Jenny Saville, Hybrid, 1997
Three Goblin Art

roma★

Origami Around
Stranger Things
Sade Olutola

titsay
Alisa U Zemlji Chuda
taylor price
Cosimo Galluzzi

祝日 / Permanent Vacation
AnasAbdin
Lint Roller? I Barely Know Her
I'd rather be in outer space 🛸

No title available

@theartofmadeline

Kaledo Art
todays bird
PUT YOUR BEARD IN MY MOUTH

JVL
d e v o n
seen from United States
seen from United States
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seen from Malaysia
seen from South Korea
seen from United States
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seen from Germany
seen from United States
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seen from United States

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seen from Russia
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seen from Türkiye
seen from T1

seen from United States
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seen from United Arab Emirates
@mxmxciii-blog
Jenny Saville, Hybrid, 1997
THE CRAMPS: CREATURE FROM THE BLACK LEATHER LAGOON
COM TRUISE_KOMPUTER
The Cramps
https://www.youtube.com/watch?v=5apNVcyRGXk
Early works - Performance & Mediainstallation of the 70’s | U. Rosenbarch
scorsese’s student film “the shave”
The Right Side of My Brain - Richard Kern - 1985
Sally Ven Yu Berg, Lydia Lunch
(by Liu Xia)
The Silent Strength of Liu Xia opened on February 9 at the Italian Academy at Columbia University to a crowd of over two hundred people. It it is the first and only exhibition of Chinese artist Liu Xia’s work in the United States. A poet and photographer, Liu was placed under house arrest after her husband Liu Xiabo won the Nobel Peace Prize in 2010. At the opening reception, curator Guy Sorman, who smuggled the photos out of China and organized their first exhibition in Boulogne-Billancourt, France before bringing them to New York, spoke about the difficulties and dangers involved in organizing the exhibit. Addressing the crowd, he told everyone that they were there to honor Liu Xia, who agreed to have her work exhibited on the condition that she not find out where and when her work was being displayed. That way, if representatives of the Chinese government come to interrogate her about the exhibits, she can say she doesn’t know anything.
As Sorman explains in a video commenting on the exhibit, there are two different art scenes in China today. There are the government sanctioned artists whose work gets exported and there are the underground artists whose work we never hear about, often for political reasons. Liu Xia’s haunting photographs show dolls that she calls her “ugly babies” set in chiaroscuro tableaux symbolic of confinement and repression. Liu’s work focuses on the struggle for freedom of expression, sending an important message about contemporary China.
Austin Young // Tranimal Workshop