Cosmic Funnies
NASA
EXPECTATIONS
đ

@theartofmadeline
he wasn't even looking at me and he found me
Lint Roller? I Barely Know Her
I'd rather be in outer space đž
almost home

No title available
Fai_Ryy
Game of Thrones Daily
untitled
đ©” avery cochrane đ©”
todays bird

oozey mess
wallacepolsom
ojovivo
we're not kids anymore.

pixel skylines
seen from United States

seen from Jordan

seen from Iraq
seen from United States
seen from Venezuela

seen from TĂŒrkiye
seen from Algeria
seen from Brazil
seen from United States
seen from Gabon
seen from Germany

seen from United States

seen from United States

seen from T1
seen from United States

seen from Germany

seen from United States
seen from United States
seen from Egypt

seen from Spain
@mymindpalaceiskindaweird
Theseus and Ariadne at the Cretan Labyrinth by Baccio Baldini (c. 1460-70)
'Sleeping Woman'. Oskar Kokoschka. 1917.
Pleasant Dreams (1852). Henry Nelson OâNeil (1817-1880).
O'Neil (1817-1880) was a leading Victorian painter of historical scenes. He worked in a highly detailed and realistic style.
O'Neil studied art at the Royal Academy schools from 1836. He was a founder member of âThe Cliqueâ, a group of young artists who were dissatisfied with the restrictions of the Royal Academy and wanted to bring a new realism and emotional intensity to their work.
Night in the Summer (1926)
â by Georg Janny
âAs I read, I began to understand that all the great works wrangled with big questions, important questions: our place in the world, the value of our experience, the fairness and meaning of our suffering, our quest for love and belonging.
Phuc Tran âSigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit Inâ
He is not proud. I was wrong, I was entirely wrong about him. You don't know him, Papa. If I told you what he's really like, what he's done.
PRIDE & PREJUDICE 2005, dir. Joe Wright
Dans la maison aux portes muettes,
vivent les ombres, les voix discrĂštes,
Des souvenirs aux gestes flous,
Des pas de brume, des silences fous.
Une fillette au cĆur de cendre
Cherchait la clé pour tout comprendre,
Ses mains dâĂ©toiles, ses yeux dâhiver,
Cueillaient la nuit sans en avoir lâair.
Un paravent de fleurs fanées
Masquait lâĂ©cho dâannĂ©es troublĂ©es,
Mais sous le lit, dans les tiroirs,
Dormaient les cris, lâancien miroir.
Un jour pourtant, la lampe danse,
Et lâĂąme prend une autre chance,
Elle voit clair, sans sâeffrayer,
MĂȘme si tout vient vaciller.
Le ventre parle, les larmes coulent,
Le corps en tremble, la mĂ©moire rouleâŠ
Mais dans ce chaos tout en creux,
Nait une force, un feu soyeux.
Elle avance lente, presque nue,
Dans un jardin dâherbes inconnues,
OĂč lâair est lourd, mais doux parfois,
Et chaque souffle devient une loi.
On dit quâelle rĂȘve ou quâelle imagine,
Mais câest sa peau qui dessine
Un sentier neuf, un chant discret,
OĂč lâon guĂ©rit sans oublier.
Unknown // Suzanne Scanlon
They ignored the tears that rolled down her cheeks. Pouring everything they had left into each other. Starved for a touch that was real and tangible. Was love meant to be a choice? Was it always supposed to be out of her hands? A freewill from a height far beyond what mortal eyes could see.
Songs of the Wicked - C. A. Farran
Joy Sullivan, from Instructions for Traveling West: Poems; âInstructions for Traveling Westâ
[Text ID: âyouâre homesick / for all the lives / youâre not living.â]
the universe has a plan for you, even if you can't see it yet.