Sade Olutola
wallacepolsom
Not today Justin
will byers stan first human second

tannertan36

Andulka
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Kiana Khansmith
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izzy's playlists!

#extradirty
AnasAbdin
we're not kids anymore.
One Nice Bug Per Day

JBB: An Artblog!
Mike Driver
Three Goblin Art
noise dept.
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"I'm Dorothy Gale from Kansas"

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@onlyinnaysworld
Books, art galleries and museums are the best material things in the world , aren't they ?
SURPRISE! NEW MUSIC VIDEO TOMORROW at 10am ET 🚨 I finally got to work with the brilliant, brave, & wickedly funny Blake Lively on her directorial debut. Join us as we raise a toast, and a little hell.
https://Taylor.lnk.to/IBYTAMVideo
@littlesimi_
For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.
Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I’ve received at his hands for years.
Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my life’s work, that I wasn’t given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it.
This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it.
When I left my masters in Scott’s hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words ‘Scooter Braun’ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didn’t want to be associated with them. In perpetuity. That means forever.
Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scott’s hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make.
I will always be proud of my past work. But for a healthier option, Lover will be out August 23.
Sad and grossed out,
💔
Taylor
follow for more!! :)
Tips for writing spells:
If you want to keep something close, bury it in your back yard. If you want to attract something, bury it under the front door step If you want to destroy its influence, burn it. If you want it to move away and sink, throw it in running water If you want to disperse it to a distance, throw it into a crossroads If you want to fix its influence, inter it in a five-spot pattern If you want it to work by means of spirits, bury it in a graveyard If you want to hide its point of origin, conceal it in a tree If you want it to work in secret, give it in food or drink If you want it to work by stealth, hide it in clothing or on objects If you want its influence to begin or strengthen, throw it East If you want its influence to end or weaken, throw it West If you want its influence to rise and fall cyclicly, float it in a tidal estuary
GURLLLLLL