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"I'm Dorothy Gale from Kansas"
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Bubbles by Ola Rinda
Sam Falls
Untitled (Pillows 5, Topanga CA), 2013
New photos by @brendanpattengale blooming on the homepage
MOOD Issue 3 Has Arrived
Issue 3 looks at the people behind the products that make life better: Belgian beer, gig posters, Chinese food and more. And MOOD keeps traveling. This time to find a music and food paradise in Northern Spain, to discover how much fun bowling can be across America and to capture one of the most magical music festivals on earth in England.
GIJÓN SOUND
“If there has been a landmark year for modern Spain, it was surely 1992. A country that only 15 years earlier had celebrated its first democratic elections in almost half a century saw the Olympic Games come to Barcelona, Seville host the World Exhibition, and Madrid take on the mantle of European Capital of Culture. Oh, and FC Barcelona won their first Champions League title...”
THE END OF THE ROAD
“Wake up and smell the fresh grass, drink a cup of coffee, sit down and listen to some bearded guy with a guitar, scare the peacocks, eat pie and mash, go watch a movie or listen to a comedian, drink cider, enjoy another gig, drink ales, bump into a secret show and love it, eat a curry, dance to David Byrne, get lost in the forest, find a disco there, drink the last one, sleep under the stars. That’s more or less a typical day at End of the Road, the magical festival that has been taking place since 2006 at the Larmer Tree Gardens in Dorset, England...”
ATELIER TAKAGI
“I step out of the blazing D.C. summer heat and into Jonah Takagi’s house, nestled away in a sleepy section of Georgetown. I am welcomed by a gust of cool air and Takagi’s girlfriend, Mary Timony. We sit at the dining room table. I notice several unusual items in the room: a wooden model helicopter, a pair of glasses made from a wire hanger, and a Halloween mask constructed from old beanie babies (a Leatherface for kids?). There is a piano and two guitars, one of which was built by Takagi himself. Takagi is boyishly handsome in his wrinkled tee and talks with a slight lisp. Timony is an understated beauty with a girl-next-door sort of charm. Just as we are about to start the interview, we are interrupted by the sound of the doorbell. A man enters and he and Timony disappear into the basement studio...”
BOWLING IN THE USA
“Bowling was for a few decades a symbol of suburban American life. But the times they are a-changin and a growing number of alleys across the USA are demonstrating that the pins, shoes and balls can be cool and exciting again if properly surrounded. By what? Good music, food and drinks, of course. From west to east, and in the next few pages, we visit three very different examples of this phenomenon. This is America at its best...”
Get your copy HERE
Naked Label's SS14 video look book for the Siren collection
Interview with Annie Polk of Antelope Studio
OF US: Hi Annie! Your jewelry is mesmerizing with its radically sculptural associations. After studying sculpture and art history how did your path begin to venture towards jewelry design?
Annie: Hi Of Us! Let me first say that I'm excited to be part of your great group of designers. And thank you for the compliments.My path towards jewelry started as an obsession at a young age, like most jewelry designers. I was always snooping around my mom and grandmothers' jewelry boxes and staring at the details and putting gobs of it on at once. I made silly beaded things in middle school and I've always been a collector of jewelry (and other small things). I was an art history major in college and had a variety of jobs in the arts. In my late twenties I worked for a major sculpture fabricator in LA, where I was heavily involved in the R&D phases of projects (maquettes and modeling), as well as sourcing new vendors and keeping tabs of the multitude of samples. My co-workers called me magpie because I was drawn to all the small and shiny pieces of the job. During this time, I was making jewelry on the side and really excited about creating, but I had very little metalsmithing knowledge and my ideas were outgrowing my skills. I made the wise decision that it was time to get my hands dirty, so I enrolled in a full time metalsmith and design program. It was a perfect fit for me.
OF US: Are there any specific artists, periods, or works that have had the most profound influence upon your designs?
Annie: I aim for a tension and balance between designs that look futuristic and also evoke antiquity. I love Mediterranean gold antiquities, but I am also enthralled by modern/post-modern and contemporary artists and architects. For example, I’m equally drawn to minimalism for its quiet and simple strength, as I am to Dutch still life for its symbolism and color. I’m also influenced by folk art because it is often an intersection between utilitarianism and decoration.
Art is very important for my way of seeing and processing. I've worked in the art world or for creative businesses since college, so I know that art often informs my aesthetic in an unconscious way. Also, my husband is an artist so we look at and talk about art quite a bit. To be honest, I draw inspiration from everywhere- it’s all fair game. And to be specific, a few people I’ve been looking at lately are Vincent Fecteau (artist), Luis Barragán (architect), Enric Majoral (jeweler) and the Mono-ha movement in Japan.
The LINEarc collection was specifically inspired by Sol LeWitt's chalk drawings and Oscar Niemeyer's structures in Brazil.
LeWitt and Niemeyer were true modernists. The LineArc pieces have a distinctly modern appeal and are incredibly simple. They also echo primitive symbols or hieroglyphics in some ways, but that was unintentional.
OF US: The landscapes experienced whilst growing up in Santa Fe seem to strongly impact the direction of Antelope Studio’s aesthetic. What was it like to move to LA and find yourself smack dab in the middle of a metropolis?
Annie: New Mexico is dreamlike. The weather, the high desert alpine climate and the light it produces, the confluence of cultures (American Indian, Spanish, Latino), the deep history of art and craft in the area- all of these things make for an incredibly diverse physical, political, and visual landscape. I've lived in California for almost 13 years and I've always missed New Mexico. But, LA has been important for me as a designer because LA exposes you to everything. I found my style here and it has served as a backdrop to expose my own creativity to the market. It's important to be in the midst of a lot of creativity in order to find your own voice. LA is full of people trying to make it in any and all industries and there are so many creatively motivated people here. It’s exhausting but exhilarating. And I'd use the same adjectives about the city itself. I definitely have a love/hate relationship with it.
OF US: Has the city been an inspiration too?
Annie: Well, it’s funny that you are asking about my relationship to LA, because this is the eve of my departure from it. I am moving to Colorado in a week (!!), so I have been reflecting quite a bit on this place and what it means to me. LA has been an inspiration in the sense that I’ve had to become hyper-focused due to the immensity of the place. There is so much visual noise here, so many people, so many things to see and do and be distracted by. Because of this, you have to strip away and figure out what it is you want to create. That is a very valuable environment for a creative person, but it’s not ultimately essential. I guess I am ready to be in a quieter and slower place. I know my creative voice and I know what fuels it. Luckily, it’s not tied to Los Angeles or any specific location.
OF US: What is your process like when you begin to embark on a new collection?
Annie: I have too many ideas. But I find that I pay attention to the ideas that keep popping back into my brain. I know those ideas have substance if they recur over and over. If an idea brews for awhile, then I draw and make sketches and tear them up and start over and abandon them and come back. I’m currently working on some fish based designs that seem like they’ve been in my head forever. That’s a good sign for me.
OF US: We all know how important it is to find a balance between work and play. One of the most exciting elements of being an artist is that you never know what the latter will arouse in the prior. Where do you find yourself on your ideal “day off”?
Annie: I fantasize about days when nothing is planned. There is nothing to do, no one to see, no errands to run. I have a 1 year-old son, so I also fantasize about sleeping late. I think a perfect day off would be a hike with my husband and son and our dog. And at the end of the hike, I have an ice cold beer and then we get a hamburger on the way home. Man that sounds boring! At least my dream trips sound more glamorous. I’m dying to travel around Japan and to rent a boat and cruise the islands of Turkey or Greece. But I think the hike/burger fantasy is much more likely to come true sooner…..
Shop Antelope Studio here
Imago-a FW 2013 In!
Shop Imago-a FW 2013 collection here
Martine Ali x Patrick Carlin Mohundro
Selected images from Cat's Cradle, a collaboration between artist Patrick Carlin Mohundro and jewelry designer Martine Ali.
Shop Martine Ali's collection here
Images courtesy of http://www.patrickmohundro.com/
Available Soon: Viva Aviva "Red Storm Rising" Fall/Winter 2013
Stephanie Podasca
We had the opportunity to visit Stephanie Podasca's studio and learn about her process of creating wearable paintings.
OF US: Where are you from and where are based?
STEPHANIE: I am from the Bay Area, California. I moved here for school when I was 18 and going on 6 strong years in New York! I work out of my studio in Williamsburg, Brooklyn.
OF US: Your scarves are works of art. What is your background as far art and design?
STEPHANIE: I started painting when I was 8 years old after a trip to Paris where I fell in love with the Impressionists at the Musee d'Orsay. From there I went to experiment in all different mediums including printmaking, fashion design, and oil painting. I learned how to paint silk my last year at FIT and truly loved the technique and outcome. I continued painting custom scarves for friends and family and now it's a flourishing venture!
OF US: We love that you use a traditional and hand-made approach with your pieces. How did the concept and inspiration of hand dyeing and painting the scarves come about?
STEPHANIE: It's a traditional method I learned from my professor in school. There is always the option in our time to reach out to digital techniques, but I loved the absolutely unique magic of creating just one scarf using nothing but your hands. It blends perfectly my love for painting and design, to create an object of wearable art that is truly special to the owner.
OF US: If there was a person from the past that could represent your pieces, who would it be?
STEPHANIE: Lee Miller. It would be a photo shoot with Man Ray as the photographer. We could wrap up Lee's head and torso in silk scarves. It would be amazing. I also think 80s Madonna could rock them pretty fabulously...
OF US: Where would we find you on a Friday night?
STEPHANIE: Friday night activities vary from cooking home made Mexican food with my man, disco dancing at Le Baron, or some wine and studio painting with close friends!
Scarves are now available for purchase here. Email [email protected] for customized options.
Calvin Lee
We recently had the chance to catch up with Los Angeles based photographer Calvin Lee and chat about his current photo book and more.
OF US: Where are you from originally and what brought you to L.A.?
CALVIN LEE: I am originally from Boston, Massachusetts. I came to California specifically for graduate school to receive an MFA from the photo & media program at California Institute of the Arts in 2009. I currently live and work in Los Angeles.
OF US: Your photography captures the feel of L.A. and its people and surroundings. Is that something you find important in your work?
CALVIN LEE: Yes, my work often responds to my own personal Los Angeles experience. My interest in celebrity culture and the movie industry is reflected, illustrated, and visually communicated in my photographic work.
OF US: What was the main inspiration in your most recent book, A Romance In Pictures?
CALVIN LEE: The fantasy world that exists in Los Angeles and my obsession with magazine advertisements inspired my book "A Romance In Pictures". The photographs in my book investigates the abstract spaces of desire conditioned in representation, technology, and imaginary spaces. This series of rephotographed photo collages were made from a impulse to develop more in the studio and a need for the tactility and intimacy with visual materials. The work samples magazine advertisements to create collaged compositions that illustrate my interpersonal relationship with L.A. culture.
OF US: Where is your favorite spots to shoot in L.A.?
CALVIN LEE: I often wander aimlessly on the streets of L.A. looking for new discoveries or the unknown but I currently spend most of my time in my studio making work. There are specific hidden locations in L.A. that I continue to revisit that function as my think tank for the production of my photographs. I spend alot of my free time obsessively exploring and looking for surreal experiences or interactions with strangers or events. The process that I have developed allows plus guides me to develop ideas for making new photographs.
OF US: Where would we find you on a Sunday?
CALVIN LEE: Spending time in my studio working.
A ROMANCE IN PICTURES by Calvin Lee available for purchase here.
IN THE MOOD FOR MOOD
The arrival of MOOD Magazine's Issue 2 is upon us and oh!, the goodies it has in store!
THIS ISSUE In the second issue MOOD explores the art of eating outside, visits a seafood pop-up restaurant run by a heavy metal drummer, travels to Ghent to taste the city's traditional treats, takes a cocktail tour of Palm Springs, listens to the stories of a musician and a chef in Minneapolis and much more.
DETAILS: 80 pages Ad-free Offset printed Full color on uncoated paper Perfect bound
Shop Here: http://shop.ofusnyc.com/products/mood-magazine-issue-2
In anticipation for the upcoming Academy for Of Us pop-up, we spoke with designer Rachel Albright about her background, where she finds inspiration, and her many roles as an artist.
OF US: When did you start Academy? What were you doing before?
RACHEL: Academy started in late 2010, but had been living in my brain for a while. My background is in art and art history, and I worked for a while with a gallery and between Richmond and New York. Academy was my own way of creating something, and I actually didn't know at the time that it would turn out to be jewelry - I'm still surprised by that.
OF US: When designing a new collection where do you look to for inspiration?
RACHEL: Almost always art and sometimes weird fashion. Lately, it's been a lot of installation art and sculpture - shapes, proportion, and color relationships. I love Natalie Rognsøy, Matthew Ronay, and I'm always inspired by studios like Fort Standard, Brook&Lyn, Building Block, Apparatu - they make incredible things.
OF US: You are based in Richmond, Virginia, which we hear is a pretty cool spot. Any insider tips?
RACHEL: Richmond is the best. So many talented people come out of here and there's this great young energy from people who just want to do things. As far as insider tips: the best coffee is at Lamplighter, the best tacos at La Milpa, and the best cocktails are at Saison.
OF US: What other art forms do you practice, if any?
RACHEL: Anything I can. I like to pretend I'm a sculptor, and in my other life I'm a writer.
OF US: Where can we find you on Thursday night?
RACHEL: Dinner and drinks with the raddest, smartest, and funniest group of girls, and then staying up in the studio and making weird things all night.
ESTUARIES
From Hawaii to NYC, the sister team behind the swimwear line Estuaries understands a
women's body. We got a chance to catch up with Rhu Zu and Layla Chen on their most recent collection and more.
OF US: Where are you based and where are you from?
ESTUARIES: The Label is based in NY. We grew up in hawaii, near the shoreline of Honolulu.
OF US: As two sisters behind the force of the collection, how do you balance work time and family time?
ESTUARIES: Being sisters, we are naturally very close. Estuaries is a challenge for us to understand one another in a business perspective, not only a personal perspective. It takes us out of our comfort zone, which we feel enhances our relationship. When we are not working, we spend quality time doing things we both enjoy, which could be anything from cooking at home to a bike ride in the park.
OF US: What made you want to make the move from Hawaii to NYC?
ESTUARIES: I made the move for my passion for design. New York is at the forefront for fashion and design, so naturally I studied design here. Layla came later to join me after receiving her business degree.
OF US: We can only imagine Hawaii would be the ultimate inspiration location for a swimwear line. Do you see yourself working towards more clothing pieces?
ESTUARIES: Hawaii is the inspiration for a very unique beach lifestyle. NY is the foundation for design inspiration. We believe that designing more clothing pieces that can share a comradery with our swimwear will help solidify the line. We are currently working in adding more dresses and wraps to the collection.
OF US: Where is your favorite spot to swim in/near NYC this Summer?
ESTUARIES: We like to travel to Montauk for some beach time. But if we want a nice day outdoors, we love to do some light tanning at Brooklyn Bridge Park.