I detest the masculine point of view. I am bored by his heroism, virtue, and honour. I think the best these men can do is not talk about themselves anymore.
Virginia Woolf, The Pargiters
"I'm Dorothy Gale from Kansas"
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@moonsoil
I detest the masculine point of view. I am bored by his heroism, virtue, and honour. I think the best these men can do is not talk about themselves anymore.
Virginia Woolf, The Pargiters
The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls.
Sylvia Plath, The Moon and the Yew Tree
1993 guerrilla marquee by Jenny Holzer who fought the good fight on 42nd street ‘fore they tore it down.
Never did anyone look so sad. Bitter and black, halfway down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, were at rest. Never did anyone look so sad.
Virginia Woolf
I want deeper connections with the people around me. I need to reach out more. Because not everyone leaves. Sometimes if you reach out, the person you’re trying to reach will be right there waiting.
Susane Colasanti, So Much Closer
“I must have flowers, always and always.” -Claude Monet
Here is the handful of shadow I have brought back to you: this decay, this hope, this mouthful of dirt, this poetry.
Margaret Atwood, Mushrooms (excerpt)
On the Waves of Love by Edvard Munch
The way to hunt is for as long as you live against as long as there is such and such an animal; just as the way to paint is as long as there is you and colors and canvas, and to write as long as you can live and there is pencil and paper or ink or any machine to do it with, or anything you care to write about, and you feel a fool, and you are a fool, to do it any other way.
Ernest Hemingway, Green Hills of Africa
Live at Berns Hotel in Stockholm, Sweden, 06/18/2014
Henri Matisse, different perspectives on the Romanian blouse
“The pure products of America go crazy— mountain folk from Kentucky
or the ribbed north end of Jersey with its isolate lakes and
valleys, its deaf-mutes, thieves old names and promiscuity between
devil-may-care men who have taken to railroading out of sheer lust of adventure—
and young slatterns, bathed in filth from Monday to Saturday
to be tricked out that night with gauds from imaginations which have no
peasant traditions to give them character but flutter and flaunt
sheer rags-succumbing without emotion save numbed terror
under some hedge of choke-cherry or viburnum- which they cannot express—
Unless it be that marriage perhaps with a dash of Indian blood
will throw up a girl so desolate so hemmed round with disease or murder
that she’ll be rescued by an agent— reared by the state and
sent out at fifteen to work in some hard-pressed house in the suburbs—
some doctor’s family, some Elsie— voluptuous water expressing with broken
brain the truth about us— her great ungainly hips and flopping breasts
addressed to cheap jewelry and rich young men with fine eyes
as if the earth under our feet were an excrement of some sky
and we degraded prisoners destined to hunger until we eat filth
while the imagination strains after deer going by fields of goldenrod in
the stifling heat of September Somehow it seems to destroy us
It is only in isolate flecks that something is given off
No one to witness and adjust, no one to drive the car”
— To Elsie, William Carlos Williams
Let people feel the weight of who you are and let them deal with it.
John Eldridge