Ulrike Bolenz. Kleine Libelle, 2011.
Sweet Seals For You, Always
Peter Solarz

blake kathryn
trying on a metaphor
tumblr dot com
d e v o n

祝日 / Permanent Vacation
h
we're not kids anymore.

No title available
No title available
taylor price
almost home
will byers stan first human second

Origami Around
No title available

if i look back, i am lost
Sade Olutola
wallacepolsom

❣ Chile in a Photography ❣

seen from Hong Kong SAR China

seen from Switzerland

seen from Türkiye

seen from United States

seen from Germany

seen from Malaysia
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from Hong Kong SAR China

seen from Italy
seen from United States
seen from United States
seen from Singapore

seen from Japan

seen from United States
seen from Hong Kong SAR China
seen from United States
seen from Malaysia
@oeng
Ulrike Bolenz. Kleine Libelle, 2011.
“Adults are, like, this mess of sadness and phobias.”
Eternal Sunshine of the Spotless Mind (2004) dir. Michel Gondry
GIRLSICK
girl love is golden through and through
dribbles from my lip like half-eaten honey there is a jar of all-berry jam where my heart should be i am not allowed to touch it lest i messy up my filching fingers this too is a rule in girl love
i can tell you about the Homesick if you’d like how it exists for people too when i’m Girlsick there is longing in me instead of blood i slice myself ajar just to catch another wisp of her a lesson in aromatic self-harm
once i read the german novel PERFUME by patrick suskind just to put a word to her every scent pomegranatebloodlettingbesidecinnamonbark fig trees slit through the legs leftover-cereal-milk-gone-soft which i refuse to drink because it reminds me of her thighs wasted milk is prettier than spilt milk butterknife skim white tea and whipped cream (sugar)(silk)(rain)(face)(jasmine)(fingers) pine needles and pine cones and pine sap purple-pink unbranched inflorescence of mexican origin bergamot as delivered by the devil and words of another tongue ―el palo de rosa y sangre de la ciruela
i have not touched myself since the flowers stopped smelling even though i reek of sorrows and unsorries
i return to her door again and again especially when she is not home
Data Patatishvili
Matthias & Maxime (2019) dir. Xavier Dolan
Matthias & Maxime (2019) dir. Xavier Dolan
VINTAGE DODIE THAYER 1926 LETTUCE WARE
me @ the stars: help me
Eartha Kitt photographed by Carl Van Vechten, c. 1954