Noah Kahan
KIROKAZE
almost home
Cosimo Galluzzi
Kiana Khansmith
Love Begins
Lint Roller? I Barely Know Her
No title available
The Stonewall Inn
2025 on Tumblr: Trends That Defined the Year
Monterey Bay Aquarium
tannertan36
cherry valley forever
Jar Jar Binks Fan Club
occasionally subtle
noise dept.
Keni
will byers stan first human second
🪼
PUT YOUR BEARD IN MY MOUTH
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@mzteeeyed
El Agujetas (1939).
Born Manuel de los Santos Pastor, heir to the Spanish Gypsy tradition of singing blacksmiths. Agujetas worked in his father’s forge until 1970, when he made his first recording. He has achieved international recognition for his singing of the stunningly intense form of flamenco, cante jondo (deep song), which includes flamenco’s purest, ancient styles such as martinetes and siguiriyas.
The Real House Of The Rising Sun / I Don't Believe You (1965)
Max Kurzweil (Austrian, 1867-1916)
Reclining Male Nude (Liegender Männerakt), 1900
Oil on canvas
Common purple & gold/Pyrausta purpuralis/purpurljusmott. Värmland, Sweden (15 July 2026).
If you want a lover, I’ll do anything you ask me to And if you want another kind of love, I’ll wear a mask for you If you want a partner, take my hand Or if you want to strike me down in anger, Here I stand I’m your man
Leonard Cohen, I’m Your Man
Yom Kippur and Passover belt and buckle
19th century, silver
On one side, there is a depiction of the goat sent to the desert as a scapegoat to atone for Israel’s sins on Yom Kippur, and on the other side, the lamb sacrificed for Passover in the Temple.
Antoni Garcia Lamolla Untitled, 1934
vogue us jul 2003
2000s_interior_design_house_cyprien_gaillard_bearne_elle_feb_2005
Roman Theatre, Petra, Jordan
Paul Klee. Sterbende Pflanzen (Dying plants), 1922. Source
Source details and larger version.
Here’s a bouquet for you: my collection of vintage flowers blossoming through time.
Source details and larger version.
Loops are interlocking: vintage knitting and yarn imagery.
Nasreen Mohamedi. Untitled, circa 1975. Pencil and wash on paper.
Birgit Jürgenssen. Untitled, 1988. Photograph on photolinen (double exposure).
