There wasn't much going on in the chapter, but I still want to discuss some things.
First, Kazuma spent the night away from Yato and got teased about that a little. Building on what @spootywabbit said, Yato was probably wisiting Yukine's grave that he himself made. If I had to guess, he deliberately sent Kazuma away, both because visiting Yukine's grave was a very intimate thing for him, but also because he didn't want Kazuma to start questioning how Yato knows about the place. We know that Yato is trying to take down father with as few casulaties as possible, so it was the most logical thing to do. This is why when Kazuma suggested that Yato found a good observation spot, the latter went along with it, it was a very convenient excuse for him.
The second thing that interested me was Yato using Rekki as a tracking device by dispersing Rekki's arrows around the town. I now wonder how that affects Kazuma - he did say he had to maintain his concentration, so it's probably hard for him. Also, why leave the bow behind? Yato is still wearing the scarf and the tracksuit, so it's not like Rekki isn't with him, which means that Kazuma will witness whatever Yato is going to do. I mean, isn't that why the trick with the arrows was needed in the first place - because Kazuma can sense (or even see) everything with any part of Rekki? Wouldn't that include the scarf and tracksuit? Also also, how will Yato summon the bow should he need to defend himself? Gods can summon shinki by calling their instrument name, but Rekki is already summoned. Will Yato have to revert Rekki and call it again? I'm kind of confused.
Finally, about Father's plan to make Yukine kill his sister. We know that's what Yato thinks is going to happen, but is that really the case? Does Yato know Father well enough to predict his moves, if he was never really interested in Father's schemes? And if it is what Father is planning, I wonder if there's some symbolic meaning behind it. You know, besides making Yukine think that he has know family left other than Father. Should it come to that, I hope that Yukine's strong aversion to killing, which has been a prominent theme throughout the manga, will kick in and prevent him from making that mistake.
What better way to spend your afternoon than posting a meta right before the chapter drops and possibly destroys everything written in it?)
One of the many things about Father that the readers of Noragami find interesting is his eyes. Specifically how sometimes the shading on one of them is different from the other.
I’ve never really seen how that could be explained. The only volume cover with Father on it has him with one of his eyes closed. Luckily, I’ve recently started collecting all of the volume covers, including the inside covers. Now I know that Father is actually on TWO covers:
1) Volume 11 cover – you know, the one where he’s lying on a heap of newspaper clippings with the articles about the murders he had Yato commit;
2) Volume 16 inside cover.
And this is how he looks on both covers:
That’s it, everything’s clear now, nothing to see here anymore, everyone, go home.
Well, not really.
See, most of the time Father’s/Fujisaki’s eyes are actually evenly colored. They are dark, just like most of the other character’s in the series, regardless of whether he’s in the body of Fujisaki Kouto or out of it (you know, when he’s wearing that black yukata). That must be Fujisaki’s body’s eye color, the one that people who talk to him see. After all, not a single character has commented on this periodic heterochromia he has, so it probably doesn’t really manifest.
For the purposes of this meta I’ve looked at every.single.frame.with.Father.in.it. Also looked at some other characters’ eyes. My observations are listed below.
@night-diviner “I love this so much, thank you for this meta! I'll just add that not only father's eyes in Fujisaki's form were 'strange' like that, but also in his original, first form! He seemed as if he was blind on that left eye-- but there could be really something more to it and connected to his soul possessing perhaps”.
I have to admit, I ignored Fathers real appearance when making this, both because there isn’t much of him in the manga, and because his eyes are rarely seen. Here’s a bunch of them:
As you can see, in most cases only one of his eyes is visible, to varying extent. The fact that his right eye on the screen from chapter 60 is much lighter than the rest is notable, yes, but it could be the case of lightening darker eyes to show emotions (in this case it’s anger). The only picture where both his eyes are clearly visible has them evenly colored. That’s why I can’t with 100% certainty say that his real appearance has this trick as well. Still an interesting theory though.
What better way to spend your afternoon than posting a meta right before the chapter drops and possibly destroys everything written in it?)
One of the many things about Father that the readers of Noragami find interesting is his eyes. Specifically how sometimes the shading on one of them is different from the other.
I’ve never really seen how that could be explained. The only volume cover with Father on it has him with one of his eyes closed. Luckily, I’ve recently started collecting all of the volume covers, including the inside covers. Now I know that Father is actually on TWO covers:
1) Volume 11 cover – you know, the one where he’s lying on a heap of newspaper clippings with the articles about the murders he had Yato commit;
2) Volume 16 inside cover.
And this is how he looks on both covers:
That’s it, everything’s clear now, nothing to see here anymore, everyone, go home.
Well, not really.
See, most of the time Father’s/Fujisaki’s eyes are actually evenly colored. They are dark, just like most of the other character’s in the series, regardless of whether he’s in the body of Fujisaki Kouto or out of it (you know, when he’s wearing that black yukata). That must be Fujisaki’s body’s eye color, the one that people who talk to him see. After all, not a single character has commented on this periodic heterochromia he has, so it probably doesn’t really manifest.
For the purposes of this meta I’ve looked at every.single.frame.with.Father.in.it. Also looked at some other characters’ eyes. My observations are listed below.
A character’s eye color often changes to indicate some sort of emotion. Hiyori, for example, has dark eyes (brown), like on the picture of the left. On the other picture they are much lighter than usual. This is a moment from chapter 36 when she thought they have no way of getting Yato out of Yomi, seconds before Amaterasu shows up (the picture on the right is actually from the same chapter, a couple of pages prior).
Sometimes a character’s eyes go completely white, like in the case of Bishamon here. On the left you can see her normal eye color (purple), on the right – the eye color when she’s shocked that the seven gods of fortune are accused of taming ayakashi.
Father’s eyes sometimes become white to reflect two states – either when he’s shocked (on the left) or when he’s plotting something (on the right):
However, in most of the scenes he’s in his eyes are dark and evenly colored:
I’ve actually found only 12 moments when the shading on of the eyes is slightly different. Still, other characters don’t have this feature, so ignoring it is not an option. Adachitoka’s art is very detailed; it can’t be a simple mistake or accident.
Here they are. I’m not so sure about chapter 77 though, ‘cause the different eye color in that one could be attributed to lighting. That’s not the case with the other ones , especially when it comes to Father’s introduction – the darker eye is on the lighter side of his face.
From what we see here, Father’s right eye seems to be darker in most of the cases, except for chapters 63, 80 and 81. Since I don’t see a clear rule on which eye is supposed to be get the extra lighting, I can’t really suggest that one of them means one thing and the other one means something else.
Then maybe we should look into what happens in the scenes themselves?
Chapter 24 – Fujisaki prevents Hiyori from falling down the stairs and tells her to be careful. Father already knows who Hiyori is; according to him, he moved to Tokyo to get to her specifically.
Chapter 39 – Father is telling Mizuchi that Yato will return to them.
Chapter 40 – Father says that he will allow Yato to make a couple of good memories because he’s such a nice dad. Moments earlier he was conducting an experiment – he used the new kotonoha to control a person possessed by one of his masks.
Chapter 44 – Father is talking about gods and how the way their human creator manipulates them is no concern of theirs.
Chapter 45 – Father is watching Kofuku’s house. He then creates a mask that possesses a boy and infiltrates Tenjin’s shrine to get rid of Edachi.
Chapter 63 – Father watches how Bishamon is trying to get to him while thinking that this way she will turn the Heaven’s execution squad’s eyes away from Yato.
Chapter 68 – Father fakes seeing Kazuma to make Bishamon turn her back to him. However, he notices several gods approaching to them and fleets.
Chapter 77 – Father kills “Bishamon”, who is actually Edachi.
Chapter 80 – Father says there’s a way to come back to life/come back from Yomi (he uses both of these phrases in his conversation with Yukine; whether they mean the same thing for him or not is yet to be revealed).
Chapter 81 – Father tells Hiyori that Yukine has started wondering about his past.
Chapter 87, picture #1 – Father suggests that Hagusa searches for his human name around the house.
Chapter 87, picture #2 – Father must be thinking about his past (the first 19 pages of 87-2 are probably his memories that segway into Nora’s tale).
Again, I don’t see a clear pattern here. I could say that these are all moments when Father is plotting something. But there are other scenes in which he does the same yet his eye color is ordinary.
So yeah, failed to notice any correlation between Father’s eyes and his thoughts and/or actions. However, there is one more option left – the different shading on one of the eyes could be a hint that there are two souls in the body of Fujisaki Kouto – his own and Father’s. After all, he has red eyes on the cover of volume 11, where his physical body is depicted, and blue eyes on the cover of volume16, where he’s in his spirit form.
I have mentioned several times now how I believe that Father possesses not just another person’s body, but their soul as well. It’s mostly based on two things:
1) In chapter 80 Father says that himself – that he possesses the soul of the Fujisaki family’s eldest son. This wording always seemed strange to me – why not say that he possesses the body? Of course, Father’s words can’t be trusted without further proof from other characters. In this case, the proof is Thing #2.
2) In chapter 81 Hiyori noticed Father flying above her head on a giant ayakashi, but her friends didn’t. If there were still people left who thought that Father doesn’t actually leave Fujisaki’s body, this moment should have finally convinced them. And during the fight Father showed Hiyori his true appearance, just for a split second. And we know that it actually happened, because Hiyori remembers it happening.
Of course, it’s just a theory. However, it brings up some questions.
1) When does Father transfer to another body (and soul) – right from the body’s birth or later?
2) What happens to the soul he possesses?
Let’s focus on the first one for now and see how Father can hop from one person to another.
1) Reincarnation in an infant’s body
Judging from Father’s words, this seems to be the case – he says that he lives and dies in other people’s bodies ever since his return from Yomi, and that he doesn’t get to choose. So when his current body, he is simply somehow born in another person’s body. And he keeps his memories, personality, goals and motivation, which is creepy of several reasons. The idea of a thousand year old man being in a toddler’s body is deeply unsettling. But it’s very inconvenient for Father, too – having the mind of a growing while being confined in a body that for some time can’t sit, walk and talk every time he is reborn. After all. he doesn’t have the luxury of being able to think rationally and talk without any learning the way reincarnated gods do. His abilities are restricted to the abilities of a human body, and even if they aren’t, he will have to fake it if he doesn’t want to raise suspicions.
And there’s also a question of how Nora must be the one controlling Yato when Father is too small to do that. If we take into account volume 8 omake, then Yato worked as a magatsukami when Fujisaki was a toddler, so it’s unlikely that he was the one finding the jobs, so Nora had to take over. I’ve thought about it, and yeah, I think she could actually handle that. Yato admitted that one of the reasons he kept doing the jobs was because he still somewhat enjoyed I, even the most recent time he returned to being a magatsukami. If Nora waited for an opening when yet another shinki would leave Yato, he would probably agree to do the jobs even without Father’s influence.
2) Possessing an existing human
By which that I mean that Father doesn’t live his life in a new body from the start but rather starts possessing a real existing person. We do have to take into account that he really doesn’t get to choose the person. Why would he choose some random student who doesn’t even live in Tokyo and had to move there? If Father could choose the body, he probably wouldn’t even need Yato. There are many means of destroying humans as it is. If he wanted to use them, all he needed was possesses the right person.
If Father can’t switch bodies on his own volition, there must be some conditions that prevent him from possessing any human he wants. Maybe his soul can only transfer to another person when his body dies? Or maybe there are conditions regarding the person that can be possessed? Divine possession, for example, requires a human and a god to have a special bond:
Maybe not every person can host Father’s soul.
This kind of possession eliminates the whole “grown man in an infant’s body” thing, but it’s not without its cons. It means that Father has to substitute another human and he has to work to successfully impersonate the human he knows nothing about. That being said, there’s nothing stopping him from cutting all the ties this person had before being possessed and moving elsewhere, so there’s no need to pretend. Overall, I think that this option would be more convenient for Father.
If this is the case, I’m curious to know when exactly Father started possessing Fujisaki. Let’s examine some of the things he tells about himself to see if there’s anything in them.
We know for sure that Fujisaki Kouto transferred to Hiyori’s school at the start of the new school year. In chapter 30 he tells a little about himself:
The part about Fujisaki having a sister and nieces is true, but the rest is fishy. When Father stopped coming to school after the rebellion, Yama found out that he had lied about living with his father who moved to Tokyo for work:
Why would Father lie about Fujisaki-senior separating from the family and tell the he only moved for work is unclear. It’s also not clear when did Father get rid of him, if that’s what Yama’s words imply. I do believe though that the apartment where he lives in Tokyo really was Fujisaki Kouto’s dad’s place. After all, moving in with your father, even if he left the family, is easier than finding a place on your own.
As for when did Father start possessing Fujisaki: on the first glance, the sudden move to Tokyo does seem to be exactly what I said he could do in so that he doesn’t have to pretend to be someone else. However, some scenes suggest that he has lived with the Fujisaki family for quite a while. Like how he has to correct himself when he starts referring to Fujisaki’s relatives as if they were his own. SO he had to be Fujisaki Kouto for some time; maybe even his entire life?
BTW, unless Father is lying, he was still living with Fujisaki-senior in summer. So if he did get rid of the “dad” after all, it must have happened later.
Whichever way Father possesses people, from birth or not, there’s the question of what happens to the body’s original soul, i.e. if it has a consciousness of its own, independent of Father. As usual, we have to rely on Father’s information in this case, too. Except he is a very, very unreliable source of information. On the one hand, his words about transfer exam must be true, since no one questions Fujisaki going to Hiyori’s school. He visits classes like everyone else and even does some extra work after school:
Here Fujisaki is so… normal, at least compared to what he’s like in later chapters that it’s almost like he isn’t Father. On the other hand, the Father side manifests itself within seconds:
All in all, I can’t really recall any specific scene where I could tell Father and Fujisaki apart. Even when he acts quite normal it’s much more likely that it’s just Father pretending to be a kind person rather than the real Fujisaki showing through. I’m afraid that either from the moment he was born, or some time after that, poor Fujisaki Kouto is no more than a vegetable, and his soul is completely controlled by Father. I think that they sort of merge into one, to be honest. Whenever Father leaves the body of Fujisaki, he has the boy’s appearance, but wears his own black yukata, the one we see in Yato’s flashbacks. Unfortunately, we can’t compare his case with anyone, since there’s only one other character who is a human able to leave her body – Hiyori. Unlike Father, Hiyori in her spirit from look exactly like her body, clothes and all. Since she is the only one to do so, we don’t know if that’s the norm, but it seems more logical than whatever is going on with Father.
These were my thoughts on Father’s eyes. Whether Adachitoka will ever uncover the secret behind his eyes or let it remain a mystery is hard to tell, but one Father’s differently colored eyes sure make him even more memorable.
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