turn on, tune in, drop out

Turn On, Tune In, Drop Out.

[germanpostwarmodern]

Club Táchira (1955) in Carcas, Venezuela, by José Vivas

[joeinct]

The Pilings, Photo by Wynn Bullock, 1958

[ingridbergman-deactivated202001]

Clue (1985) dir. Jonathan Lynn

[accras]

“We often don’t like to look at certain things because we’re not feeling grateful, but we should dare to look in the mirror and make an active choice to move on, forgive, and forget, and be grateful for the things we have.” – Michaela Coel, Dazed Magazine [x]

[percyplantt]

Robert Plant vs. Pre-Raphaelite Muses

“The term ‘Pre-Raphaelite’ conjures up visions of tall, willowy creatures with pale skin, flowing locks, scarlet lips, and melancholic expressions.”

“Bare chest on full display in unbuttoned silk blouses, razor-blade hip bones peeking out from low-slung, impossibly tight blue jeans, and wild, Pre-Raphaelite blond curls cascading down his back—his onstage look was as disruptive as his heavy-metal falsetto.”

[nevver]

Saturday Night Fever, Leah Frances

[oldfashionedvillain-deactivated]

[sadladypoetssociety]

I was always ashamed to take. So I gave. It was not a virtue. It was a disguise.

Anaïs Nin, The Diary Of Anais Nin, Vol. 4: 1944-1947  (via sadladypoetssociety)

[melissem]

Café, Paris, 1959

Saul Leiter

[vogue]

Meet Kiki Layne and Stephan James, the Breakout Stars of If Beale Street Could Talk

Photographed by Tyler Mitchell, Vogue, January 2019

[orwell]

Nina Simone and James Baldwin

[kafkasdiariies]

Monastero di Santa Chiara, Naples, Italy | Sara Pagano

[birdasaurus]

[manufactoriel]

Cuba 1993, René Burri

[redlipstickresurrected]

[themaiajae]

[obscureinsomnia]

PHOTOGRAPHER @tinapphoto

  @obscureinsomnia 

[itschinyere-deactivated20200201]