PROJECT HAIL MARY | 2026 dir. Phil Lord, Chris Miller

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PROJECT HAIL MARY | 2026 dir. Phil Lord, Chris Miller
"no, you listen! all my life you have told me the world is a dark, cruel place. but now i see that the only thing dark and cruel about it is people like you!"
HOND 30TH ANNIVERSARY WEEK day one: one main character (insp.)
"Paris, the city of lovers is glowing this evening.
True that's because it's on fire
but still, there's l'amoooour"
HOND 30TH ANNIVERSARY WEEK day two: one support character
won't resent, won't despair
old and bent, i won't care
i'll have spent one day
out there
HOND 30TH ANNIVERSARY WEEK day four: one song (insp.)
"live here? where?" "anywhere. just so he's kept locked away where no one else can see. the bell tower, perhaps"
HOND 30TH ANNIVERSARY WEEK day five: one location
"and maybe frollo's wrong about the both of us."
HOND 30TH ANNIVERSARY WEEK day six: one scene
original score by alan menken (walt disney record the legacy collection: the hunchback of notre dame)
HOND 30TH ANNIVERSARY WEEK day eight: free day
so here is a riddle,
to guess if you can,
sing the bells of notre dame
HOND 30TH ANNIVERSARY WEEK day seven: one quote
JURASSIC PARK 1993, dir. Steven Spielberg
The Princess and the Frog (2009) dir. John Muskers + Ron Clements
Zendaya & Tom Holland: Spider-Man photocall in Madrid June 2017 / June 2026
plssss i have loved them for 10 years
Captain Amelia, voiced by Emma Thompson
TREASURE PLANET (2002) Dir. John Musker & Ron Clements
I don't need a back up, I'm going to Harvard. Legally Blonde (2001) dir. Robert Luketic
RYAN GOSLING as RYLAND GRACE PROJECT HAIL MARY (2026, Phil Lord & Christopher Miller)
The X-Men AVENGERS: DOOMSDAY (2026)
THE LORD OF THE RINGS: THE RETURN OF THE KING â Behind the Scenes
This is awesome. I hold up a fingerâhe returns the gesture. I fly down to the lab and grab a tape measure. He showed me a unit of time, so I'll show him a unit of length. PROJECT HAIL MARY (2026) directed by Phil Lord & Christopher Miller, adapted from the novel 'Project Hail Mary' by Andy Weir