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@nanda-doc
Exposição EfemerarArte de Reci Clayton no Museu da Escola Catarinense em agosto de 2019
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Exhibition EfemerarArte, by Reci Clayton at the Museu da Escola Catarinense in August 2019
Curator: Tombô Produções Museológicas, 2019
Livro de atividades que reúne sete anos de experiência do CEPAGRO com hortas escolares. Sua publicação foi financiada coletivamente.
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Activity book that brings together seven years of CEPAGRO experience with school gardens. Its publication was financed collectively.
*** Authors: Henrique Martini Romano, Ícaro Pereira, Javier Bartaburu, Júlio César Maestri, Karina Smania De Lorenzi Editing and review: Paula Desgualdo Graphic design: Fernanda do Canto Illustrations: Lis Onda CEPAGRO communication and crowdfunding: Ana Carolina Dionísio and Clara Comandolli
Florianópolis, SC · Brazil, 2019
Mohamed Abraham plays Polonesa, Op. 53 – Frederic Chopin · piano solo
Mohamed Abraham Builo Michel é um pianista cubano que reside em Florianópolis/SC, Brasil. Sua apresentação junto à Orquestra Sinfônica de Santa Catarina (OSSCA) foi gravada em 25 de novembro de 2016, no Teatro Ademir Rosa.
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Mohamed Abraham Builo Michel is a Cuban pianist who lives in Florianópolis / SC, Brazil. His performance with the Santa Catarina Symphony Orchestra (OSSCA) was recorded on November 25, 2016, at Teatro Ademir Rosa.
*** Cameras: Carlos Pontalti, Fernanda do Canto Audio and editing: Fernanda do Canto Color editing: Carlos Pontalti
Tombô Productions, 2016
Sand Art Terapia, por Reci Clayton
Atóxica, natural e agradável ao toque, a areia é um material de fácil manuseio, que permite trabalhos artísticos efêmeros, com precisão e alto contraste. Além de excelente suporte para a Land Art (Arte na Paisagem) diretamente na praia, aqui o artista utiliza a areia também como "tinta", realizando pequenos desenhos em superfícies alternativas, construídas com molduras de quadro descartadas no lixo e pedaços de lona reaproveitados. Por não haver fixação da areia sobre o suporte, a única forma de registro da imagem é por meio de fotos e vídeos. Após seu registro, a obra se esvai sem deixar rastro e com alto reaproveitamento para novos desenhos. A oficina de Sand Art Terapia foi oferecida ao público do Psicodália, entre 1 e 6 de março de 2019.
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Nontoxic, natural and pleasant to the touch, sand is an easy-to-use material that allows ephemeral artistic works, with precision and high contrast. In addition to excellent support for Land Art (Art in the Landscape) directly on the beach, here the artist also uses sand as "paint", making small drawings on alternative surfaces, constructed with frame frames discarded in the trash and pieces of reused canvas. Since there is no sand fixation on the support, the only way to register the image is through photos and videos. After its registration, the work vanishes without a trace and with high reuse for new designs. The Sand Art Therapy workshop was offered to the public of Psicodália, between March 1 and 6, 2019.
*** Artist: Reci Clayton Camera and editing: Fernanda do Canto Soundtrack: Blue Dot Sessions (CC)
Tombô Produções, 2019
Na 22ª edição do Festival Psicodália, Reci Clayton foi convidado a realizar algumas obras efêmeras na paisagem. O artista se deslocou até a Fazenda Evaristo uma semana antes do festival começar e lá encontrou matéria-prima de qualidade para realizar suas obras: grimpa de pinheiro e grama cortada. Este vídeo é um registro documental realizado pela Tombô Produções entre 25 e 28 de fevereiro de 2019, que mostra o processo de trabalho desse artista imerso à paisagem. As primeiras exibições do vídeo ocorreram durante o próprio festival (entre 1 e 6 de março), no espaço de cinema e também em locais alternativos, onde havia intenso fluxo de pessoas. A experiência de estar presente no momento da criação de obras tão grandes não se traduz completamente nessas imagens, mas ainda assim elas cumprem o importante papel de conservar a memória e registrar o patrimônio imaterial e a arte efêmera contemporânea.
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In the 22nd edition of the Psicodália Festival, Reci Clayton was invited to perform some ephemeral works in the landscape. The artist traveled to Fazenda Evaristo a week before the festival started and there he found quality raw materials to carry out his works: pine vines and cut grass. This video is a documentary record made by Tombô Produções between 25 and 28 February 2019, which shows the work process of this artist immersed in the landscape. The first screenings of the video took place during the festival itself (between March 1 and 6), in the cinema space and also in alternative locations, where there was an intense flow of people. The experience of being present at the time of creating such great works does not translate completely into these images, but they still fulfill the important role of conserving memory and registering intangible heritage and contemporary ephemeral art.
*** Artist: Reci Clayton Camera and editing: Fernanda do Canto Soundtrack: Blue Dot Sessions (1st part) and Paulo Gomes (2nd part) (CC)
Tombô Produções 2019
Preview of the short documentary "Odradekianas" Winner of the Santa Catarina State Film Award
Direction: Fernanda do Canto Production: Tombô Curatorship: Rosângela Cherem Artists: Ilca Barcellos, Maria Carmen von Linsingen, Sara Ramos, Rosana Bortolin Director of photography: Carlos Pontalti Illustrations: Kelly Kreis Graphic design: Paula Cardoso Edition: Lara Koer Sound design: Arthur Thiesen Soundtrack: Paulo Gomes
Watch the trailer: https://youtu.be/hyxWCfxUHFI
Cinema of the Integrated Culture Center, Florianópolis · Brazil, 2019
Trailer of the short documentary "Odradekianas" Winner of the Santa Catarina State Film Award 2016 Documentary . 16 min . 2018
Direction: Fernanda do Canto Curatorship: Rosângela Cherem Artists: Ilca Barcellos, Maria Carmen von Linsingen, Sara Ramos, Rosana Bortolin Director of photography: Carlos Pontalti Edition: Lara Koer Illustrations: Kelly Kreis Graphic design: Paula Cardoso
Tombô Produções, 2018
DVD of the short documentary "Odradekianas" Winner of the Santa Catarina State Film Award 2016 Documentary . 16 min. 2018
Direction: Fernanda do Canto Curatorship: Rosângela Cherem Artists: Ilca Barcellos, Maria Carmen von Linsingen, Sara Ramos, Rosana Bortolin Director of photography: Carlos Pontalti Edition: Lara Koer Illustrations: Kelly Kreis Graphic design: Paula Cardoso
Tombô Produções, 2018
Cultural map of the Santa Catarina Flour Mill Network. Winner of the Elisabete Anderle Award 2018.
Coordination: Giselle Miotto Map elaboration: Lorena Lucas Sasaki Graphic design: Fernanda do Canto Photography: Marcia Ferreira
Illustrated book of cooking recipes made on flour mills. Awarded by Edital Elisabete Anderle / 2017.
Research of recipes and organization of workshops: Karina de Lorenzi and Manuela Braganholo Facilitation of workshops and recipes: Chef Fabiano Gregório Texts: Ana Carolina Dionísio and Manuela Braganholo Photography: Carlos Pontalti Graphic design and layout: Fernanda do Canto Review: Cynara Müller Collaboration: Enilto de Oliveira Neubert, Isete Coelho Mariano, Wladimir Marcon
ISBN: 978-85-67297-08-8
Florianópolis, Santa Catarina · Brazil, 2018
Complete book: https://issuu.com/nandadocanto/docs/comida_de_engenho_issuu
Digital book of stories created during the children's and youth workshop "Logbook”, referring to the exhibition #Poraí by Bruno Ropelato.
Idealization and mediation: Fernanda do Canto Graphic project: Fernanda do Canto Photography: Carlos Pontalti
Museum of Image and Sound of Santa Catarina · Brazil, 2017
Complete publication: https://issuu.com/nandadocanto/docs/livro_db
Catalog of artistic works by Marivone Dias.
Presentation text: Meg Roussenq Graphic project: Fernanda do Canto Photography: Carlos Pontalti e Virginia Yunes
Florianópolis, Santa Catarina · Brazil, 2017
catalog of the exhibition "A pele" (The Skin), by artist Albertina Prates.
Curation: Rosângela Cherem Presentation text: Rosângela Cherem, Eneléo Alcides Graphic project: Fernanda do Canto Photography: Aira Junges, Paula Borges Reis, Volo Fotografia
Museum of Art of Santa Catarina · Brazil, 2017
Pocket book about Museum of Santa Catarina School, first edition 2016.
Organization: Sandra Makowiecky, Beatriz Goudard, Eduardo Petry, Fernanda do Canto Photography: Carlos Pontalti Graphic project: Fernanda do Canto
More information: http://udesc.br/museudaescola
“Odradekianas” is a collective exhibition of four female artists. Its name is based on a short story by Franz Kafka. Premiere at the Blumenau Art Museum in March 2016. Curated by Rosângela Cherem.
Expographic production, visual identity and promotional material: Fernanda do Canto Photo credits: Carlos Pontalti
The project also won the Santa Catarina State Film Award for recording a short documentary about the artists in 2017.
"Odradekianas" is a collective exhibition of four female artists. Its name is based on a short story by Franz Kafka. Curated by Rosângela Cherem.
Expographic production, visual identity and promotional material: Fernanda do Canto
The project also won the Santa Catarina State Film Award for recording a short documentary about the artists in 2017.
"Mundos Tangíveis” (Tangible Worlds) was an inclusive exhibition for blind people held in 2009. Works by artists Alfonso Ballestero and Michel Groisman. Curated by Rosângela Cherem.
Expographic production, visual identity and catalog design: Fernanda do Canto Special participation: Valente cat's paws