THE CRAFT (1996) dir. Andrew Fleming

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THE CRAFT (1996) dir. Andrew Fleming
I never call your name, but you are in me like the song in the nightingale’s throat even when it’s not singing.
‘LVII’ in Absolute Solitude: Selected Poems (2016), by Dulce María Loynaz, James O’Connor (Translation)
cowboy advice
be rootin
be tootin
and by god be shootin
but most of all
be kind
“since the thing perhaps is / to eat flowers and not to be afraid.”
— e.e. cummings, from “voices to voices, lip to lip”
Anya Taylor-Joy for New York Post (2020)
SUMMER OF LEMONS
It was the summer of lemons being replaced by oranges. Lemons, they said, had lost something that lemons sometimes lose. Painters piled Navels and Valencias, mixed red into yellow for Still Life with Oranges; the wooden bowl beautiful with lonely cracks, organic with time and handling. Evening, men and women squeezed wedges from the larger fruit, a squall over flounder. Mothers whisked sweeter juice into oil, sherry vinegar, crush of garlic. Seaside, we sprayed oysters then peppered as usual. In the absence of lemons, there was a thirsting to taste water kindled with novelty, set ablaze by unplumbed citrus. Slices like thin suns were cut to fit the rim line, to spin the circumference of goblets and jam jars. It was then, drinking what was more July than June, that we returned to each other.
MARJORIE THOMSEN
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78/105 HP MOVIE MOMENTS THAT MAKE ME EMOTIONAL
In Japanese, they don’t say “moon,” they say “tsuki,” which literally translates to “moon,” and I think that’s how language works.
If we’ve got any surprises for each other, I don’t think we’re in much shape to do anything about it.
The Craft, 1996, dir. Andrew Fleming.
this is what a king looks like
This must look so weird if you don’t speak Dutch
Honestly she’s just saying ‘mummy this one this one this one please’
i aM PISSING MYSELF
Sue Zhao