Tranquil Forest, 2015 | by Tiina Törmänen
sheepfilms
$LAYYYTER

tannertan36

oozey mess
The Stonewall Inn
No title available

Game Changer & Make Some Noise

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gracie abrams

Love Begins
occasionally subtle
RMH
d e v o n
Phantogram Three
Cookie Run:Kingdom Official!

Product Placement
The Bowery Presents
Fieri Frames
let's talk about Bridgerton tea, my ask is open
Interview Vampire Daily

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@neon-lasers-blog
Tranquil Forest, 2015 | by Tiina Törmänen
people are allowed to leave you. people are allowed to break up with you. people are allowed to love you but not want to be with you. people are allowed to not want to talk to you. people are allowed to put their happiness before yours and do what makes them happy even if it does not include you. people are allowed to move on from you. people are allowed to fall in love with someone else. people are allowed to not want you in their life. people are allowed to do whatever they want to better themselves and become the version of themselves they are trying so hard to love. don’t be bitter towards someone who is only trying to be happy.
Constructions and Stages: The Architectural Explorations of Chicago Artist Barbara Kasten
Influenced by The Bauhaus and Constructivism, Barbara Kasten explores modes of reorganizing the visual environment. Kasten was one of the first artists to be invited by Polaroid to use its new large format cameras, and it was with these that she made many of her best known works, her palette becoming bolder in response to the lush, saturated quality of the medium. Institutions such as the High Museum of Art in Atlanta designed by Richard Meier and the Museum of Contemporary Art in Los Angeles designed by Arata Isozaki were eager to showcase their new postmodern buildings via the cinematic lighting, mirrors, and fabrications that were part of her monumental productions. In partnership with Chicago Architecture Biennial, the Graham Foundation is mounting the first major survey of Kasten’s work in Barbara Kasten: Stages, opening October 1. Organized in conversation with the artist and with full access to her extensive archive, the exhibition will include works spanning her nearly five-decade engagement with abstraction, light, and architectural form.