David Milne (Canadian, 1882-1953), Snow Patches III, 1922. Oil on canvas, 12 x 16.25 in.

titsay
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ellievsbear
Sade Olutola
wallacepolsom
Sweet Seals For You, Always
RMH
Alisa U Zemlji Chuda
Misplaced Lens Cap
sheepfilms
dirt enthusiast
trying on a metaphor

tannertan36
Show & Tell

Andulka
he wasn't even looking at me and he found me
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Product Placement
almost home
NASA

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seen from United States
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seen from United States

seen from Malaysia
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seen from United States

seen from Brunei

seen from Germany
seen from United States

seen from United States

seen from Malaysia

seen from Malaysia

seen from Türkiye

seen from United States
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seen from Malaysia

seen from Brunei
@n-w-c
David Milne (Canadian, 1882-1953), Snow Patches III, 1922. Oil on canvas, 12 x 16.25 in.
contrast the wall
Crime Scene in Alicante's Concrete house
Architectural Projet #3
check http://he-art-chitecture.tumblr.com/ for more
WIEL ARETS & FORM ARCHITECTURE WORK #1
#1 LA VAGUE // THE WAVE
OSTEND : OPPOSING WAVE OF CONTRADITION
The idea in this project was to express the quality and the personnal impressions of a particular space. To that observation question, I posed a few more : How to push out poetic to agression ? How to fix dynamic ? How two opposing environment could be represented together ? And how they live both. Once the study subject 'll be understand. The next step is to insert an Architectural Project in this particular environment, wich is agressed by naturals elements (sea, wind, ground) but also and especially by Man's hand.
https://vimeo.com/87987716
WHAT IS LIFE ? WHAT IS LIVE ? WHAT IS MAN ?
HOW ARCHITECTURE COULD HELPS MAN TO LIVE HIS LIFE.
to be continued...
WHITE WAVE , Maxime André
ZAFF OPTICAL
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THE NEW YORKER