Laurent Kronental [ april 24, 2019 <-night colour redux ] : Damiers, Dauphiné, Courbevoie, 2019. (This daytime monochrome verison is from Flickr circa 2012) Architects: Jean Jacques Binoux, Michel Folliasson, Henri Kandjian.

Product Placement

if i look back, i am lost

Jimmy Eat World
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year
official daine visual archive
I'd rather be in outer space 🛸
hello vonnie
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tannertan36
Mike Driver

Origami Around
"I'm Dorothy Gale from Kansas"
TMBGareOK. The Official They Might Be Giants tumblr
macklin celebrini has autism
No title available
One Nice Bug Per Day
Sade Olutola
Sweet Seals For You, Always
occasionally subtle
seen from United States

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seen from Türkiye
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seen from Malaysia

seen from Malaysia

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seen from Nepal
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@nichtozhnom
Laurent Kronental [ april 24, 2019 <-night colour redux ] : Damiers, Dauphiné, Courbevoie, 2019. (This daytime monochrome verison is from Flickr circa 2012) Architects: Jean Jacques Binoux, Michel Folliasson, Henri Kandjian.
Ukrainian Folk Dance by Teodor Axentowicz (1895)
Yeah that place is good but it’s always soooooo crowded
Jukka Male
Zemelya
Tara Donovan
Fecunda ratis by Matthew Jaffe
some beautiful paintings by uemura shoen
'Night Mare'. Miles Cleveland Goodwin. 2019.
Disused concrete outflow-pipe supports, near Troon, Scotland. November 2025.
Victor Frankenstein after achieving the impossible and building a fucking person from scraps of the dead: Oh god, ew, ew it's ugly! Yucky! Yucky! Gross! Ew! Ew! Yucky! Yucky! Gross! Ew!
Hotel Cosmos, Chisinau (1983) by B. Banîchin and I. Koliubaieva — Brutalist Apartment Building Facade
Gustave Caillebotte - The Floor Scrapers (1875-6)
Original on top, later version below
“Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’
The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.
Vladivostok, Russia