for anyone who started following me for fandom/Dragon Age/blorbo content, i will be posting, rbing all that stuff on @limeresque now!! 💗💌

if i look back, i am lost
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
Three Goblin Art
styofa doing anything
ojovivo

izzy's playlists!
Peter Solarz

#extradirty

Janaina Medeiros
he wasn't even looking at me and he found me
No title available
occasionally subtle
RMH
Game of Thrones Daily
sheepfilms

@theartofmadeline
Alisa U Zemlji Chuda
Today's Document
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@nunchikoi
for anyone who started following me for fandom/Dragon Age/blorbo content, i will be posting, rbing all that stuff on @limeresque now!! 💗💌
Thaddeus Holownia
I’m very pro-rereading books you loved as a child at different stages in your life
Moody Vibes on the Oregon Coast.
i get that americans love their cultural imperialism, but it really does piss me off that june is “international” pride month just because something happened in the united states.
in aotearoa, june isn’t our pride, it’s theirs. marsha p johnson and sylvia rivera are their historical figures, not ours. the phrase that “you owe your rights to Black trans women” is true there, but here we owe our rights to (mostly) Māori historical figures. i have the freedoms i do because of the legacy of an entirely different set of people operating in an entirely different context at entirely different times.
But because of american cultural imperialism, most queer people in Aotearoa don’t even know our own queer history. Carmen Rupe, Ngahuia Te Awekotuku, the Dorian Society, Gillian Laundon, Georgina Beyer, and the Wolfenden Association are some of our queer history. We should know their names! we should know what they did for us! but because of the power of the american imperial machine, we don’t.
our national pride month should be july, the month that the Homosexual Law Reform Act passed in 1986. our two largest cities hold their pride festivals in february and march, respectively. american queer history has very little (or nothing, depending on who you ask) to do with our queer history. anecdotally, from my own queries, queer youth in aotearoa know more about american queer history than our own.
anyway, happy pride, americans. i’m truly sorry that most of you don’t see the negative impact your nation’s culture has on the rest of the world. and to the rest of the world reading this, try searching for your own country and culture’s queer history, don’t accept the american narratives as your own. we deserve our own histories divorced from the cultural hegemony of the USA.
having many trinkets and books is so cool and fun until you realize you have to dust them
Long before colonialism, when gender was policed and queerness was punished, Trans+ communities in the Philippines were sacred
Long before gender was policed and queerness was punished, they were sacred. In the Philippines, trans and gender-diverse people once stood at the centre of spiritual life. Precolonial Filipino societies recognised figures known as babaylan, ritual leaders primarily in the Visayan region who served as healers, spirit mediums, historians, and political authorities. Many babaylan were women, while others were asogor bayog, who were described by Western accounts as effeminate men or transgender individuals. Their gender variance was not only accepted but revered. Their authority did not exist despite their gender expression – it existed because of it.
eepy mourning dove cupping its wings under its belly for cushion ©Ella
Watanabe Shōtei (1851-1918)
You can cut past like 90% of gender essentialism by shifting from "men are like X because they're men, and women are like Y because they're women" to "people are held to different standards, given different amounts of criticism, grace, encouragement etc based on positionality and they change and grow as a result."
"In Pieces but Still Holding It Together." By Bouke de Vries (2020).
See more of his stuff here.
Babe are you okay? you reblogged “In Pieces by Still Holding It Together” By Bouke de Vries for the five hundredth time today.
Roman bust of Gaia, originally used as decoration for a vessel
1st century CE
Walters Art Museum 54.874
Ernest Bieler