Barbara Takenaga (American, b. 1949), Folds (Bluegreen 3), 2019. Acrylic on linen
dirt enthusiast

pixel skylines
PUT YOUR BEARD IN MY MOUTH
No title available
One Nice Bug Per Day

Kiana Khansmith

@theartofmadeline
AnasAbdin
I'd rather be in outer space 🛸
i don't do bad sauce passes

oozey mess
Today's Document
DEAR READER
h

No title available
occasionally subtle
Jules of Nature

shark vs the universe
wallacepolsom
almost home

seen from Singapore

seen from Argentina
seen from United States

seen from Germany

seen from Malaysia

seen from United States
seen from Japan

seen from Germany
seen from United States
seen from Argentina

seen from Malaysia

seen from Singapore
seen from United States

seen from United Kingdom

seen from France
seen from Argentina

seen from Spain
seen from Switzerland

seen from Malaysia

seen from Türkiye
@mythes
Barbara Takenaga (American, b. 1949), Folds (Bluegreen 3), 2019. Acrylic on linen
Tián Mì Mì (Peter Chan, 1996)
マネークリッパー吉沢の写真さんのツイート: “ヤマザキのふんわり食パンはこんなにふんわりです。 #猫… ”
Olafur Eliasson
2019年3月10日
【新入荷・新本】
郭斯恆『霓虹黯色 香港街道視覺文化記錄』(三聯書店(香港)有限公司、2018年)
価格:4,860円(税込み)
「霓虹黯色」是理工大學設計學院之信息設計研究室 (Information Design Lab) 的霓虹招牌研究專案之一,此項研究由 2015 年 8 月開始,研究團隊從尖沙咀徒步走到太子,途經佐敦、油麻地、旺角,踏遍15條主要馬路和40多條街道,除此之外,研究團隊也走到灣仔、銅鑼灣、荃葵青、深水埗和西貢等地方,記錄了超過500多個霓虹招牌,團隊透過攝影實地記錄還未拆卸的霓虹招牌,這好讓讀者從霓虹招牌照片中,窺探各行各業的視覺文化和本土美學特色,從而了解招牌如何建構香港街道想像和消費文化。總括來說,書中將集中分析現存霓虹招牌的視覺美學,並從中所催生的香港消費文化,也帶出每區的消費模式轉變,並探討霓虹招牌如何豐富我城的街道空間,並延伸我們的集體回憶。
郭斯恆 喜愛街道觀察,《我是街道觀察員》作者。香港理工大學設計學院助理教授、傳意設計學科主任及信息設計研究室主任。
https://www.facebook.com/hongkongneonlights/
(via Gallery of YMT House / GENETO - 3)
Christophe Lemaire & Sarah-Linh Tran
Tapes I collected from trash in Taiwan.
Vive La Fetê - Noir Désir
technology stamps
seashells, southern spain