Rachel (she/her), 28, British
follow me on goodreads
currently reading: Interview With The Vampire by Anne Rice
noise dept.
sheepfilms
RMH

β
Lint Roller? I Barely Know Her
I'd rather be in outer space πΈ
No title available
occasionally subtle

No title available
No title available

@theartofmadeline

Jar Jar Binks Fan Club
Not today Justin
Xuebing Du
d e v o n
2025 on Tumblr: Trends That Defined the Year
we're not kids anymore.
untitled
Misplaced Lens Cap

Origami Around

seen from United States
seen from Malaysia
seen from United States
seen from Venezuela

seen from TΓΌrkiye

seen from Germany
seen from United Kingdom

seen from Malaysia
seen from France
seen from Switzerland

seen from Malaysia
seen from Bangladesh

seen from United States

seen from Thailand
seen from United Kingdom

seen from United States

seen from United States
seen from Italy

seen from TΓΌrkiye
seen from Malaysia
@myceliaa
Rachel (she/her), 28, British
follow me on goodreads
currently reading: Interview With The Vampire by Anne Rice
Tony Leung on the set of In the Mood for Love
dreaming fox - ewell - surrey - 2005
"Beautiful Losers", Leonard Cohen
I mean surely we all grew up feeling like there was a wrongness inherently deep inside us that will endure for the rest of our lives
carpe diem
π πͺπ¬πͺπ’π«π± π¬π£ πͺππ€π¦π ππ© π±π₯π¦π«π¨π¦π«π€
wow this sucks so bad we ought [remembers that thou mustn't abidicate, as thy cousin Idra would be dead within the year] bridge the IstandaΓ€rtha
Avenue in the Park (1888) by Vincent van Gogh
i need to gush about how incredibly seamless her compositing is in these. Compositing is incredibly hard and time consuming work on a crisp clean digital image. But compositing into what seems to be a scanned photograph that was shot on film? Insane work. The film grain + photo paper texture is matched perfectly as well as the varying softness from being slightly out of focus in different amounts in each image. Each film stock has its own specific tone too some are warmer, others are more purply, or green and they all handle contrast with light and shadow completely differently. There was so much to take into account doing this and i really dont know how she did it other than maybe finding those locations again and shooting with the same film stock on a day with similar lighting. I cannot stress enough that for professional photographers doing complex compositing is mostly relegated to having a fully locked down camera set up in studio under controlled repeatable lighting. Super impressive and a really fantastic photo series truly.
does anyone else remember grass. the warmth of the sun
Do you remember the Shire, Mr. Frodo? Itβll be spring soon. And the orchards will be in blossom. And the birds will be nesting in the hazel thicket. And theyβll be sowing the summer barley in the lower fieldsβ¦ and eating the first of the strawberries with cream. Do you remember the taste of strawberries?
π΄π’π©π© π«π¬π΄ πΆπ¬π² π₯ππ³π’ (π₯π’ π²π«π‘π’π―π°π±ππ«π‘π°)
π«π¬π± π£π―π¬πͺ ππ―π¬π²π«π‘ π₯π’π―π’
I hear the hush of mighty wings, I see shadows gliding across the hills