NMW covers the Radio and Music industry with its published magazine, website, and e-NMW alerts. NMW, built by radio stations who “break” the hits first, has become the standard for tracking radio airplay nationwide using the industry leading tracking service . .STS! New Music Weekly magazine begun it’s New Music Weekly Radio Network in 2003 with it icon radio show entitled “Labor Day Weekend Radio Special”. Since then NMW releases six syndicated radio specials annual including Memorial Day , Labor Day , Christmas, Independence Day, Valentines, and End Of Year special. New Music Weekly accepts submissions for the both “pop version” and “Country version” of each syndicated special. Both version highlight the newest and the best artists at Top40, AC , Hot AC, Country and College radio! New Music Weekly brings music to your door. Like what you hear on our Future Hits CD Compilations? Subscribe to New Music Weekly magazine and get serviced music from record labels and artists worldwide! We will connect you to a variety of genres including Top40/CHR, AC, Hot AC, Country and College. Every issue includes insight reviews, feature articles,exclusive photos, editorials, industry news and much more. New Music Weekly prides itself in providing the industry with the most accurate and current data each and every week. NMW has dedicated entire sections of each weekly magazine towards the progression of Top40/Pop music. Features include editorials, highlights of top singles impacting radio, new music spotlights. Our AC format consist of the most “cutting edge” radio stations within the United States. Those selected to be reporters to New Music Weekly magazine are stations which survive by “breaking” music by both Major and Indie artists. . .a foundation which the format has been built on. New Music Weekly has revolutionized the way radio and record executives look at charts.by using STS technology used t o deliver the most highly accurate chart information available. New Music Weekly is the industry leading provider of information for our Country Chart information which covers music played at commercial. Always two steps ahead, New Music Weekly has been known for creating trends. Such is the case with our College chart; a compilation of AAA, Loud Rock, RPM, Hip Hop, Jazz and Americana. Formats stand on their own foundation, industry executives have quickly realized that there is much common ground within College radio.
Tim McGraw shares the tracks ‘Pawn Shop Guitar’ and ‘Song for America’
Tim McGraw returns to the music scene with the arrival of two tracks, marking his first standalone material in more than a year.
The simultaneous release of “Pawn Shop Guitar” and “Song for America” comes after the artist stepped away from his active schedule to address several physical ailments. According to a statement from the singer, a period spent recovering from notable back and knee problems provided an unexpected window for writing and reflection. McGraw noted that the downtime allowed him to focus on personal narratives, stating, “I was able to really dig into some personal stories in those songs for the first time.”
The autobiographical track “Pawn Shop Guitar,” which was written alongside Tom Douglas, chronicles McGraw’s early professional struggles and the sacrifices required during his initial pursuit of a musical career in Nashville. The title also serves as the namesake for his upcoming 33-date summer concert tour across North America, which is scheduled to begin in July.
The companion piece, “Song for America,” functions as a patriotic mid-tempo tribute ahead of the upcoming U.S. semiquincentennial. The composition, co-penned by Douglas and JT Harding, utilizes wide-ranging geographic imagery to depict the complexities of domestic life.
These songs arrived just ahead of the launch of McGraw’s North American PAWN SHOP GUITAR TOUR.
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Top40 Radio Report: Major Labels Hold the Line as Independent Artists Surge
The mainstream Top40 radio landscape continues to be a high-stakes battleground for chart position, characterized by an intense tug-of-war between major label powerhouses and a rapidly rising class of independent breakouts. As the summer season approaches, programmers are locking in their playlists, balancing massive multi-format collaborations with fresh indie singles that are capturing significant listener engagement.
Major Labels Maintain Dominant Chart Momentum
Major label heavyweights are securing prime real estate on the dial, fueled by high-velocity releases from format staples. Leading the charge is Gracie Abrams with her tracking single “Hit The Wall” (Interscope/ICLG), moving alongside Justin Bieber’s highly buzzed-about record “SPEED DEMON” (Def Jam/Republic). Concurrently, Sabrina Carpenter is landing a definitive listener favorite with her latest track, “House Tour” (Island/Republic). Backed by aggressive label infrastructure and undeniable commercial momentum, all three artists are primed for significant chart climbs in the coming weeks.
A powerful wave of cross-format contenders is also moving up the ranks. Shakira & Burna Boy are finding massive multi-format appeal and cross-cultural traction with their vibrant collaboration, “Dai Dai” (Sony Music Latin).
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94.9 The Bull Names Ashley Layfield as Program Director
iHeartMedia Atlanta has announced two leadership additions at Country WUBL (94.9 The Bull), appointing Ashley Layfield as Program Director and Corey Calhoun as afternoon host.
"These are two of the most exciting additions we've made to the Bull in recent years," said Jill Strada, Executive Vice President of Programming for iHeartMedia. "Corey's experience across multiple markets, combined with his passion for Country music and audience engagement, makes him a perfect fit for afternoons on 94.9 The Bull, while Ashley is one of the most respected programming leaders in our industry."
Layfield joins the Atlanta cluster from iHeartMedia Tampa, where she currently serves as Director of Programming and Brand Strategy for US103.5. She brings nearly 20 years of radio experience, including a successful tenure at K92.3 Orlando, which earned the Academy of Country Music's Large Market Station of the Year honor during her time there. Layfield has also been active with industry organizations, including the Alliance for Women in Media.
"Atlanta is one of the most dynamic and influential country radio markets in the nation, and I'm honored to join the incredible team at 94.9 The Bull," Layfield said. "The station has a strong legacy with deep community roots, and I'm excited to build on that foundation."
Calhoun arrives from iHeartMedia Washington, DC, where he serves as co-host of mornings on WMZQ.
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94.9 The Bull Names Ashley Layfield as Program Director
iHeartMedia Atlanta has announced two leadership additions at Country WUBL (94.9 The Bull), appointing Ashley Layfield as Program Director and Corey Calhoun as afternoon host.
"These are two of the most exciting additions we've made to the Bull in recent years," said Jill Strada, Executive Vice President of Programming for iHeartMedia. "Corey's experience across multiple markets, combined with his passion for Country music and audience engagement, makes him a perfect fit for afternoons on 94.9 The Bull, while Ashley is one of the most respected programming leaders in our industry."
Layfield joins the Atlanta cluster from iHeartMedia Tampa, where she currently serves as Director of Programming and Brand Strategy for US103.5. She brings nearly 20 years of radio experience, including a successful tenure at K92.3 Orlando, which earned the Academy of Country Music's Large Market Station of the Year honor during her time there. Layfield has also been active with industry organizations, including the Alliance for Women in Media.
"Atlanta is one of the most dynamic and influential country radio markets in the nation, and I'm honored to join the incredible team at 94.9 The Bull," Layfield said. "The station has a strong legacy with deep community roots, and I'm excited to build on that foundation."
Calhoun arrives from iHeartMedia Washington, DC, where he serves as co-host of mornings on WMZQ.
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Maren Morris gears up for intimate summer “dreamGIRL Tour”
Maren Morris is gearing up for another stretch on the road, unveiling “The dreamGIRL Tour,” a special summer 2026 run that follows the conclusion of her ongoing Dreamsicle Tour this spring.
Launching shortly after she wraps up her current tour in Texas this May, Morris will kick off the new dates on June 13 in Calgary. The 12-show run, featuring support from Scout Willis, will take her across the western part of North America with stops including Las Vegas, Denver, Salt Lake City, Seattle, and more before wrapping up in Bonner, Montana on July 25.
Timed alongside the 10-year milestone of her breakout debut Hero, Morris has teased a “uniquely curated setlist” that blends standout tracks from across her four albums, paired with a more “intimate live experience” than fans have seen from her in the past. One of the standout dates includes a July 19 performance at Red Rocks in Colorado, where she’ll be joined by The Highwomen and the Colorado Symphony Orchestra.
Full info can be found on Morris’ official website.
General tickets can be purchased via Ticketmaster.
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CHOKE CHAIN Confronts Existential Dread With New EP, Decomposition
Dark industrial band, CHOKE CHAIN has unleashed their new & highly-anticipated release, Decomposition.
The EP is the aural equivalent of existential dread. CHOKE CHAIN is no stranger to tackling such topics, but the band takes it to another level on Decomposition. Completely raw and uncompromising, the songs on Decomposition take the listener to a very dark place, and through the entire runtime of the record, there isn’t a single moment of relief.
The human race continuously proves itself to be largely incapable of any kindness or empathy, instead being completely obsessed with killing and destroying. That’s the central focus of Decomposition.
Says CHOKE CHAIN founder, Mark Trueman: “The EP was mostly written during a time where I was very close to giving up. Everything felt completely hopeless, and still does to some degree. I really tried to put all of that feeling into these songs. I also tried to confront some of my personal trauma on this record, which is something I’ve pretty explicitly tried not to do through my music in the past.
Decomposition will be available on CD, vinyl LP and on all major digital outlets worldwide on July 10th!
Check out the video for “Decomposition” HERE
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Clint Black and Midland set co-headlining fall tour dates
Clint Black and country trio Midland will join forces for a limited co-headlining tour this fall, unveiling eight concert dates across the eastern and central United States.
The brief concert run is scheduled to kick off on October 8 in Charlotte, North Carolina. From there, the artists will travel through the Midwest and South, including a special appearance on October 9 at a charity concert in Indianapolis benefiting the Indy Public Safety Foundation. The tour will also visit venues in Missouri, Kentucky, Alabama, and Virginia before concluding on October 24 in Glen Allen, Virginia.
The artists recently collaborated on the song “Up In Texas,” which appears on Midland’s forthcoming album Stages, due June 12. Midland members Jess Carson and Cameron Duddy contributed to the writing of the track, which pays tribute to notable people, places and cultural touchstones associated with Texas.
For ticket information head HERE.
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Kelsey Olivia Delivers Flirtatious Summer Anthem “I’ll Come Over”
Indie-pop artist Kelsey Olivia returns with her latest single, “I’ll Come Over,” a shimmery late-night summer anthem that captures the emotional uncertainty of modern situationships. Blending an energetic vocal delivery and vulnerable lyricism, this glittery pop confessional is wrapped around a glossy production that reveals the repetitive cycle when two people can’t communicate once honesty begins to slip. “I’ll Come Over” is now available for streaming on all major music platforms.
“I’ll Come Over” is a bouncy indie-pop single that captures the never-ending cycle of the present dating scene, where the intoxicating melody and the surreptitious feelings blur into a hazy, after-dark proclamations. Centered on the lingering disconnect between two people who struggle to be truthful while sober, Kelsey Olivia transforms emotional ambiguity into a danceable, euphoric pop single. At the heart of the song is the striking lyric, “Words don’t work when we’re sober,” in which Olivia recalls blurred memories, missed phone calls made impulsively, and unresolved feelings that keep pushing her back into the same familiar pattern. Behind its exhilarating pop atmosphere, “I’ll Come Over” unfolds like a soundtrack for nighttime drives, where the warm city lights and liquor-soaked conversations only seem to happen after the clock strikes midnight.
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Kelsey Olivia Delivers Flirtatious Summer Anthem “I’ll Come Over”
Indie-pop artist Kelsey Olivia returns with her latest single, “I’ll Come Over,” a shimmery late-night summer anthem that captures the emotional uncertainty of modern situationships. Blending an energetic vocal delivery and vulnerable lyricism, this glittery pop confessional is wrapped around a glossy production that reveals the repetitive cycle when two people can’t communicate once honesty begins to slip. “I’ll Come Over” is now available for streaming on all major music platforms.
“I’ll Come Over” is a bouncy indie-pop single that captures the never-ending cycle of the present dating scene, where the intoxicating melody and the surreptitious feelings blur into a hazy, after-dark proclamations. Centered on the lingering disconnect between two people who struggle to be truthful while sober, Kelsey Olivia transforms emotional ambiguity into a danceable, euphoric pop single. At the heart of the song is the striking lyric, “Words don’t work when we’re sober,” in which Olivia recalls blurred memories, missed phone calls made impulsively, and unresolved feelings that keep pushing her back into the same familiar pattern. Behind its exhilarating pop atmosphere, “I’ll Come Over” unfolds like a soundtrack for nighttime drives, where the warm city lights and liquor-soaked conversations only seem to happen after the clock strikes midnight.
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The Power of Independence: How Indie Artists are Reshaping Radio
Independent artists and labels are no longer just a footnote in the music industry-they are actively driving the conversation on radio. An increasing number of creators are choosing to step away from traditional major-label systems, trading rigid corporate structures for absolute creative freedom and direct ownership of their careers. Backed by massive advancements in digital distribution and localized promotion, today’s independent musicians possess unprecedented leverage to reach fans, secure meaningful airplay, and build thriving, long-term careers strictly on their own terms.
Of course, this independent revolution wouldn’t be possible without the fans. Listeners hold incredible power in elevating indie talent; every stream, digital download, social media share, and concert ticket purchase serves as a vital building block. Moreover, consistent listener requests to local and major-market radio stations are forcing programming directors to take notice, opening doors for deserving independent artists to break through the noise and capture national airplay.
Breaking Through the Charts
The proof is in the data. Independent acts are proving they can go toe-to-toe with major-label powerhouse releases on today's charts.
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Alt-pop’s Newest It-Girl Kiki Kramer Captures After-Hours Seduction and Fading Magnetism in “prom king”
New York City’s newest alt-pop It Girl, Kiki Kramer, returns with her latest single, “prom king.” The sultry, atmospheric pop song captures the fading charisma of an older man still clinging to his golden days while an endless cycle of chasing validation and fleeting connections continues to consume him. Through her observant lens, Kramer exposes the gradual unraveling of a man refusing to let go of the intoxicating allure that at one point made him irresistible. “prom king” is now available to stream worldwide on all major music platforms. A video for the song can be seen on YouTube.
Releasing alongside the single is the steamy music video, directed by legendary director Marc Klasfeld (Britney Spears, Charli XCX, Katy Perry). The “prom king” video features Kiki Kramer and actor Jake Manley (Netflix’s The Order, Lionsgate’s Do Not Enter) returning from prom in a limo as they drive back to a hotel. Shot at the famed Safari Inn in Burbank, CA, the video pays subtle homage to Clarence and Alabama from the 1993 cult classic, True Romance, also filmed at this location. The visual chronicles the night of two lovers who can’t keep their hands off each other as they move from limo to pool to hotel room. “‘prom king’ is a slow, haunting ballad about an older man, once a young, beautiful playboy, who refuses to grow up, still spending his nights at clubs seducing women much younger than him,” explains Kiki Kramer.
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Lonestar Broadcasting Group, LLC has completed its acquisition of the broadcast assets of VilleCom, LLC, adding four stations and two FM translators serving the Stephenville-Comanche in central Texas. The transaction includes AM stations KCOM and KSTV, FM stations KYOX and KSTV-FM, along with two FM translators.
Lonestar Broadcasting Group is led by husband-and-wife team Kenneth and Heidi Witt, who enter the transaction without any other broadcast holdings. Country KSTV-FM (The Mighty 93) relaunched as "Cowboy 93." Kenneth Witt will also host mornings from 7-9am weekdays.
With the sale now complete, longtime VilleCom owners Bob Haschke and Robert "Boots" Elliot will step away from station ownership. Both will remain involved with the stations in reduced roles as they transition into retirement from broadcast ownership.
Eddie Esserman of Media Service Group served as the exclusive broker representing VilleCom in the transaction.
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Jutt Huffman releases vulnerable new single “Angel Like You”
Rising country-rock artist Jutt Huffman released his deeply personal new single, “Angel Like You,” on May 28. Written during one of the most vulnerable moments of his life, the song captures the transformative power of love and the redemption found in human connection.
Penned at the end of a long bender in a hotel room, “Angel Like You” was written as a heartfelt message to Huffman’s wife — the woman he credits with bringing peace and stability into his chaotic world. The emotionally raw track explores themes of love, healing, heartbreak, and personal transformation, offering listeners an honest look into the artist’s struggles and growth
“‘Angel Like You’ is about how someone can completely change your life,” says Huffman. “I’ve always been a wild rebel, but my wife brought calm to my chaos. This song is me opening up about that journey and showing people that love really can transform you.”
Blending gritty country storytelling with rock-and-roll soul, Huffman delivers a powerful vocal performance filled with authenticity and emotion. The single stands as a beacon of hope for the brokenhearted and anyone searching for redemption through love.
Following the release of his 2015 debut, Jutt LP, Huffman stepped back to sharpen his songwriting and production craft. He made a strong return in 2023 with “Today We Drink,” which climbed to #53 on the iTunes Country Charts despite releasing the same day as Morgan Wallen’s chart-dominating triple album.
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Conner Smith shares the personal track ‘Never Be Gone’
Conner Smith is opening up in a deeply personal way with his new single, “Never Be Gone,” a tribute to his late grandfather and his second self-written release of the year.
The emotional track begins with a real voicemail from his grandfather, setting the tone for a song rooted in faith, family, and the lasting impact of love and hard work. Through vivid memories—like references to an ’87 Chevy and Southern traditions—Smith reflects on the lessons that continue to shape him. “I sure wish my grandpa was here to listen to this record – he would’ve loved his feature,” Smith shared. “Songs like this are why I thank God I get to be a part of country music.”
“Never Be Gone” also appears on Smith’s recent acoustic collection STORIES I’VE NEVER TOLD, where he wrote several of the tracks on his own, further highlighting his personal storytelling.
The release comes as the rising country artist builds momentum onstage. He recently performed at the Ryman Auditorium for the Breland & Friends benefit concert and is returning to the Grand Ole Opry. Looking ahead, Smith will join Thomas Rhett on select dates of the “Soundtrack To Life Tour” this summer.
Listen to ‘Never Be Gone’ – HERE.
Editorial credit: PV productions / Shutterstock.com
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Federated Media has promoted veteran programmer Jesse Garcia to Program Director of Country WQHK (K105) in Fort Wayne, IN, effective immediately. He will continue serving as Program Director of sister Country WBYT (B100) in South Bend. Garcia has spent more than 16 years programming B100, where he also hosts weekday afternoons.
A graduate of Southern Illinois University with a degree in Radio and Television Broadcasting, Garcia has worked at stations in Illinois, Wisconsin, Kansas, Massachusetts, and Colorado before settling in northern Indiana.
Federated Media Director of Operations Kyle Guderian said Garcia's success in South Bend made him a natural choice for the Fort Wayne position. "Jesse has built an incredibly strong country brand in our South Bend market, and he's earned this opportunity in Fort Wayne," Guderian said. "Extending his leadership to K105 was a natural fit. He knows the format, he knows our company, and he knows how to connect with listeners."
Garcia said he is eager to begin working with the K105 staff and listeners. "I'm excited to join the K105 team and the Federated Media family in Fort Wayne," Garcia said. "I'm looking forward to getting connected with the community and having some fun doing it."
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