german/english side-by-side
Sweet Seals For You, Always

oozey mess
Not today Justin
Keni

#extradirty
The Stonewall Inn

Jar Jar Binks Fan Club
đ
$LAYYYTER
Noah Kahan

No title available

PR's Tumblrdome
cherry valley forever

shark vs the universe
almost home
noise dept.

Kiana Khansmith

No title available

romaâ
Cosmic Funnies

seen from Norway

seen from TĂźrkiye

seen from Vietnam

seen from Netherlands
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seen from United States

seen from TĂźrkiye
seen from Malaysia
seen from Germany

seen from Colombia
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seen from Malaysia
@mynameisdanielshinbaum
german/english side-by-side
Flusser, Die Schrift CD emulator site
Side-channels are similar to affect in the sense that they are surplus over information/significiaton
The crypto community thought it was insane when Andre Cronje memes were popping off and selling for $1000s. Wait until itâs a Taylor Swift post. Or a Kylie Jenner image. Or a Virgil Abloh design. That is going to have a similarly cosmic feeling to when Jamie Dimon conceded to BTC or when Paypal decided to support ETH. To ignore this is not be excited about the bull runs to come.
Creative Composability, ZoraÂ
why do liberal silicon valley-type projects imagine that their âbreakthrough momentâ will come when a celebrity endorses their work? the breakthrough only comes gradually after an infrastructure is built, and the celebrity recognition is the last step. it canât drive innovation--can it?
But luckily there's a fourth thesis as well, a final thesis that mollifies the admittedly very real dangers that surround any universal claim. Chu doesn't state the fourth thesis explicitly, but furnishes enough material for us to fill it in ourselves: (4) the universal female means we all inhabit an ethical community. If femaleness means a kind of mutual entanglement of desire, and if femaleness is universal, then everyone's desire is perpetually interwoven with other people. Your desire is not your own. Your desire always mirrors through another's. And while such a configuration might generate pathologized subject positions (female as negation), it also generates -- if you'll pardon the grandiosity -- a kind of universal ethical fabric. Negation here is a feature not a bug. Chu's structuralist universal is thus a "universal from below," since it generalizes from the subordinate position. (Theorists like Badiou and Laruelle refer to this not as "gender" but as "generic.") ... The claim "everyone is female" is thus more an ethical claim than a political one
Alexander Galloway, review of Females http://cultureandcommunication.org/galloway/females
âSometimes thereâs a ten-slide text-blocked Canva slideshow that feels suspicious not to share, despite any reservations one might have about its content and lack of truly traceable sourcing. No matter: thatâs a reactionary mindset that privileges expertise gained in an unequal society.â
even progressives are prone to distrust mainstream institutions and expertise.
A meta note to start 2021.
Just 24 hours after the mosque attacks, Monster explained on Gab that he shared the manifesto and video file onto IPFS, or the âInterplanetary File System,â a decentralized peer-to-peer file sharing network. Files on IPFS are split into many pieces, each distributed among many participants on the network, making the removal of a file nearly impossible. IPFS had previously been a niche technology, relatively unknown even among extremists. Now, calling IPFS a âcrazy clever technologyâ that makes files âeffectively uncensorable,â Monster reassured Gab users that he was also developing software to make IPFS âeasy for anyone ⌠with no technical skills required.â
Megan Squire, âWhy the next terror manifesto could be even harder to trackâ
A software license towards a world beyond capitalism.
The Anti-Capitalist Software License seems like a response to the way Big Tech has incorporated and capitalized on streaming, participatory media, and open access. Perhaps Creative Commons/copyleft was once an obstacle to capitalism, but that's no longer the case today.
alien language generator
I couldnât resist ⌠Iâve added a few more tweaks to it!
âinteractiveâ version and updated/streamlined code over on CodePen
Lone Light 1/5
Artwork by Quentin Deronzier
The Federal Reserve took the highly unusual step of injecting more money into the bond market Thursday to ensure the financial system remain
âThe shift from reading to eating marked a sort of evolutionary relapse from vision to digestion: Loftus was, of course, stuffing the book in the wrong hole. What small percentage of print matter could be broken down by her intestinal system was being absorbed, uncomprehendingly, into her body; whatever remained was, of course, expelled as waste. A week or two into the project, Loftus called poison control to double check that eating Infinite Jest wouldnât kill her: âThey were sort of like âwe canât sanction you doing thisâ but thereâs a way to do it. I couldnât be doing it too often, like I wanted to do a page a day but thatâs just not feasible to do that and stay alive.â
Excerpt From
Females
Andrea Long Chu
ÂŻâ_ is a member of Vimeo, the home for high quality videos and the people who love them.
EVOL vimeo? or mark fell? idk
The stower can only stow as fast as the buffer can buff, and the buffer can only buff as fast as unloaders unload. The AI sets the pace of production, the supervisor is tasked with calibrating the speed of the conveyor belt in accordance with it. The belts are always, always, turning. Someday the belts will run faster than you thought was possible. Someday, corporate hopes, the stowers, buffers, unloaders, supervisors, and the computer that runs it all will achieve equilibrium and rise together on promises of company swag and free takeout for lunch. Everyone is a customer. The problem of employing machinery in any industrial venture, whether thatâs logistical or mass manufacture, is the problem of fixed capital. Even with bleeding-edge hardware or software, labor or time-saving devices, whatever, the venture is only as profitable as its workers. The machines can and will provide or make possible certain productivity rates yielding a certain quota, per shift, but only that baseline. To increase the surplus, to keep it rising, to make the workers â the human capital â more productive, the capitalist must employ other means. Automation was and wasnât a bluff. Code, GPS trackers, apps, the scanner strapped to your fingers, the burner phones strapped to your bicep, your forearm, are the new regime now.
We are, all of us, Machines
For Hennefeld and Baer, unwatchability represents âthe aesthetic condition of a political moment in which the future looks bleak, unavoidably catastrophic, and increasingly uninhabitable,â but not in a vast and imperceptible way. Rather it is omnipresent in the way âmultiplying screens, viral videos, and relentless news updates bombard us with violent and appalling content at nearly every turn.â Itâs not that people canât watch; itâs that they have to watch atrocities that they feel they can do nothing to prevent. Rather than being unseeable, the âunwatchableâ world is seen too much. Hennefeld and Baer cite Alenka ZupanÄiÄ, who defines unwatchability as when âsomething that ought not do so melts into visibility.â This is basically the opposite of a hyperobject, which at least resists being trivialized by becoming watchable, consumable. Hyperobjects retain their sublimity, negating our sense of agency by denying it any purchase, whereas ZupanÄiÄâs unwatchable negates our sense of agency by indulging it at the level of perception, so that we can only watch. That would seem to set the idea of unwatchability apart from the more vernacular idea of unwatchable movies or shows, so bad that they literally go unwatched. But Hennefeld and Baer conflate the helplessness of consuming bad news with the perversity of watching what we profess to find intolerable, arguing that âweâre a culture of hate-watchers.â That is, people feel compelled to watch what they also find appalling; there is pleasure in wanting but failing to look away.
Shareable Crime by Rob Horning