People Mad at Opera

Whatever you say, opera queen! mod is @thebridgesandtunnels [Currently bringing posts over from twitter, where this account has lived for years: I'm doing my best to add image descriptions, but with hundreds of posts it's simply too much work to add them to all of them! My apologies.]

[operacomments]

screencap of Angela Gheorghiu as Violetta in the Royal Opera House production of La Traviata. comment, from boheme88, reads: Ok opera queen whatever you say!

[malcolm-f-tucker]

it seems @peoplemadatopera is no more but that won't stop me from collecting unhinged youtube comments

[malcolm-f-tucker]

I'm a dunce. paging @operacomments

[malcolm-f-tucker]

leave him alone it's his summer look 😭😭😭

[thequeensthroat]

Tito’s, neat

This Clemenza seemed more or less unconcerned with the opera’s political imagination, content to take Tito at his word that his rule is mora

I reviewed a boring clemenza! this was written on my phone from the cuny gaza camp so I can’t say it’s my finest work but feel free to give it a look

[thequeensthroat]

At liberty to divulge

If it didn’t all work, it wouldn’t work at all.

I reviewed Heartbeat Opera’s new adaptation/staging of Eugene Onegin; finally, an Onegin that supports fujoshi rights and is not afraid to say it. read all about it!

[bobdobalina]

Ohhhhh my god u think directors should follow the libretto? should we tell everyone? Should we throw a party? should we invite franco zeffirelli

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Jonas Kaufmann quits Salzburg Requiem - Slippedisc

The tenor has pulled out of his home...

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[thequeensthroat]

Unicorn tapestry

The Hunt’s strongest argument for the possibility of growth, connection, and agency even under adverse and restrictive circumstances lay, of

reviewed a new opera for once (yayyyy) it’s called the hunt and it’s about unicorns and I thought it was a beautiful covid fable and also just cool 👍

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