All presidential debates should be sung w/ soothing melodiesâŠ
macklin celebrini has autism

oozey mess
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tannertan36
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RMH
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Mike Driver
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Game of Thrones Daily
we're not kids anymore.
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Sweet Seals For You, Always
Keni

#extradirty
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let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON
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@o-dilly
All presidential debates should be sung w/ soothing melodiesâŠ
Breakfast time shopping in the old-new hipster district of Tiong Bahru in Singapore, in a tropical rain shower. @chiyin_sim / @viiphoto in #singapore #iphoneonly via Instagram http://ift.tt/2a1TCRS
Hamilton Hijinks @ the National Portrait Gallery
Security only came over once to question our antics, but we didnât get thrown out, so all-in-all I consider this endeavor a SUCCESS!
BAHAHAHAHAHA ARE YOU READY TO TRUMBULLLLLLLLL
I would walk 500 miles
And I would walk 500 more
Just to be the man who walked a thousand miles to catch a bulbasaur
Trevor Noah made these comments hours before the shooting in Dallas, but in light of the events, it has become even more relevant.Â
Hamilton x The Lizzie Bennet Diaries (#Ham4Bennet)
âIâm a trust fund, baby, you can trust me.â
well thatâs one image we wonât be forgetting
Two of the best things to have come out of post-Taliban Afghanistan came together today in the Kabul neighbourhood of Kart-e Char. Six-year-old Zari, Afghanistanâs very own Sesame Street character, visited the Afghan National Institute of Music and was given demonstrations by students on piano, recorder and the traditional Afghan string instrument, the rubab. The two represent many of the things the ideologues of the insurgent movement outlawed during their six year rule in the late 1990s: the education of girls, music and freedom of thinking. While the modern Taliban is too fractured to colour all its factions with the same brush, itâs fair to say that the groupâs core leadership would hope to reinstate such laws should they ever return to power. Photo: @andrewquilty / @everydayasia / vu_photo. 27.6.2016. #kabul #afghanistan via Instagram http://ift.tt/28XOkd2
#GAME4HAM
Ahh, here is a project that snowballed out of control. I only wanted to draw Hamilton on the mario super star (heâs non-stop, geddit? geddit?), but then decided to turn the whole show into a SNES video game cause Iâm crazy like that. Thereâs four parts to this and Iâll post one a day (Iâm still tweaking the ends).Â
Part 1 of 4:Â Please click on the pics for descriptions/mission for each game.
edit: if the captions are not working (thanks tumblr), here they are:
Start Page
Eye of the Hurricane: Help Hamilton escape the hurricane but make sure he collects his books along the way!
Cut Scene: New York bound
BATTLE! Farmer Refuted: Oh my god, tear that dude apart. Help Hamilton call for a revolution in this screaming match against Samuel Seabury!
Cut Scene: Rise up!
Here Comes the General: Thirty-two thousand troops are in New York harbour! Fight your way across as George Washington. Watch out for the incoming BOOM!!!
Yo Letâs Steal their Cannons: Race against time with Hamilton and Hercules Mulligan (interchangeable leads) and steal all the British cannons before dawn!
Winter Ball of 1780, Level 1: Grind to the rhythm as Eliza Schuyler. Follow the steps correctly to help her dance her way across the hall to meet the handsome Mr. Hamilton!
Rewind!!! Winter Ball of 1780, Level 2: Uh-oh! Do you remember that night? Retrace all your steps and dance again as Angelica Schuyler.
Save page
|| Part 1 || Part 2 || Part 3 || Part 4 || (links will be updated with each post)
@linmanuel #yayhamlet!
I AM HERE FOR THIS QUALITY CONTENT
Disneyâs The Lion King premiered in theaters 22 years ago today!
The Lion King followed Beauty and the Beast, The Little Mermaid, and Aladdin in an era that came to be known as the Disney Renaissance.
The cast of HAMILTON for Rolling Stone
âIt is quite literally taking the history that someone has tried to exclude us from and reclaiming it,â says Leslie Odom Jr., who comes close to stealing the show with his turn as Hamilton killer Aaron Burr. âWe are saying we have the right to tell it too.â
âAnd then what sustains our relationship is Iâm extremely happy with her, and part of it has to do with the fact that she is at once completely familiar to me, so that I can be myself and she knows me very well and I trust her completely, but at the same time she is also a complete mystery to me in some ways. And there are times when we are lying in bed and I look over and sort of have a start. Because I realize here is this other person who is separate and different and has different memories and backgrounds and thoughts and feelings. Itâs that tension between familiarity and mystery that makes for something strong, because, even as you build a life of trust and comfort and mutual support, you retain some sense of surprise or wonder about the other person.âÂ
(via A Couple in Chicago - The New Yorker)
The GOPâs presumptive nominee for President of the United States.
and thenâŠÂ
I assumed this had to be fake because, like, of course Trump is awful, but the internet is also really good at making up things that make awful people look more awful. But, nope, Trump is celebrating Cinco De Mayo and his love of âHispanicsâ by eating a fictional taco bowl surrounded by his own trophies.
You wonât ever see Donald Trump the same way.
Work! https://www.teepublic.com/show/457234-revelation
A FLYING PANTOGRAPH
Project from MIT Fluid Interfaces lets you control a drone with a pen to draw on a surface:
We explore an art form where machines take essential role in aesthetics and processes of the creation. Our main theme can be summarized as âbody, hybrid, and âevolveâ - as we study an artistic medium that incorporates mechanical machines that institutes a hybrid creation process as well as an expressive capacity beyond body limits. âFlying Pantographâ transposes human-scale drawing acts to a physically remote output canvas in different scales and aesthetics. A drone becomes an âexpression agentâ - modified to carry a pen and be controlled by human motions, then carries out the actual process of drawing on a vertical wall. Not only mechanically extending a human artist, the drone plays a crucial part of the expression as its own motion dynamics and software intelligence add new visual language to the art. This agency forms a strong link between a human artist and the canvas, however, in the same time, is a deliberate programmatic disconnect that offers space for exploiting machine aesthetics as a core expression medium. The seemingly straightforward technical realization is in fact a combination of non-trivial mechanical and algorithmic solutions. The drone, a floating machine, is relying on a slim chance of stabilization acquired by battling the vortex of air, the pressure and friction on the canvas surface, and the capricious mind of the human artist. This suspense, the vulnerability to instability and the aftermath of crashing, poses a contrast with the optimistic idea of technologically evolved capability of a human artist.
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