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Andulka

Janaina Medeiros
cherry valley forever
Three Goblin Art
taylor price
Peter Solarz
Cosimo Galluzzi

roma★

if i look back, i am lost
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AnasAbdin
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sheepfilms
will byers stan first human second
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@myownprivate
Guardian Angel, GA Galli known as Lo Spadarino, Rieti Church of San Rufo, FEC Heritage Ministry of the Interior (904x1200)
Flowers in the mountain (花の山), Ehagaki sekai (絵葉書世界), Japan, 1908.
Francisco de Zurbarán Hercules Fighting with the Nemean Lion, 1634-1635. 108 x 121 cm. Museo del Prado, Madrid
Flowering Plum and Moon, Ohara Koson (1877–1945)
Verger en fleurs, 1879 - Claude Monet
Ryuichi Sakamoto: Playing the Piano for the Isolated
The Merry Guide
– A.E. Housman (1896)
Once in the wind of morning
I ranged the thymy wold;
The world-wide air was azure
And all the brooks ran gold.
There through the dews beside me
Behold a youth that trod,
With feathered cap on forehead,
And poised a golden rod.
With mien to match the morning
And gay delightful guise
And friendly brows and laughter
He looked me in the eyes.
Oh whence, I asked, and whither?
He smiled and would not say,
And looked at me and beckoned
And laughed and led the way.
And with kind looks and laughter
And nought to say beside
We two went on together,
I and my happy guide.
Across the glittering pastures
And empty upland still
And solitude of shepherds
High in the folded hill,
By hanging woods and hamlets
That gaze through orchards down
On many a windmill turning
And far-discovered town,
With gay regards of promise
And sure unslackened stride
And smiles and nothing spoken
Led on my merry guide.
By blowing realms of woodland
With sunstruck vanes afield
And cloud-led shadows sailing
About the windy weald,
By valley-guarded granges
And silver waters wide,
Content at heart I followed
With my delightful guide.
And like the cloudy shadows
Across the country blown
We two fare on for ever,
But not we two alone.
With the great gale we journey
That breathes from gardens thinned,
Borne in the drift of blossoms
Whose petals throng the wind;
Buoyed on the heaven-heard whisper
Of dancing leaflets whirled
From all the woods that autumn
Bereaves in all the world.
And midst the fluttering legion
Of all that ever died
I follow, and before us
Goes the delightful guide,
With lips that brim with laughter
But never once respond,
And feet that fly on feathers,
And serpent-circled wand.
Cotton Comes to Harlem (1970)
hands dance
Sol LeWitt (1928–2007) [USA] — ‘Complex Forms’, 1989. Etching (53.98 x 38.1 cm).
Muto Katie. Engakuji Temple Grounds, Kamakura, 1950s.
Oliver in Tenerife in 2024, by Matias Montenegro
Astolfo Petrazzi, A Youth playing a Guitar
τίς γὰρ δεδοικὼς μηδὲν ἔνδικος βροτῶν
- Aeschylus
What mortal is righteous, yet does not fear a thing?
Martha Argerich plays Beethoven Piano Concerto No. 2 + Encore