Brian Loro by Thiago Martini
SEE THE FULL PHOTO GALLERY → http://dnam.ag/pagen7d7ce

titsay
Cosimo Galluzzi
DEAR READER

@theartofmadeline
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NASA

tannertan36
occasionally subtle
taylor price

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One Nice Bug Per Day
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⁂
PUT YOUR BEARD IN MY MOUTH
Today's Document

#extradirty

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Mike Driver
todays bird

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@nunoii
Brian Loro by Thiago Martini
SEE THE FULL PHOTO GALLERY → http://dnam.ag/pagen7d7ce
untrimmed
he’s a handful 🍑
(via phil007fan)
Nudes in a Pool
by Tom Bianchi, 1992
Tom Bianchi, Untitled #463, 1975-83.
Reflect II
Photo from men I’ve loved by Tom Bianchi // Edited by me
Wilson Ribeiro - G Magazine 2001
Tom Bianchi's sun-drenched Polaroids capture the halcyon days of Fire Island. 1975-83
… Boys, boys, boys I'm looking for a good time Boys, boys, boys Get ready for my love…
Tom Bianchi. Untitled (Embracing Figures), 1992.
Tom Bianchi (1993)
Tom Bianchi (1991)
“My tactic as an artist has always been to show how things can be,” said Tom Bianchi from the Pines, the enclave he’s been frequenting—and photographing—for more than four decades now. That all started back in 1975, when Bianchi, then a corporate lawyer, started capturing the LGBT sector of New York’s Fire Island that served as a refuge for nearly 10,000 gay men every summer as a highly toned, highly sexual Eden of sorts, faraway from the reality of repression and AIDS. No mainstream publisher would touch those Polaroids back in the ‘70s and ‘80s, but they’ve become a staple of queer imagery ever since they finally made their way out of the box Bianchi had kept them in for all those years. To his surprise, though, at the time of their current exhibition at New York’s Throckmorton gallery, they’ve now unfortunately become “even more poignant now than they were at that time.” “The shock in the last election cycle is that we’ve returned to a place of horrible repression against people who are vulnerable,” Bianchi said. See more here.
Sunset in the garden 🌺🌇🍑