where: orville's flat in downtown eden ros
when: early spring
Outside shuttered windows concealed by black-out curtains, the sun crept over the horizon. Orville was settled back in his flat well before the threat of daylight, a to-go shot of espresso in hand. He was forever grateful for the cafes that opened before dawn. Even if it needed a slight modification to satisfy him, it still felt nice to indulge. Just a few drops of blood made all the difference.
With no real need for a bed to sleep in, the bedroom of the flat was more appropriately utilized as a studio. It was really the only even lightly crowded space in the flat — centuries of traveling had kept his personal possessions light. But this room held drying paintings, works in progress, and some of his finished works (the rest had begun stacking up in a closet), and a great deal of supplies.
That wasn’t where he spent all, or even most of his daylight hours. No, too many hours locked in the studio would be enough to drive him mad. He was hardly that sort of zealous workaholic, anyway. He’d seen centuries pass, and hoped to see many more. He had all the time in the world to create.
There was a great deal of human culture to keep up with, anyway. Reading was such an accessible entertainment these days — the ability to access so many things on one small device was astounding. Television shows and films, too, were such intriguing new mediums, and had rapidly become so easy to view in the comfort of his flat. Far more so than his last stay in Eden Ros, to his delight.
By noon, though, he’d had his fill of reading and watching and learning. He opened the studio door and turned the lights on — an assortment of lamps stationed around the room, avoiding the need for the unpleasantly bright overhead light. He’d returned to long-unused sewing skills to re-finish the lampshades to better fit his tastes (interior decor these days was so grey and dull).
One of the paintings set to dry was still a few weeks out from completion — a gift for his love, the first creation for the witch since Orville’s return to Scotland. A few others were experiments; studies of the carefully plotted geometric style he’d encountered in his recent travels, an abrupt change from his usual soft, organic subject matter. He’d done some painting during his time across North Africa (a few decades was too long to go without picking up a brush), but far more of his work in that time had been sketches and observations of the art around him. Now he could let the exploration really sink in, and fully engage with the ideas in his work.
The alarm for sunset was a strict end to his studio time, however engrossed he was. Breaks were essential to the artistic process, and with such a limited time he could be out of his flat, he took every second he got to step out.
That didn’t mean neglect of his materials, of course. He carefully cleaned his brushes, ensuring the harsh chemicals were safely stored before he left for the night. His current work would stay on the easel. Paints found their place in storage, and palette was covered. Then he could change out of his painting clothes, and head out in something far more becoming than paint-splattered overalls.