Oliver Martínez Kandt //

visual notebook

[oliver-kandt]

Brian Khek

Straw Man (Los Angeles)

two-piece suit and oxford, palm leaves, xerox prints, sweet potatoes, and shallots

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Mandrake, from Tacuinum Sanitatis in Medicina manuscript (Österreichischen Nation- albibliothek, Codex Vindobonensis, series nova 2644, ca. 1390)

[theories-of]

Giorgio Griffa, Obliquo, 1975, acrylic on canvas, 70 x 72 inches.

[minamaruco]

[grupaok]

KwieKulik, Activities with a Tube, 1975

[oliver-kandt]

Giulio Paolini “Teatro di MNEMOSINE. GIULIO PAOLINI d’après WATTEAU”

Mnemosine (Les Charmes de la Vie/3-6), 1981- 87

[blueberrymodern]

[oliver-kandt]

lucie rie

and hans coper

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Albert Oehlen, Untitled 2012

[oliver-kandt]

Molly Lowe: Formed

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Skinsmooth (v.-2) by Martin Kohout

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Manifesto (collaboration with Nick Bastis) utility closet, refrigerator, raw steel, video, speakers, found diagram

http://www.andrewnormanwilson.com/StarcomMediavest.html

[oliver-kandt]

19Dic, Parallel Oaxaca

Rodrigo Hernández

Go, Gentle Scorpio

rodrigo-hernandez.net

http://paralleloaxaca.wix.com/paralleloaxaca

[mpdrolet]

John Divola, Untitled, 1974 from Vandalism

[oliver-kandt]

Jem Southam, Whale Chine, Lower Greensands, Feb, 2000

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Alina Szapocnikow, “Photo-sculptures,” 20 gelatin silver prints, 30 x 24 cm and 24 x 30 cm, 1971/2007. 
Collection de Bruin-Heijn. Image courtesy of WIELS Contemporary Art Centre, Brussels.

[oliver-kandt]

Tomás Díaz Cedeño at Parallel Oaxaca

[oliver-kandt]

Haris Epaminonda, Chapters, 2013, 16mm film transferred to digital, four-channel video installation, approx. 4 hrs, sound by Part Wild Horses Mane On Both Sides