Striped Nap - Kate Jarvik BirchÂ
American , b. 1977 -
Gouache on paper , 6 x 6 in.
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Striped Nap - Kate Jarvik BirchÂ
American , b. 1977 -
Gouache on paper , 6 x 6 in.
My Mammy, she was nice, I remember her. And my Daddy, he was nice, I remember him. And my sister, sheâs nice. Iâll remember her. Forever Iâll remember her.
THE BANSHEES OF INISHERIN (2022) dir. Martin McDonagh
â
Edward Hopper (July 22, 1882 â May 15, 1967), Rooms by the Sea, 1951.
kiss with words, love with action, be yourself and lose perfection.
write and cry, truths and lies, open someone's pretty eyes.
lose your heart, lose your track, let someone find to bring it back.
move your warmth, to someone's cold, share your fear of turning old.
Errol Zunic
Do you hear the sea? đ
âI gotta go. You stay here. You are a gifted surgeon with an extraordinary mind. Donât let what he wants eclipse what you need. Heâs very dreamy, but heâs not the sun. You are.â - Cristina Yang
Otto Modersohn (1865 - 1943) - Flowers in Window, Winter. 1939. Oil on canvas.
Elizabeth Floyd - That Special Rose in Summer, 2021
Rockwell Kent (American 1882-1971), The Trapper, 1921, Oil on canvas, Whitney Museum of American Art, New York
it's a wonderful life, dir. frank capra - 1946
IT'S A WONDERFUL LIFE 1946 â dir. Frank Capra
John Frankenheimerâs THE MANCHURIAN CANDIDATE opened across the U.S. on October 24, 1962.
Be Radical
Live and work with passion and responsibility; have a sense of humor and fantasy.
Try to express personal, spiritual, and domestic values even if our culture continues to be dominated by corporate, marketing, and institutional values.
Choose to remain progressive; donât be regressive. Find comfort in the past only if it expands insight into the future and not just for the sake of nostalgia.
Embrace the richness of all cultures; be inclusive instead of exclusive.
Think of your work as a significant element in the context of a more important, transcendental purpose.
Use your work to become advocates of projects for the public good.
Attempt to become a cultural provocateur; be a leader rather than a follower.
Engage in self-restraint; accept the challenge of working with reduced expectations and diminished resources.
Avoid getting stuck in corners, such as being a servant to increasing overhead careerism, or narrow points of view.
Bridge the boundaries that separate us from other creative professions and unexpected possibilities.
Use the new technologies, but donât be seduced into thinking that they provide answers to fundamental questions.
Be radical. Â Â
Excerpted from Dan Friedman: Radical Modernism, Yale University Press, 1994
Designer, artist, educator, ,and writer Dan Friedman (1945-1995) moved seamlessly between the disciplines that made up his dynamic, though a