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Mike Driver

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YOU ARE THE REASON
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@nightmare2art
Just finished a nice woodworking project for my house!
All pine with some metal grating for the cabinet doors up top. Cherry stain, and 2 coats of poly.
Lights are in some routed channels in the middle.
“I Chime In With Setting My Clocks Early”
Saw my recent rock tutorial blow up a bit, wanted to also share this mountain painting tutorial I‘ve made!
You can find more tutorials on my Ko-Fi Shop if you've found this helpful and would like to support me in making more! 🫶🍃
UPDATE:
The other day I was surfing the internet and I found this specialized painting colour wheel, it shows how real paint colours relate to each other.
Outside: the purest/brightest colours from the tube.
Inside: naturally muted or earthy colors, like browns and ochres.
The Center: dark neutral tones used for mixing shadows.
The Lines: two equilateral triangles. One shows the triad of primary colors, and the other shows the triad of secondary colors. Triads are traditionally used to create vibrant yet perfectly balanced compositions.
Complementary colors: are those located directly opposite each other on the wheel.
Shadows I:
If you want to achieve rich, dark neutrals, the standard rule is to mix a color with its direct complementary (opposite) tone. However, doing this can often make your shadows look flat or muddy.
Instead of using the exact complementary color, the real trick is to use one of the colors right next to it (either to the left or the right). By doing this, you avoid a dull mix and introduce a beautiful, subtle color bias into your shadow, keeping it clean and full of life. You can see an example of this in the second image.
I want to share this with you because I think it is really illustrative!
Reference: “Quiller Wheel” by Stephen Quiller (👈link)
I've gotten asked several times over the years about how to make drawings look more three-dimensional instead of flat, and it really is just to think of everything as simple shapes! Everything is shapes, with varying levels of layering and overlapping each other.
the biggest thing is to OBSERVE and PRACTICE!!! Find a mug, a tube of chapstick, your computer mouse, etc and just draw it over and over at every possible angle. the more you develop this skill, the more complicated shapes you'll be able to draw!
It's hard to post intentionally bad writing without commenters proclaiming "oh but I feel bad! I love this!" Perfectly bad art is as rare a feat as perfectly good art. Even the most anonymous mediocrity definitionally will have its fans.
Enjoying bad art is neither virtuous nor unvirtuous because enjoyment is passive. It is barely a choice. I do, however, think that incuriosity is shameful. Taste, as in the ability to understand, diagnose, and articulate, the artistic choices that make up a work, is the vehicle for understanding and producing art. Taste can only be cultivated by reflecting upon a broad field of art, peak to dogshit. Because of this, the cultivation of Taste is one of my favorite parts of being alive.
If you've only ever watched marvel movies, of course they are your favorite movies. Your love of marvel movies means little. However, if you have sampled everything the world of cinema has to offer, have watched every single movie dogshit to peak, and marvel movies are still your favorite, that is meaningful. You probably have some very interesting things to say about movies. Even though I will probably disagree with them.
Enjoy dogshit to your heart's content. But reflect articulate that enjoyment; because this cultivates Taste.
Trash was haunted earlier.
excerpts from erin in the morning's article on the ioc's ban on transgender women and sex testing policy
“Constant”
“The Gears Don’t Stop Just Because You Asked Them To”
please say sike