Maps // Yeah Yeah Yeahs

⁂

No title available
Keni
Cosmic Funnies
trying on a metaphor
TVSTRANGERTHINGS
almost home

Kiana Khansmith

❣ Chile in a Photography ❣

Discoholic 🪩
No title available
wallacepolsom

祝日 / Permanent Vacation
Mike Driver

#extradirty
One Nice Bug Per Day

Origami Around
h
Not today Justin
Stranger Things

seen from United States

seen from United States

seen from United States

seen from Germany
seen from Netherlands

seen from Türkiye
seen from Poland

seen from South Korea

seen from T1
seen from Türkiye

seen from United States

seen from Malaysia
seen from United States
seen from Germany
seen from Indonesia

seen from United States

seen from United States
seen from Austria

seen from Germany
seen from United States
@nowaybacktoreality
Maps // Yeah Yeah Yeahs
this is an extremely good zuko line. zuko blatantly referencing ozai’s abuse and acknowledging his abject cruelty really showcases his growth since the beginning of the show. “it was cruel, and it was wrong,” is obviously one of zuko’s most powerful lines, but zuko referencing the abuse he endured in front of his friends, allowing himself to be vulnerable without shame, is just as powerful as zuko standing up to his abuser.
and then there’s the extra layer of depth this line adds to aang and zuko’s argument over how to defeat ozai. aang thinks there ought to be another way, that he should be able to defeat ozai without taking his life, and for aang, his need to preserve his cultural values is crucial. it’s a personal choice, but it’s so much more than that. meanwhile, zuko is too wrapped up in his own personal feelings on the matter of whether or not aang should kill his father to validate his extremely important concerns. similarly to how katara invalidated aang’s trauma because she was too blinded by her rage at yon rha, the man responsible for her most potent trauma, zuko is too blinded by his rage at ozai, the man responsible for his most potent trauma. the impact of the air nomad genocide is crucial in both of these conversations, and both katara and zuko invalidate aang’s grief and responsibility to his culture simply because they are two traumatized teenagers lashing out. they both have great respect for aang, and truly believe that he is the key to peace & balance, but they also want the men who ruined their lives to suffer painful deaths, retribution for the immense pain inflicted on them. but, crucially, katara doesn’t kill yon rha, and zuko does accept aang’s decision to spare ozai. they may be raging and grieving, but they also believe in aang, and they’re learning how to heal.
finally, sokka’s reaction to zuko calling ozai “the worst father in the history of fathers,” bowing his head in solemn sadness, makes me question how many of zuko’s friends know the extent of ozai’s abuse. whether they know about the agni kai. whether any of them asked zuko outright, or if they just guessed. the fact that zuko can condemn ozai’s abuse so flippantly (albeit dramatically in typical zuko fashion) in front of his friends, and sokka’s subsequent response—well, i can’t help but wonder.
[ID: Two screencaps from Avatar: The Last Airbender. Katara is standing up in front of some stairs, and Toph, Sokka, Suki and Zuko are sitting on those same stairs. In the first image, Zuko says: “Well, that sweet little kid grew up to be a monster.” In the second image, he says: “And the worst father in the history of fathers.” It is notable that Sokka, in the second image, is now bowing his head sadly. End ID]
instagram | tinathelen
Me : I am writing this for myself and me only.
Me : but also if these three specific followers don't like it I have failed as a person
people ask me what im into im just like um idk quiet things alone things
I’m fixing me because sometimes I’m the problem
From The Book of Miracles (Augsburger Wunderzeichenbuch), c. 1550. Source
the sexual tension between me & what i’m capable of
God, look at her face. I love her.
This was one of my favorite exchanges in TNG. And some of the best advice I received and have been able to pass on.
I'm passionate about moving forward in the healthiest way
respect your limits
instagram | sarahgardnerphotography
instagram | debishapirophotography
Toph’s blindness was one of the most excellently handled aspects of AtLA because it wasn’t treated like a disability. So often in shows (and especially children’s animation) disabled characters are limited to apperances in “very special episodes” where the main characters have to learn a lesson that these people are capable “in spite of” their handicaps, like that episode of Kim Possible wherein Kim constantly stumbles over herself around Felix. This approach is often just as insulting as making them the butt of jokes, because it’s patronizing and it limits the amount of roles disabled characters are allowed to have.
Avatar challenged that stereotype with Teo, and then sent a giant middle finger its way by introducing Toph. She’s turned what would otherwise be a disability into an advantage, and she’s not afraid to crack jokes about it. She functions well enough that the other characters often forget that she is blind, but at the same time it’s an integral part of her bending and allows her to be the greatest earthbender ever. It sends a powerful message that having a disability does not make you less of a person, and often affords you a unique perspective that the so-called “normal” people never get to experience.
One of the many reasons I love this show.
I’ve reblogged this before, but I’m reblogging it again. Best character. <3
sendin healin energy to ur dash