her past and futures

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« I have never regarded myself as an aggressor. The aggression I am imputed to does not exist. It is tenderness with a certain impertinence, a kind of intrusiveness. This tenderness is a longing for love. »

Günther Uecker

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Donum Dei

17th century

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Angelika Platen - Georg Baselitz, 1972. Tirage argentique.

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Georg Baselitz, “Frau Paganismus” (1993), Photo by J. Littkeman, Anthony d’Offay Gallery (London), 1994

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rip

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Arnulf Rainer in the studio of Christian Skrein. He is sitting in a chair designed by Walter Pichler (Galaxy 1), Austria, 1968.

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RIP my hero 🥀🖤

[unaturalhistory]

John Balance

C O I L

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<3

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https://mailartarchive.org/digital-archive/the-old-rocks-are-looking-the-new-exciting-undulation/

 

Maggi Ruggero

The old rocks are looking the new exciting undulation

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Thomas Ruff, self-portrait, 1980

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Lygia Clark,  Camisa de força (Chemise de force), 1969 

Three silverprints phtographs from the 1969 lygia clark performance in paris, each print: 17.8 x 12.8 cm

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Jenny Holzer Conclusion black 2016 Aquatint and white ground etching Text: U.S. government document

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Jenny Holzer Survival: Remorse in advance is efficient 1984 Text on cast aluminum plaque

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Jenny Holzer Living: Damage is done by the tacit understanding… 1981 Text on cast bronze plaque

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Ellsworth Kelly Cul de Sac 1984 One-color lithograph on Arches 88 paper

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William Kentridge Oh To Believe In Another World 2023 Direct gravure and drypoint on gampi chine collé

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William Kentridge My Father Is a Tree in a Forest of Fathers I 2023/4 Photogravure with drypoint, photopolymer, chine collé and collage

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William Kentridge How To Explain Who I Was 2023/4 Photogravure, photopoylmer, drypoint, hand-painted chine collé, and collaged papers in 52 parts with Hahnemühle, Kitakata, Tosa Washi, Gampi, Nishinouchi Seiki B Nakaban, Okawara, and sheets from the Encyclopedia Britannica from 1910, with 67 aluminum pins

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Sol LeWitt Cube 1997 Photogravure