RMH
wallacepolsom
TVSTRANGERTHINGS
No title available
Peter Solarz
Keni
Claire Keane

JVL
dirt enthusiast
tumblr dot com
Not today Justin
$LAYYYTER

祝日 / Permanent Vacation

Love Begins
we're not kids anymore.
🪼
cherry valley forever
noise dept.
No title available

★

seen from Türkiye

seen from Spain
seen from United States
seen from France
seen from United States
seen from Lithuania
seen from Lithuania

seen from United States
seen from United States
seen from Maldives

seen from Türkiye
seen from Poland
seen from United States
seen from Czechia

seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States

seen from Mexico
@netcult2013
Technology giants like Google and Facebook are expanding efforts to control more of the world’s Internet backbone, raising tensions with telecom companies over who runs the Web
250 posts!
Research by Emmanuel Saez and Thomas Piketty, two French economists known simply as Piketty-Saez in Washington, has provided the subtext to the battle over tax fairness.
The Occupied Times ~ of London honoured me with a request for an interview. It has just been published here. The text of the interview is also copied below. Please support them any which way you ca…
Like a creepy digital tap on the shoulder
David Simon (creator of The Wire) talking uneven growth (!!) in this edited extract of a talk he delivered at the Festival of Dangerous Ideas in Sydney.
I'm standing here and saying we might want to go back for this guy Marx that we were laughing at, if not for his prescriptions, then at least for his depiction of what is possible if you don't mitigate the authority of capitalism, if you don't embrace some other values for human endeavour.
And that's what The Wire was about basically, it was about people who were worth less and who were no longer necessary, as maybe 10 or 15% of my country is no longer necessary to the operation of the economy. It was about them trying to solve, for lack of a better term, an existential crisis. In their irrelevance, their economic irrelevance, they were nonetheless still on the ground occupying this place called Baltimore and they were going to have to endure somehow.
That's the great horror show. What are we going to do with all these people that we've managed to marginalise? It was kind of interesting when it was only race, when you could do this on the basis of people's racial fears and it was just the black and brown people in American cities who had the higher rates of unemployment and the higher rates of addiction and were marginalised and had the shitty school systems and the lack of opportunity.
And kind of interesting in this last recession to see the economy shrug and start to throw white middle-class people into the same boat, so that they became vulnerable to the drug war, say from methamphetamine, or they became unable to qualify for college loans. And all of a sudden a certain faith in the economic engine and the economic authority of Wall Street and market logic started to fall away from people. And they realised it's not just about race, it's about something even more terrifying. It's about class. Are you at the top of the wave or are you at the bottom?
John Matrix is the Spotify hit artist created by internet security consultant Peter Fillmore. Not being a musician Fillmore generated short midi clips usingWolframTones: “WolframTones works by taking ‘simple programs’ from Wolfram’s computational universe, and using music theory and Mathematicaalgorithms to render them as music." Fillmore’s scripts would then splice these with public domain samples, creatinga generative sound unlike anything else.
Then to get these songs to the top of the charts, the engineer created some bot fans that would listen to John Matrix’s music 24/7. Running on Amazon servers, a bash script would automate the act of playing the tunes on Spotify. John Matrix soon had amassed millions of plays and made $1000 in royalties. The high chart positions of these songs prompted human listeners to complain, resulting in the account being shut down after a month.
http://algopop.tumblr.com/post/68361297118/john-matrix-is-the-spotify-hit-artist-created-by
These slides contain excerpts from an April 2013 National Security Agency presentation detailing signal surveillance techniques and successes. They reveal that the NSA and its British counterpart, Global Communications Headquarters (GCHQ), use a Google-specific tracking cookie to pinpoint targets for hacking.
How the NSA piggybacks onto the tracking behaviors of commercial companies to enable exploitation and surveillance.
How the newest trends in clickbait help reveal Facebook and Twitter's fight over optimizing for the news media, and its implications for journalism.
Two social networks, trying to become more like the other. It is, as Buzzfeed’s John Herrman has written, “the fight for the ultimate feed.”
And this, this phenomenon, which starts with strategic interface changes and works its way up to how editors think about headlines at the most important newspaper in the world’s most powerful capital city—this is what that fight looks like.
And this, too, is what a mature social ecosystem looks like—or, at least, a stagnant one. These big networks aren’t fighting over how to be the best darling for journalists for the sake of journalists. They’re doing it for the sake of user engagement numbers, advertisers, and investors. All the basic functionality of these networks has been monetized already, and the only place to go is at each others’s throats.
#protest#innovation#Thailand#Bangkok