13 Days 13 Shorts: Mogwai Little Demons

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13 Days 13 Shorts: Mogwai Little Demons
13 Days 13 Shorts Blood
13 Days 13 Shorts Tombstones
13 Days 13 Shorts: Monsters
Ritual I know, I know- Three Hail-Mary’s and hand-sign’d cross- I know. I know There are monsters here. Thrown salt over, back across to ward the way- A cross of wood to ward the night away. I know, I know- Three Hail-Mary’s and hand-sign’d cross- I know. I know There are monsters here. Walk slow, no cracks in walk to land on, careful of outstretched ladders-up, but don’t forget: Throw salt back over- A cross to ward the way- Across the woods toward the end of day I know, I know- Three Hail-Mary’s and hand-sign’d cross- I know. I know It’s here the monsters leer. Eyes peeled, open wide, watch for black-tinged fur and yellow glints of eyes. Slowly, walking, cracked feet stinging- dodging ladders- still can’t forget that throwing salt back, over time or warding-crosses never keep the dark’ning woods at bay. I know, I know- Three Hail-Mary’s and some hand-sign’d cross-- I know My monsters do not fear.
13 Days 13 Shorts: Vampire
Lich I tell you now, it’s Justified. Not just discomfort; hunger pangs that wrack the walking corpse they make me. Not Zombified or Necrotized or any mannered dead-man-walking -- Not literally anyway- It’s ill-defined as illness, mine. Yet as I linger longer, lying here and there- of this and that- I wonder where and when exactly will I stop? So now, discounting cruel intention Wonder with me, as some do, aloud (quite loud at times): Why do I do those things I do? If not some baser, meaner motives what could convince me to prolong the Suffering- Both theirs and mine- of King and Kine? Well, as it turns, these things I learn will have an impact; stronger, longer- More than any come before. If, as I suckle on a life, you see reflected in these dying eyes a Future, bright and free of crushing toil, Perhaps you’ll pause and more consider Me that makes it more- a future glimmering-- Free for us all. But if I fall... You must agree, the circumstance is owed a thoughtful brief reprieve. And so, friend, Rest amongst my books a while. Give me time It’s all I need It’s for the taking Sit back and learn A thing or two.
13 Days 13 Shorts: Costumes
Twenty Six Six Six Another Awful All- Encompassed Evil Eve Too Tearful To Tarnish; Laughing Lachrymose Lords, Reproachfully Repelled, Quite Quietly Quoted Zoological ‘Zines. Doctors Debate Demons’ Horrendously Hairy Xenophobic X’s While Werewolves Watch Witches Pick Prideful Parents’ Poor Offspring’s Oddest Organs. Irate Irregular Nattering Nymphs Narrate Verily Vile Volumes Bespeaking Baleful Beasts. Killers Keeping Kitchens Conspire Creature Capture, Seeing Several Snakes Undulating Under Jeering Jabberwockies. Glowing Ghosts Go Greeting Morose Muted Mummies Feeble From Frightening Your Youthful Yowling Years.
Whelp, this is definitely going to push me to sculpt again. Now I just have the problem of figuring out what object I want to work on! ARGH!
Anxious Paralysis
The worst thing is when you're paralyzed because of disappointment. Not that you're afraid of acting because you yourself might be disappointed by the result, but rather because you fear disappointing others. This is a particularly difficult cycle to get out of, especially if you don't snap out of it quickly. It goes a little something like this: 1. You're worried about attempting something that you're not particularly confident in. Perhaps you try it a few times and it doesn't turn out so well, which shakes you even further. 2. Someone, usually with good intentions, notices that you're not doing as well as you should be, or that you seem upset, or any number of things. They figure out, or you tell them, what you're having a hard time with. 3. They ask to see you give it a try or work with them so that they can help you improve. This is the most difficult part, and I've noticed that it's generally the turning point. If you agree you can work together to identify the problem and improve; maybe they can just be there for you when things are hard, and help you through it. If you don't/ can't try... 4. You can't bring yourself to work on it or try, because you feel like they will see how bad you are at this thing. You will reveal that you're somehow some sort of fraud, and that you don't belong here. That you've cheated your way to whatever it is you're doing. They will look at you and be disappointed. 5. This is especially difficult if it's a person you feel particularly beholden to, or if it is a person who's put a significant amount of time into helping you get better. In fact, the more they tell you that they believe in you and you can do it, the more guilt you will begin to feel for not being able to live up to their expectations. For being a failure. If there was a chance that you could work with them to improve before, it's much slimmer now. The very idea of showing your failings fills you with anxiety and fear. You can only avoid or apologize. 6. The feeling carries over to other days, and adds up over time. Each time the person, or people, come and try to help you remember the previous days; you remember how long it's taken you to be able to do this thing, and anxiety washes over you. You can apologize and avoid. If you avoid, maybe you can get better at it while they aren't there. Maybe you can improve without them seeing you fail; without them seeing how long it's taken for you to just keep failing. You cannot accept help, because then they'd know how awful you were, and they would be disappointed. The longer you go, the further behind you are, the more you have to hide and run. Apologize and avoid. Fear of failure is tough enough when you are your own worst critic. It's significantly worse when you believe that you're letting someone down. Just remember, it's still you. These people don't know that you think you're letting them down. Most of the time they don't feel that way at all. Self-doubt and fear can ruin pretty much anything if you don't notice yourself spiraling until it's too late. Catch it early.
acrylic on super nintendo
This is, perhaps, the greatest thing ever created by man.
Alderman
Explanation after the story, but this short is about a noir-setting 50's mage with some modicum of control over time/ fate. ----- Maybe I knew it was coming. It’s possible you know, to feel something, to know something and yet to act so contrary.
Maybe I was tired. That would explain the second glances unchecked, the pauses never noted. Those eyes…
Damn, those eyes.
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Stop me if you’ve heard this one before, okay pal? I don’t want to be a bore, never boring that’d be the worst…
… but listen up, hey?
If you’ve never heard this one listen up, it’s a real riot if it gets told right.
Alright, so three guys walk into an abandoned shipyard--
--dead of night mind you, dead of night.
So these three guys, they’re packing obviously, because what kind of moron comes to these things without a heater?
So, as I was saying, they come to the yard all ready and waiting and they find a guy there, a guy and a crate.
--How big was the crate? Hell if I remember brother, it aint important for the telling buddy, stop throwing off my rhythm.
Right: the guy, the crate, and the boys with the guns all meet up that night, and it’s a legitimate deal mind you, so they get to talkin’ and it’s all fine, all fine and dandy. The three of em’ even lower the guns a bit, they all start to have a laugh and the deal goes through without a hitch.
Great story right?
No?
Yeah, you’re right pal, of course you are.
Okay let me try again from the middle somewhere, sound good? Be patient, be patient I’ll give you what I promised, I always do.
So these three guys don’t put down the guns, they don’t start to chuckle, it’s not a very good time for anyone actually. They want what’s in the box, half price, and seein’ how he’s dumb enough not to bring a gun he should just say fine and take the loss.
He should.
That’s not what happens.
You see, he needs the money for something, and it’s really important; it’s important enough that he needs all of it and he needs it now.
He steps back from the crate, and as they turn away to carry it to the car, he reaches into his coat for his revolver.
Surprise! He’s not so stupid after all.
So, he’s about to level the gun, he’s going to kill three idiots too busy carrying a crate to worry about a loser like him.
And he does it, he shoots all three of them, he shoots them exactly where he needs to and they all go down.
Except they don’t, because when he pulls the trigger, the gun clicks instead.
It’s the girl. They know it, you know it, and he knows it. She took the smart option, why gamble if you can guarantee success?
Somewhere there are six bullets lying where they shouldn’t be.
So she’d be getting that money after all, what’s he need it for now, right? Anyway, it doesn’t matter a whole lot anyway because right then his chest explodes, and I mean blood everywhere, he’s off the dock into the water in seconds.
So he’s sinking down there, down to the bottom, and he’s thinking about it all.
I mean all of it buddy, this is probably the penultimate moment of clarity in his entire life.
And he laughs.
Imagine that, laughing under water? Not as whimsical as it sounds my friend I can tell you, it hurts a whole lot.
Somehow he kept at it though, and as his lungs filled with water he looked down past the silt on the ocean bed. As he hit the bottom, the mud and pebbles that layered his final resting place pulled away from him as he was engulfed further and further.
Everything was black, his lungs were screaming, but he was completely calm. His eyes were open, and despite the total blackness, he began to dig himself further down, following a slight feeling, a little tug against his ribcage that told him down was the way to go.
So he follows the tug right? I mean why not at this point, just go with the flow when you’ve got nothing to lose. Soon enough it’s more than that, not violent but inherent. It’s instinctual and denying it just has to be the worst decision you’ve ever made.
So he keeps digging.
Now by this point you have to be asking yourself: “how long can a man who’s bleeding to death dig into some silt as he drowns?”
You weren’t going to ask that?
I’ll tell you anyway.
It takes him exactly 25 hours, 36 minutes, and 4 seconds to break through the bottom of the water bed.
That is, it takes him no time at all.
It happens in seconds and it happens in days. It takes all the time in the world and he’s out before he left. Of course where is often more important than when, as so many of us have realized over the course of our time wandering about the streets only to be robbed or shot or to find a hundred dollar bill or to just miss being hit by a cab.
So now that I’ve defined the when, the where:
Imagine bursting out from a floor of pebbles and silt to find yourself in a desert. Yeah, I know it sounds strange, but it gets weirder, trust me.
So the water from the hole begins to seep out into the sand, turning it to mud as it slips back into the hole and the water spreads. So the guy pulls himself out and tries to liberate himself from this desert, but he doesn’t seem to be able to. You see each step he takes away from the hole, it seems like there’s just that many more to the edge of the sand dunes. This isn’t a laughing matter either, the mud hole’s getting bigger you see, the water’s really pouring out now. So he runs, and he runs.
He runs until his chest wound stops bleeding and he runs until the light’s waned and returned too many times to count.
He chances a glance back and the hole is all encompassing now, he looks forward and the desert goes on forever. Well, I mean if there could be forever this would be it, you know?
So he’s about to run again, but he notices he’s lacking something he had before. There’s no tug anymore, not right then or there.
He sits.
He waits.
The water comes closer, and the muddy silt threatens to melt away the sand right under him and consume him once again, but he waits. He’s quickly surrounded by the muck, and it takes days to encompass him, in seconds.
He’s under in a heartbeat, he cannot breath, he cannot see.
He waits.
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There it is, pulling against my ribs, there it is again.
I can feel something grab my hand from above and the next thing I know I’m next to another man who’s pulled me out.
He hasn’t saved me, I know he hasn’t, but the sand recedes into the background and the forests repopulate the world as somehow I know they should and I am grateful. The hole is nothing more than a tiny little puddle now, off in the distance and as I turn back to him I smile at my companion with relief.
“Took you long enough to make up your mind,” he says to me beaming.
Suddenly it shoots through my spine: I don’t trust him, I don’t trust anyone.
“I didn’t know I was on the clock,” I say with a smirk.
“We’re going for a little walk, if you don’t mind too much,” he says ignoring my comment. He’s already a few meters away when I get to my feet. I can feel myself pulled behind him, as if he has me on a rope tied to my insides.
It’s not unpleasant, the contrary.
“How do I know I can trust you?”
“You can’t, but you do.”
I knew the answer before he told me.
I trust that everything will turn out right, I trust him completely.
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Exactly 3 minutes after he fell into the water, the man climbed back up to the surface and dragged himself back onto the dock.
He stood himself up.
There was blood everywhere, but the wounds were none of them lethal. As the car begins to pull away, he reaches out and tries to say something, but collapses on the ground instead and blacks out.
Four blocks away, a car with four men and a box is accidentally run off the road by a bus. The bus driver would later claim that the headlights of the car blinked out halfway down the road and he was unable to see the vehicle. The four bodies of the men from the car have not been identified.
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A fantastic structure of vines, twisted tree trunks, shale, and every possible material looms ahead of us. It always seems so far away, but I know we’ll get there in good time.
He says we might meet up again after this, if I can find him again.
I think I’ll try, but I have some business to clear up first.
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Anyway pal, that’s my story.
Yeah, I agree, it’s pretty fantastic.
Sorry, what?
Oh yeah, just fill the bag up, sorry about taking so much of your time.
What?
“The boss is going to be here any minute, he’s going to have your head man, you’d better get out of here while you can.”
That’s sweet of you pal, it is, but he’s exactly the man I want to see.
---------
In exactly 2 minutes and 34 seconds a man will walk through that door, he’ll demand to know what’s going on. He’ll tell me who he is and that I just can’t take his money. He’ll tell me I’m a dead man I probably will be. He’ll have a gun, and he’ll be confident. He’ll have his two mooks and I’ll have a bag of his money and He’ll probably kill me right there. Lord knows the case’d never hit the courts.
So In exactly 2 minutes and 30 seconds I unload my tommy gun into a door, wounding three men. Two of them are in the hospital for a month, and one of them has a punctured lung and a ruined left leg. He settles down and someone else takes his place. Chronic pain to the day I hear.
Four seconds later I’m on my way out the back door. It'll do. ---------- So, I play a tabletop role-playing game called World of Darkness. For those of you who don't really have experience in this area, It's like Dungeons and Dragons but without far fewer numbers and far more onus put on group-storytelling. Also it's focused on horror/ mystery etc. As part of a game of Mage Noir (so, like, Mages in a noir setting) Alderman was an ex-lower-end mobster that now ran a dive-ish bar. This following short was something I wrote to get into the mindset of the character. It's basically the story of his Awakening as a Mage, an event by which normal people (sleepers) realize that they can magic it up via a existential journey to a "Watchtower" associated with their powers. Alderman was a fate/time focused mage. I wrote it about two years ago. Might flesh it out in the future.
Oh guys, oh girls, oh my god people, oh my god humankind. I was just skipping about on the good 'ol Youtube and a commercial popped up. Now, as with most of you, I had my mouse hovering over the "skip ad" button. I was watching the 5 seconds count down, but then I started paying attention to an ad. AN AD LIKE NO OTHER! Okay, that's a lie, it was exactly like a lot of other ads, except maybe with less money behind it. A disembodied voice had asked me what the best thing a girl could say to me was. Speechless, I awaited the inevitable slew of advice! With each successive suggestion I believed more and more that this had to be some sort of joke. I think one of them ran something like "Can you come over and keep me company, I'm scared of being alone;" alongside the awful voice over was an incredibly bad drawing of a girl in her bed. Yeah. BUT THEN. We get to the crux of the issue at hand: THIS IS AN AD SELLING ADVICE ON HOW TO TURN "THE FRIEND-ZONE" INTO A RELATIONSHIP. It leads to a website which immediately informs you that by watching their amazing super video you'll be able to understand the mind of WOMEN. Those scary-strange beings that men cannot comprehend. Join me brothers, and learn to turn "Can we just be friends" into "LET'S TOTALLY GET TOGETHER AND I LOVE YOU" with some super magical key phrases! THEY ALREADY LOVE YOU, JUST- okay I can't do that anymore. Wow. Okay, sometimes you just gotta yank that self imposed internet-curtain back and look at the depressing reality barely obscured behind it. And then you put the curtain back. After lighting whatever was behind it on fire. I mean... just- How is this a thing? Like, a legit advertisement. Next time I'm not going to hesitate over that ad-skip button.
Movies: Pieces of a Whole - Mini Musing
Today I was thinking about how strange it is that people can see a movie and react to it in completely different ways. Of course, that sentence is ridiculous; people constantly react to things differently, that much is obvious. I think what I’m trying to say is that I’m consistently surprised when someone will distinctly dislike something that I really enjoyed. I’m not trying to say that I have some sort of benchmark-taste when it comes to movies. Sure, I’ve seen hundreds if not a thousand-some movies in my life, but that doesn’t mean I’m a good judge of quality. I understand the technical side of “good” and “bad,” as well as style and artistic substance, but that doesn’t stop me from loving movies ranging from those critically acclaimed to near-universally panned. I think this, in part, comes from my tendency to experience a movie as a fractured-whole. That is to say, if a movie has an excellent soundtrack, or even a song or two that really strike me, that's going to stay with me the whole way through. If an actor gives a specifically great turn in a role, that’s something to be applauded. If the art direction in an overwrought tragedy is fantastic, it should be experienced. I think that ultimately this might make me a terrible judge of quality, especially in a professional review capacity. And yet I can still tell you exactly what about a movie is good and bad; I will simply tell you that the good is worth seeing. An example: I really enjoyed Ender’s Game. It is due almost entirely to four factors. I loved Asa Butterfield. He was excellent, and very few critics deny that. I loved the music, <3 those strings. I loved the CGI. Now, no matter how the movie sort of falls off at the end, or stretches too long in the middle, that doesn’t matter to these individual factors. These things that I loved don't require a great movie in order to be enjoyed. So fragments are important to me. That’s why I love art books and stills from movies; I could pour over posters, soundtracks, interviews, and storyboards for hours. All of the pieces that make up a film, that’s what I celebrate. That isn’t to say, of course, that I don’t enjoy the film as a cohesive whole. I do. Most often it’s only in a second or third viewing that I begin to pick a movie apart and figure out just what astonishes me, or makes me shiver. But it’s still pieces. There’s almost always something worth experiencing, I find. I don't expect everyone to see every movie, that'd be crazy. I just hope that people don't ignore the fragments in the wake of the finished picture, whether they like how it looks or not.
Hello, I’m Nika Harper. Among many things, perhaps too many, I’m an author. It’s far and away my biggest passion. What I really want is to write, and encourage others to do the same. In my show, Wordplay, and so many of the videos I make, I try to motivate people to write. To me, it’s been...
A chance to support one of the coolest writers on the Internets incrementally? Yes please. I'ma get right on this on friday when I'm no longer in debt. All the rest of you undebted goons should give this a look-see. I think I could only make myself sound more lame if I threw a "y'all" in there or made up some more words.
Weird(?) Poetry Forms #8 - The Garland Cinquain
Took a cue from Nika Harper's Wordplay for today's poem! --------------- More or Less than Pictures of Home Return Seeking solace; Those things taken away Now long to be remembered Once more. Minutes Slip by and wait. How long could it have been Since those faces poured through the cracks Of time? Repair Shredded mem’ries. Avoiding long blank stares Of those who can`t quite place a name- Altered Many Padded footfalls- Stacks of crumped papers That Prove this absence utterly Countless. Standard Procedure in This case is a polite, Carefully distant, discussion. Sterile. Return, Slip by and wait. Avoiding long blank stares That prove this absence utterly Sterile. --------------------- For reference, I know I don't HAVE to write mem'ries like that to indicate two syllables instead of 3, but it's easier that way. The Cinquain is a poem of 5 lines, that (in my case) is measured out in syllables-per-line. The first is 2, then 4, then 6, then 8, then 2. A Garland Cinquain uses that same formula in a total of 6 stanzas, with the first 5 being normal Cinquains and the final one being made up of the first line from the first stanza, the second line from the second stanza, and so on. Here's a link to Nika's video!
the moral of Brave is
do not fuck with the mama bear
Or Scottish people.
I think the moral is more along the lines of "Scotland is full of witches and cursed bear-people and magic. Why aren't you there yet?" Which is deceptive because the movie never mentions the cursed train-service. Must have been in a deleted scene.
Creators, You're The Best
I hope you’ll pardon me for the sap.
Hopefully you know this already, universe, but if you don’t this may be a pleasant surprise: Creating stuff rocks. It is, quite simply, the single most awesome thing people can do. I am consistently floored by the work put out by friends, aquaintences, and even people that I have never actually met before. Those works make me want to discuss with my friends, grow closer to my aquaintences, and actually meet the amazing folks I’ve yet to meet.
As an “artist” myself, I know just how hard it is to accept that your work is “good enough” or that people will like or understand it. Let me just take this moment to say that it’s always worth it. Get your stuff out there, even if it’s just to your friends in the beginning. Hell, this Christmas forego a storebought thingamajig or two and give someone something that you made. A video, a story, a poem, a song, a scarf, a statue, a painting, a game. It doesn’t matter what.
If you’re making something, that’s amazing. It just is. Worry about the rest some other time.
I’ll be doing Vlogmas this year, with an Advent Calendar style twist.
Day two is up! Can you find the so incredibly expertly hidden annotation?
And number three. This is becoming such lonely looking thread. And I’m not even being funny, so I can’t justify it.
For December only, DailyDael is actually daily! DON'T MISS OUT!!