A strong, sharp look of contempt grew on Marie with the rhetoric that spilled from Isaiah’s mouth. Oh—how they’d argue. Argue. Berate. Squabble. Bicker. Scream. Fight. Even years of built up tolerance to just exchanging words with Isaiah hadn’t completely hardened them from the itches of aggression and belligerence.
It was in Isaiah’s nature to be the way he was, Marie knew that, they knew that they knew that. But would that stop them from engaging with Isaiah?
Nope.
“Compassion isn’t easy,” they stated as if to reaffirm their tendency to be an unmanageable, uncaring jerk of a human. “She’s like her name—oh—everybody talks about her like she’s a frigid bitch and that’s the kind of person it takes to run an art museum! You don’t need to be nice at work, you need to be professional, and you might have some weird notion about family and children but if she can treat her children with kindness then at least you know she isn’t that much of a frigid bitch.”
This was all out of Marie’s ass, as they had no children nor were they particularly close to their aloof family. They considered this along with the fact that Isaiah was without any progeny either.
“You’re just speculating! You don’t know what’s best for the art either--,” they stopped, pausing to think over their choice of words. “You know I don’t even really know what’s best for the art at the end of the day but I know better than you. Every person and their mother is connected to art, especially all those beloved, overrated fools like Van Gogh. Are we obligated to just give a Van Gogh to someone because they’re in love? That’s just not feasible! It’s not how things work. Someone, with the best interest at heart, needs to preserve the artwork and not allow any harm to come to art’s legacy!”
“That someone—thank you,” Marie paused their speech to take the coffee from the waitress. “Is Julie. I know you don’t agree with her because you’re at odds… but…”
They sighed. “That’s just the way things are and I, for one, think those paintings are better suited at the museum than with the Barretts. They will not be pawned off—not if I have anything to say about it. That museum will not lose its legacy because it is an establishment with the public’s best interests of preserving art and artwork for whoever after we’re dead and gone.”
They said it like it wasn’t even truthful—death was something so intangible to Marie. As far as they were concerned, they’d live forever, but with the only certainty in life being death (as how generously Isaiah reminded them practically every other time they spoke) they had become deluded. Technology and medicine knew no bounds—they had the means to pay for immortality when it came on the market. If it came on the market.
Clearing their throat, they took a sip of coffee. Deep red acrylics sharp enough to cut held the creamy ceramic glass. Cut they would with those claws, but only when necessary.
“You’re supposed to do your job,” they concluded, making eye contact with Isaiah. They always got into the habit of trying to be profound around Isaiah, as if to match the same sense of certainty he possessed. “Your job is to be a lawyer, and to argue the point in court. You can’t really do anything to change how art works.”
“It’s fucked up, I know.”
















