Peter O’Toole.
1966’s François Pinton sunglasses.
The Bowery Presents

Product Placement
ojovivo
Lint Roller? I Barely Know Her
untitled
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Claire Keane
🩵 avery cochrane 🩵
Show & Tell
official daine visual archive
"I'm Dorothy Gale from Kansas"
Sade Olutola

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Keni
Today's Document
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Love Begins

Game Changer & Make Some Noise

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@natthebuddhist
Peter O’Toole.
1966’s François Pinton sunglasses.
On the set of Stalker (1979)
Bas Jan Ader - I’m too sad to tell you (1971)
Susan Sontag, Duet for Cannibals ad (via akikopico)
"Like guns and cars, cameras are fantasy-machines whose use is addictive. However, despite the extravagance or ordinary language and advertising, they are not lethal. […] The camera/gun, does not kill, so the ominous metaphor seems to be all bluff—like men’s fantasy of having a gun, knife, or tool between his legs. Still, there is something predatory in the act of taking a picture. To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them they can never have; it turns people into objects that can be symbolically possessed. Just as the camera is a sublimation of the gun, to photograph someone is a sublimated murder—a soft murder, appropriate to a sad, frightened time.” —Susan Sontag, On Photography
still from Duet for Cannibals (Susan Sontag, 1969)
Duet for Cannibals by Susan Sontag, 1969 You can watch the film at the link.
vincent van gogh
Domestication of a Pyramid
Magdalena Jetelova
viα fleurdulys: Before the Wedding - Antonio Munoz Degrain . 1882