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@newman-blog1
I wrote a thing
Advice on Television
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
-Roald Dahl 1964
The Golden Age of Video ArcadesÂ
(via)
the true meaning of espn
it’s pretty scary
CALL FOR CONTRIBUTIONS: A Tumblr Book
co-editors: Â Allison McCracken, American Studies, DePaul University;Â Louisa Stein, Department of Film and Media Culture, Middlebury College;Â Alexander Cho, University of California Humanities Research Institute
We’re putting together a book to identify ways in which Tumblr has had an important social and industrial impact, both as a digital platform and a cultural forum. This volume will be multi-vocal and accessible to a broad audience, representing a variety of Tumblr users and commentators, including scholars, public intellectuals, activists, and fans. We are particularly compelled by Tumblr’s status as a social media platform known for fostering spaces for socially marginalized users, including youth, people of color, queer people, the disabled, and the poor.
This publication will be in English, but we are committed to exploring non-Western perspectives and others beyond the US/UK. We are soliciting contributions that focus on various aspects of the platform, including any combination of:
Tumblr’s affordances and limitations as an interface/platform and as a cultural space
Aesthetic and linguistic traditions on Tumblr, including hashtags, gifs, images, and notes
History and development, including the Yahoo acquisition
Industry presence, marketing practices and goals
Creative production and/or critical analysis
Intersections of race, gender, sexuality, class, age, and ability
Community development and support
Politics and activism (including the “social justice warrior” discourse)
Identity formation and affirmation
Education and mentoring networks
Transnational/transcultural studies
Tumblr within the transmedia landscape
Fan cultures and activities
The centrality of sexually explicit content (“nsfw”), pornography, and pleasure
Teaching, therapy and other professional uses (such as “social media director”)
Ethical concerns
Contribution Guidelines:
We welcome proposals that address any of the aforementioned topics of analysis, and we are looking for work in a range of formats, including traditional academic essays, shorter think pieces, personal testimonies, interviews, video essays, art, GIF essays, and group discussions. This book will combine hard copy and digital components in order to incorporate multimedia contributions. For example, we are interested in community histories and activities (written by individuals or groups), critical discourses and discussion (including specific examples of such), and creative production we can reference in the book and publish digitally (such as fan art). We will use both illustrations and written excerpts with artist and author  permission. It is very important to us to feature a variety of voices; please feel free to contact us for help in developing a proposal, especially if you are not familiar with the publication process but have an idea of something you’d like to contribute.
Written work should generally fall between 2,000 and 7,000 words. Inclusion in the book will be based on abstracts of between 300-500 words and, for full consideration, they should be received by September 30, 2016. Contributors can use their tumblr or public names or remain anonymous. Please send this abstract and any questions or concerns you have to [email protected]. Visit http://a-tmblr-book.tumblr.com for more information.
Carl Erickson, 1958
source
My name is Hattie, I’m 28, and I live in New Orleans.
I started Old Loves in 2011 during a time when I was feeling particularly lovelorn and miserable. Researching beautifully odd love affairs that burned bright, but later ended and in some cases were totally forgotten felt therapeutic the way listening to a torch song would. Even though, at the time, I assumed it was a bit of a niche interest, and nobody would ever see it but me, working on posts for Old Loves became the highlight of my weepy evenings, probably because it combined two of my primary interests: cultural history and other people’s business. Â
Since then, I’ve been completely overwhelmed by the responses from people who share my fascination with tidbits concerning failed romance. It continues to be one of my all-time favorite projects and I hope I get to poke around and discover forgotten relationship gems for many weepy years to come.
Thank you to everyone who has ever sent me a message, talked about, or written anything about liking this blog, you are all dream boats and it’s meant more to me than I could possibly put into words, so here is a picture of Bill Murray and Gilda Radner dancing on Valentines day. <3 <3 <3 Hattie
old loves is why god invented tumblr
thirtysomethingÂ
TV Guide, June 11, 1988
“I have a fear of being eclipsed.” You and me both, Michael Steadman/Ken Olin.
Bananas, December 1982
Bathurst Bowlerama, Toronto
The Sew-it-Yourself Decorating Book. Thomas Y. Crowell Company, 1977. Hardcover with dustjacket, 248 pages.Â
No Devices at the Table
“Games that Play People,” Time, January 18, 1982
Time, 1974