Altuzarra Spring 2026 Ready-to-Wear

izzy's playlists!

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sheepfilms
wallacepolsom

tannertan36
"I'm Dorothy Gale from Kansas"

PR's Tumblrdome
Today's Document
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NASA
d e v o n

Andulka

祝日 / Permanent Vacation
Show & Tell
Sweet Seals For You, Always
Keni
Peter Solarz

Discoholic 🪩

#extradirty
YOU ARE THE REASON
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@orphic-mysteries
Altuzarra Spring 2026 Ready-to-Wear
French ocean liner SS Normandie on a vintage postcard
The three primary uses of masks in film are entertainment, disguise and protection. From ancient Greek plays through Japanese Noh theater, masks are deeply intertwined in the universal language of entertainment and ritual, and its power as a transformative tool is so ritualized and timeworn that it is the unofficial logo for an entire artform. Since theater was an influence on early motion pictures (consider the framing and gestural acting of silent film), it figures that masks would be smuggled into movies, and some of the most enduring images from film history are now associated with masks. —Alex Vlahov
V for Vendetta (2005), The Mask (1961), The Mummy Returns (2001), Emerald City s01e06 (2016), Black Orpheus (1959), Judex (1963), The Man in the Iron Mask (1998), Kingdom of Heaven (2005), Eyes Without A face (1960), Eyes Wide Shut (1999), Squid Game s01e07 (2021), Knights of the Zodiac (2023), Onibaba (1964), Scream (1996)
WERWULF concept poster
Art by Omar Hauk | Swarez Design
Iron Heart
Atelier Versace haute couture fw 97, Christian Dior haute couture ss 98, Jean Paul Gaultier haute couture fw 03, Enfants Riches Déprimés rtw fw 24
Sourced from Pinterest
Jester's Head Brooch
c. 1897-1898
by René Lalique
Musée des Arts Décoratifs
studying history is like. here's to another beautiful day of not being pregnant and of having no obligation to ever be. thank you women who fight for abortion and contraception and independance from men for another beautiful day of not being pregnant and of having no obligation to ever be
Blue butterfly with a swallow tail. Chūrui gafu. 1910.
Internet Archive
China. Shanghai. 1979. Make-up room at the Beijing Opera in Shanghai. Hiroji Kubota.
Copying reliefs in the temple of Ramses, photography by Kees Scherer, 1968, in Abu Simbel, Egypt
Different views of Picadilly Circus by George Hyde-Pownall
Lisa Ivory (British, 1966) - Tambourine Man (2025)
hwa.min 🎐
I feed too much on the inward sources; I live too much with the dead. My mind is something like the ghost of an ancient, wandering about the world and trying mentally to construct it as it used to be, in spite of ruin and confusing changes.
-- George Eliot, Middlemarch
GUCCI
RESORT 2027
By Demna
Xie Chaoyu by Han Yang for Vogue Czechoslovakia November 2025