SUCCESSION 1x02 | 4x10
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Peter Solarz
let's talk about Bridgerton tea, my ask is open

Andulka
noise dept.
we're not kids anymore.
cherry valley forever

@theartofmadeline
Cosimo Galluzzi
RMH
Stranger Things
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay
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Show & Tell
Three Goblin Art

JBB: An Artblog!
hello vonnie
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@nablaplacian
SUCCESSION 1x02 | 4x10
Лучший гетеропейринг на планете
siobhan.. do you remember when we first uh knew one another… the first time in france when i flew to you…and it was that very difficult time for you.. and … i’d sent you uh.. all those handwritten notes .. and then the first time.. you were wearing a very fine silk shirt. and i put my arm around you.. and i said .. i kept asking…do you like this. do you like this. you said eventually… i like it all
I wish I knew what it was like to find a place where I belong but, I am Machine, I never sleep I keep my eyes wide open - I Am Machine - Three Days Grace
I was built to predict people, but to predict them you have to truly understand them - The Machine
ru: я хз почему, но концепт пато персонажей в сеттинге волчьего дождя показался мне очень мозгочесательным и нуждающимся в скетчах на коленке
pt.1
en: I’m not sure why but the concept of Pathologic characters in the Wolf’s Rain anime setting struck me as incredibly awesome...
Greg Hirsch is a fascinating character in Succession because he initially comes across as a naive comic relief but gradually develops into an illustration of how institutional incentives can reshape a person or solidify traits that were already present.
At the beginning of the series, Greg is painfully out of place, which seems to serve as a comedic relief but also a mirror to the audience. He's awkward, anxious, frequently apologetic, and seems to show at least some moral discomfort about the behavior of the Roy family and the world he enters.
Throughout the series, he changes incrementally through hundreds of small compromises. He keeps incriminating documents when he thinks they might protect him, hedges his loyalties, and cultivates relationships with whoever seems most useful at the moment. He becomes increasingly comfortable using people as means to an end while still maintaining the self-image that he is simply trying to survive or that he's naive - until it is painfully clear this is not (or no longer) the case.
His relationship with Tom Wambsgans is central to his character arc. Tom is: mentorship, exploitation, friendship, emotional dependency, workplace bullying, and strategic alliance. Tom oscillates between humiliating and verbally/physically abusing Greg or treating him as the only person he can truly be vulnerable with. Greg, meanwhile, learns from Tom that proximity to power can be more valuable than competence or principle. He also learns that convincing powerful people you're useful can sometimes function as a substitute.
What fascinates me most about Greg's arc is that he often uses uncertainty and perceived naivety as a negotiating tactic. He rambles, asks half-questions, and leaves himself copious space for plausible deniability - which creates the impression that events are happening to him, when in reality he is often making calculated choices while avoiding explicit commitments. No one else does this in the series because perceived incompetence in perpetuity wouldn't benefit them in their image or ambitions. For the Roy family, it is not the cutthroat way they were raised, but it benefits Greg because of his position and newer entry into the world. It is not sustainable long-term.
To me, Greg might have always possessed opportunistic instincts but lacked the confidence and opportunity to employ them until he enters this world.
He seems morally hesitant, but when faced with a choice between principle and personal advancement, he repeatedly chooses advancement - and it has repeatedly benefited him.
It would be difficult for a less capable writer to create a character like this, but Jesse Armstrong and the other writers have succeeded brilliantly.
That is why Nicholas Braun's performance impresses me so much. At 6'7", he could easily dominate every room he enters by physical stature alone, yet he consistently projects someone who seems uncertain, awkward, naive, harmless, and almost peripheral. The result is a character whom both much of the audience and the in-show characters underestimate and what he is capable of until it becomes blatantly undeniable.
It seems like many viewers focus on Greg's moral decline throughout Succession, but fewer notice that his bumbling demeanor often functions strategically (whether consciously or instinctively). He generally avoids committing himself, asks questions instead of making declarations, and creates ambiguity around his intentions.
If It Is To Be Said, So It Be, So It Is.
This can be an effective survival mechanism in a room full of people who mistake confidence for competence. Or it can make him look like the world's biggest fool.
The Hige and Tsume dynamic is so important to me because what if we paralleled each other and hated ourselves so wholly but were also not similar in demeanor like. At all.
I'm watching s2 of got now and I can't unsee how similar theon greyjoy's and shiv roy's (from succession) story arcs are.....
I mean they are both:
the younger siblings in the family
never took part in the family business their whole lives, but performed well in another field
work for the ideological enemies of their family and draw up a very reasonable cooperation project that would benefit both sides
eventually give in to the influence of their toxic fathers (who don’t even take them seriously), quit the job they’re actually good at for a top position in the family company
in the family company, they are nobodies with no experience — just ordinary nepobaby — so no one respects them. For them, who were professionals at their previous job, this is a severe blow to their self-esteem. Their fathers’ logical suggestion to undergo an internship is met with hostility
try to use the same strategies they used at their previous job, but in the reality of the family business, those strategies are completely ineffective and provoke laughter
consider themselves smarter than their more competent siblings, who have already worked there for about ten years, and instead of observing them and learning, they compete with them
If I had a penny every time the dubious ambitions of a Michael Emerson character led to the murder of a Brett Cullen character at somebody else's hands I'd have two pennies which isn't much but it's weird that it happened twice
rewatching lost and making it everyones problem — casual entire thesis of jack and locke in 2x03
they were meant to be all in the same picture but I can’t figure out a BG so I’ll just post them like that till I find out how to do that
Amy Acker plays this moment with such joy and openness. Root isn’t just hearing a voice; she’s experiencing recognition. The Machine is finally speaking directly to her. The smile carries wonder, relief, gratitude, happiness, and the overwhelming feeling of being answered. It’s an intensely intimate moment, and Amy captures every layer of it beautifully.
hashtag relatable
LOST (2004-2010) 1.09 — Solitary
childhood friends to complete strangers
I’m sick and tired of found families we need more found toxic workplace environments
succession can be both
Succession (Jesse Armstrong, 2018-2023)
For Roy Week 2026 - May 28th: Shiv Roy & Power (& Privilege)