the Beijing Opera in Shanghai. Hiroji Kubota.

[fragrantblossoms]

Hugh C. Knowles. Poppies, 1912.

[sophiegibert]

Linda Ridgway, Longing, 2005, Bronze, 13.5 x 22 x 1.75 inches

[mawmenny]

[blood-red-roses]

St. Mary Magdalene, Covered by her Hair, c. 1311, Collégiale Notre-Dame d’Ecuis, Eure, France

[disease]

"MOUND OF BUTTER" ANTOINE VOLLON, 1875/85 [oil on canvas | 50.2 x 61 cm.]

[funeral]

Kathleen Cohen, Metamorphosis of a Death Symbol: The Transi Tomb in the Late Middle Ages and the Renaissance

[thomasmartinnutt]

Luigi Ghirri. Modena, 1973 

[passioflos]

Bassano, Miss Cassidy, 1913

[7pleiades7]

Von The Love Letter (1897-1902) by Eugen von Blaas (Austrian, 1843 – 1931), oil on canvas, 84.7 x 68.5 cms (3314 x 26 3/4 in), Private Collection

[fawnvelveteen]

A “memory box” made of embossed and painted paper containing eye miniature, ca. 1830. (Credit: Skier Collection)

[operaqueen]

Julie Andrews, as Guinevere, in the original Broadway production of Camelot. New York, 1960.

[frostedmagnolias]

Cape

c. 1860

McCord Stewart Museum Montreal

[oncanvas]

Woman with a Cat (The Dangerous Caress), François Boucher, circa 1731-35

Oil on canvas 32 x 26 in. (81.3 x 66 cm) Legion of Honor Museum, San Francisco, CA, USA