Elesin Oba (The Kingâs Horseman) is another excellent film from the stables of Netflix and EbonyLife Studios. The King's Horseman cast my mind back to the colonial era when white men colonised #Africa and 'seared its culture'. Whether the culture was primitive, savage and obnoxious to natural justice is a subject for future debate. The movie ex rayed the burial rites performed in honour of the late Alaafin who must journey to the great beyond with the King Horseman. While the King waited, Elesin Oba wanted to have a fill of a young virgin before exiting the world; unknown to him that was the beginning of his tragic flaw. The power of the Iya Loja was magnified by the movie. She is the woman who can bend traditions to please the King's Horseman even when the course of action is antithetical to the people's culture and tradition. She gave an undue advantage to the King's Horseman and influenced the other women to dance to her tunes. They all practically became "yes women" who couldn't challenge the irrational decision of Iya Loja. It reminds me of Boxer the Horse in George Orwell's Animal farm whose mantra was "Napoleon is always right, I will work harder". Jide Kosoko who was the Kotuma (local police) couldn't fathom how the District Officer and the wife desecrated the costume of the dead. on one occasion when they went to effect the arrest of Elesin Oba he and his fellow Kotumas were terribly beaten by the women under the supervision of Iya Loja. This film is the last film of Biyi Bandele. There are lots of lessons to extrapolate from Elesin Oba. Cc Mo Abudu. #love #fashion #photooftheday #beautiful #photography #picoftheday #happy #follow #nature #tbt #instagram #travel #like4like #style #repost #elesinoba #moabudu https://www.instagram.com/p/CnHG1yDNdLjaOyypAGZYYflovNXabD3MppXxZs0/?igshid=NGJjMDIxMWI=













