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FLCL postcards (Newtype USA, 2002)
Revolutionary Girl Utena (1997) - Juri Arisugawa, Miki Kaoru, And Nanami Kiryuu Character Designs
The Kingdom of Dreams and Madness (2013)
âI thought you would live to 95. Thank you, Paku-san. I will never forget you. You spoke to me for the first time at the bus stop after the rain 55 years ago.â Â
A ceremony for Isao Takahata has been held today in Tokyo. About 1,200 people, including friends and anime fans, gathered to bid farewell to the Oscar-nominated director, who died last month at age 82. Among them, his best friend, film director Hayao Miyazaki, who thanked him for everything they accomplished together.Â
(x)
ââHow many books do you read a year?â That question tells me a lot about the people Iâm working with. Once, I was chatting with a young person who, âwants to be a screenwriter.â So I asked, âAny interesting book recommendations?â I was sure I was going to get a litany of popular light novel titles. But, he just responded, âI donât read books.â I was shocked. Iâve got something of a complex about the act of âreading books.â Because when I was in middle school, one of my classmates claimed to have read â200 books in a year.â I couldnât stand him. I always believed, âthe number of books you read is meaningless.â When I was in college, âa certain bookâ fell into my hands. This book had some shocking contents. It changed the values Iâd held up until then. And then I remembered, that that kid back in middle school had read it back then. I broke out into a cold sweat. Heâd already experienced the same shock Iâd just felt from it as a college student, in middle school? I have no contact with him now, so I have no idea if thatâs significant at all. But, I think this all stems from my impatience [to learn things I âwanted to] knowâ and [those I felt I] âmust know.â There was no way I could have just known that that book would change my life, I happened upon it. And thus my impatience. That sort of information was nowhere to be found on the internet⊠And so, when I met a young person who, âwanted to be a voice actor,â and I asked, âHave you read any interesting books lately?â I got the response, âI donât really read books.â It shocked me. I think being able to âinterpret dialogue and stage directionsâ are critical skills for an actor. I think reading books is so important. Because when someone reads aloud, youâre getting their interpretation of the piece.â
â â ćčŸćéŠćœŠ (@ikuni_noise) January 21, 2013
Miki: I'm sorry guys. And Juri and Nanami.
Juri: "Guys" is fine; I don't mind.
Miki: No, it's not right. We need to come up with something non-gender specific. How do we feel about "team"?
Nanami: "Fellow End of the World Minions"?
Saionji: "The Saionjis"?
Touga: "Touga's Stable of Hoes"?
Student Council (Revolutionary Girl Utena)
by ă«ă€ăŒă«
ć°ć„łé©ćœăŠăăç»é The hard core of UTENA, 2013
âEveryone needs to hear someone say, âNobody else will do. It has to be you,â sometime in their lives, even if it only happens once. Just once is enough. As long as you can feel sure those words were sincere, you can live through anything, no matter how painful.â
â Â Kunihiko Ikuhara
Ikuhara's Episode Commentary: 39: "Someday, Together, We'll Shine"
There are two meanings to the Japanese word utena. One is âthe calyx of a flower.â Thatâs also the meaning of the title, of course. The thing that supports the beautiful petals; the one with the noble heart. And the other meaning of utena is âtall tower or pedestal.â We translated this into a visual: the tower at the center of Ohtori Academy, the one with the Chairmanâs room on the top floor. And the dueling arena located deep in the woods is the same.
In the early stages of production, when the story wasnât firmly established yet, this was one of the aspects I most wanted to visualize and produce for the screen.
A world where demons roam. In its center, a tower called the âTower of Revolution.â Whosoever can remain victorious in his battles against the demons can reach the pinnacle of the Tower of Revolution, and at the same time receive the power to revolutionize the world; the power that changes the rules of the world.
However, when he reaches the pinnacle, he learns the worldâs govering laws.
He faces the ultimate choice: will he stay nobly, beautifully powerless? Or will he accept ugliness into himself and gain absolute power?
He desired both.
Or rather, perhaps he couldnât choose either.
His mind in anguish, he divided himself in two. His ânoble heart,â and the âadult with absolute power.â
And so.
With one last wish that the day would come when someone would awaken him, the ânoble heartâ that had lost its body, in other words the prince, fell into a deep sleep.
Early on in the seriesâs conception, I kicked around the idea of placing something like the above at the heart of the story. Later, after several changes, it became the tale as you know it, but without doubt, he did reach the pinnacle of the Tower of Revolution.
It was a place where âeternityâ dwelled.
And âeternityâ turned out to mean perpetual sleep.
The prince (Akio) who became an adult while in perpetual sleep lost something. What he lost was âthe power to create an enjoyable future.â
Revolution means gaining âthe power to imagine the future.â
The prince chose to sleep on, and the princess chose to wake up. At the top of that tall tower, the princess bid farewell to the prince. No - she wasnât the princess any longer. She quit being âa person (thing) ruled by someone.â The victory bells rang, but there was no âtower (rule)â beyond them now. Sheâd learned where freedom lay. She crossed the threshold of that âDoor of Revolutionâ which had always been closed for her before, and began walking. The âgirlsâ revolutionâ lay in the girlâs future.
âWait for me⊠Utena.â
The world (the stage) is free and wide.
Chiho Saito: Oh boy, I sure am interested in working on a manga inspired by Rose of Versailles about a tomboyish girl and her complex romantic life. I mean, I don't want it to be *too* complex or, like, *weird* but--
Kunihiko Ikuhara: *slides into view on hood of car being driven by elephant* I suppose you have no choice but to revolutionize the world
Ikuhara was constantly trying to kill off Tuxedo Mask.
âThose who reject that place are, conversely, rejected by it as well. This is the nature of systems: the moment you reject them, you are forced to realize that theyâre the very ground youâre standing on.â
â Kunihiko Ikuhara
Ikuhara.
ââOnce when I was out drinking with the director he suddenly came out with a bunch of Chu-chu speak: "Chu~~! Chu chu chu!â And he didnât snap out of it for a while, either. To be totally honest, I was flustered. Perhaps the director himself has been revolutionized by Chu-ChuâŠââ
â Parco Kinoshita, painter of the paintings in Adolescence of Utena that were done by Akio in universe
Q: How do you decide on songs for each duel? Do you match them with personality of particular character? (reader from Kobe prefecture)
Ikuhara: We match them with characterâs personality.
AM: So does that mean that in the second episode, Saionji who holds âpaleozoic within his bodyâ is an ammonite?
Ikuhara: He is an ammonite.